Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He began his career as an investigative reporter for newspapers in Virginia, and later became a grants, public relations and speech writer for nonprofit healthcare agencies.
Eric’s debut novel is the postapocalyptic science fiction story, The Dogs Don’t Bark In Brooklyn Any More, published by Dagda Publishing in the United Kingdom in 2013. His poetry, short stories and photography have been featured by publications throughout the United States, Canada, Britain, Australia and India. These include Quail Bell Magazine, Dagda Publishing, Every Day Poets, Every Day Fiction, Illumen, Down in the Dirt, Under The Bed, The Piker Press, Dead Beats Literary Blog, Microfiction Monday Magazine, Dead Snakes, UFO Gigolo, Peeking Cat Poetry Magazine, The Bright Light Cafe, Aphelion, Tales of the Zombie War, Haikuniverse, The Bees Are Dead, Poems-for-All, Poetry Pacific, Synchronized Chaos, Every Writer, Poetrypoeticspleasure Ezine, The International War Veterans’ Poetry Archive, Winedrunk Sidewalk: Shipwrecked in Trumpland, The Drabble, Spillwords, The Roanoke Times, The Bristol Herald Courier and A Story In 100 Words.
Eric’s poems and short stories were also included in six anthologies: Dagda Publishing’s Threads in 2013; Dagda Publishing’s All Hail the New Flesh in 2014; Peeking Cat Poetry Magazine’s 2016 Anthology, 2017 Anthology and 2018 Anthology; and Down in the Dirt’s poetry collection The Flickering Light in 2019. Eric’s science fiction/horror story, “At the End of the World, My Daughter Wept Metal,” was nominated for the Sundress Publications 2018 Best of the Net Anthology. He is a past editor for the dystopian arts and literature journal, The Bees Are Dead.
Eric will always be a New Yorker at heart, but currently resides in his adopted Virginia, where he enjoys drinking coffee and occasionally glimpsing a falcon, fawn or fox among the high and clay-colored Alleghenies.