My college pal Amy took this picture the other day …

But it’s actually a trick license plate.  (It only says “Hysteria” when you’re near.)

North Jefferson Street in Roanoke, Virginia, looking south, 1951

The original source for this photo is the National Archives; I found it via the cool people at Virginia Life Stories.

Cover to “24: Underground” #1, David Furno, 2014

IDW Publishing.

Comics-idw-24-1

“Is not January the hardest month to get through?”

“Is not January the hardest month to get through? When you have weathered that, you get into the gulfstream of winter, nearer the shores of spring.”

— Henry David Thoreau, February 2, 1854



Happy Valentine’s Day!!

Photo: Clopper Mill Elementary Hearts for Heroes

“Her Smile Was Silver Jupiter”

It was a mad and spinning world in which you met her, but she was a mad and spinning girl — so brightly and resolutely burning that she herself was celestial. There was starshine bottled up in her heart, solar winds charged the particles of her thoughts, ions in the atmosphere ignited her impulses. Her willful joy was her own burning sun.

When she was sly, her eyes were hasty comets. Her passion amassed from Saturnal storms. Her smile was silver Jupiter– you wanted to repose over its white sands, beside the stained and rose-metal lakes of smoldering, darkening copper.

Between the spaces of her words, chasms of cosmos would occasionally open. You could stare into those depths for indifferent and measureless distances of light years — the sublime nightmare-nothingness that Providence had made, the Forever-of-Empty-Dark. But before you could be afraid, her own gravity drew you in.

And you were glad. That such loveliness could exist in a single soul was reassurance. (The Forever-of-Empty-Dark wasn’t entirely empty, after all.) And you were grateful — grateful for her rejoinders, for the taste of her mouth on your own, for her girlish laugh, for the way that she regularly lighted a murky Earth with the moonbeams of her quiet kindnesses.

She was unstoppable. Ultraviolet rode the coronal shades of her irises, and flared in her contemplation. She blazed. Magnetic radiation murmured in her poetry. You loved her for her uniqueness in a universe of cold space, for the way that she burned and turned and burned and turned without ever slowing or expiring. When her light fell across you, you could almost believe that you, too, were spinning and illuminated. You loved her enough for the illusion alone.

You loved her more for her gravity that drew you in and held you, and for her arms that did the same.

— “Her Smile Was Silver Jupiter,” by Eric Robert Nolan



“Liebespaar am Wiesenrand (Sommer,)” Leopold Burger, 1894

“Lovers on the Edge of the Meadow (Summer.)”

“There are four questions of value in life …”

So I finally got to see “Who’s Afraid of Virginia Woolf?” (1966) last night.

There is much to admire about Mike Nichols’ 1966 adaptation of Edward Albee’s 1962 play — but nothing stands out like Elizabeth Taylor’s performance.  That woman’s skill as an actress was stunning.  She was indistinguishable from the doomed character she portrayed, opposite her then-husband, Richard Burton, in a tragedy about a baroquely twisted marriage.  I would  easily place her on par with the likes of Dustin Hoffman, Anthony Hopkins or Sissy Spacek.

When I was a kid in the 1980’s, I thought of “Liz” Taylor as some “old” actress from my parents’ time.  (And she frequently seemed like some sort of joke to adults on television who traded in celebrity gossip.)  But now I understand that she had genius-level talent.  Damn.

Postscript — the 1967 poster below was obviously produced in France.

Postscript 2 — I am linking below to Fábio Camargo Corrêa’s Youtube channel.



Nurse Your Favorite Heresies in Whispers