Tag Archives: 2022

Variant Cover to “Catwoman” #48, Sozomaika, 2022

DC Comics. Card stock variant.

Throwback Thursday: “Omen III: The Final Conflict” (1981)

Sam Neill passed away on Monday at the age of 78. I think most of my friends would associate him the most closely with the various “Jurassic Park” films in which he appeared (1993 – 2022), or maybe the classic 1990 film adaptation of Tom Clancy’s “The Hunt for Red October.”

But, being an older Gen X’er, my first memory of this fine actor wasn’t for his roles as a nice-guy paleontologist or an affable would-be Soviet defector. It was the goddam anti-Christ.

“Omen III: The Final Conflict” arrived in 1981. (I would have discovered it on VHS a few years later at my local mom-and-pop video store.) It never became a part of the zeitgeist the ways its predecessors did in the prior decade, but it was definitely my favorite. (I am linking below to MDB Trailers for the trailer.)

It had a “cool” factor that the other movies lacked — thanks to Neill’s performance as a charismatic devil incarnate. He was smooth and charming and persuasive, and was a hell of a lot more fun to watch than a bratty kid who screamed when he was brought to church. He could even psychically control dogs, for some reason.

The assassin-priest protagonists were also really cool. (I was an apostate even then, so it took a lot to make me root for the clergy.) I think I was also really impressed with the broad canvas over which the film’s plot was placed. I’d grown up on scary movies that were mostly standalone monster movies (or maybe slasher films). Seeing an epic battle with lots of combatants in a larger theological context really entertained me as an adolescent horror fan.

Neill made the movie. It just wouldn’t have been the same without his perfect blend of charm and menace. I think he always got too little credit as a fantastic bad guy. Think about it. If you took his Damien Thorne and inserted him into the Marvel Cinematic Universe, would’t he be a contender for its best villain?

A few of my fellow horror fans have opined on social media that the film has not aged well. Maybe I was just easily impressed as a kid. I’m going to have to check it out again to decide where I stand today.



Cover to Sierra Eagleson’s “Brush Fire — Live From the Woods” single, 2022

Throwback Thursday: this 1986 commercial for Ernst & Julio Gallo Winery (scored by Vangelis)!

So people still remember this 1986 ad as the “Gallo wines commercial with the classical music” that they loved but could never identify.

Well … it sounds like classical music.  But the composer for the pretty piece is none other than Vangelis.  (If you’re anybody who’s anybody in my particular corner of sci-fi nerd-dom, then you know that Vangelis was responsible for 1982’s legendary “Blade Runner” soundtrack.) 

The name of the piece is “Hymne,” and it was originally released on Vangelis’ 1979 album, “Opera Sauvage.”  The original song, which differs a bit from the version in the commercial, can be found right here.

I only learned while writing this that Vangelis wasn’t really “a group.”  It was a single Greek composer — Evangelos Odysseas Papathanassiou — who passed away in 2022.



“The Last Gasps of Harvest Season, Sound Avenue, Wading River, New York,” Andre Carrotflower, 2022

Image credit: Andre Carrotflower, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

Variant cover to “Batman: One Bad Day,” Jim Lee, 2022

DC Comics.

Cover to “Grendel Omnibus Volume 1: Hunter Rose” (Second Edition), Matt Wagner, 2022

Dark Horse Comics.

Cover to “Action Comics” #1050, Alex Ross, 2022

DC Comics.

Album cover for Ethel Cain’s “Preacher’s Daughter,” 2022

Daughters of Cain.

Variant Cover to “Catwoman” #38, Yanick Paquette, 2022

Cover A.  DC Comics.