[THIS POST CONTAINS *MAJOR* SPOILERS FOR “GAME OF THRONES.”]
That terrifying moment when you realize that the Night King has air superiority, and can probably convert it to naval superiority …
What if he flies over the ocean and “converts” the entire Golden Company as they’re enroute to Westeros from Essos? That way the army of the dead can attack from the south with a navy, in addition to attacking from the north. Things were easier when he couldn’t just fly anywhere and augment his forces wherever he wanted, right?
If the Night King DOESN’T follow this (apparently most logical) strategy, and attack from two fronts, would it be a plot hole?
I at first wondered if maybe the Night King needed to be near his wights in order to animate them. But … the captured wight in Season 7 was alllll the way down in King’s Landing when our heroes showed it to Cersei, while the Night King and the white walkers hadn’t even gotten to the Wall yet. And that wight up and got jiggy with it just fine.
Bear in mind that Dany’s dragons appear capable of flying virtually anywhere in a very short period of time; fans even decried the “plot hole” when the dragons flew so inexplicably quickly from Dragonstone to north of The Wall to rescue Jon Snow’s wight-hunting party. I suppose we could lampshade this by saying that their speed is indeterminate because they’re magical creatures.
And the undead dragon at the end of Season 7 looked like it was moving even faster than a live dragon, right? This was consistent with what we’ve already seen on the show. The wights, animated by magic, often move a lot faster than living humans.
Yeah, you’re right — it’s a laundry day, which is why I’m procrastinating again by sitting here blogging about “Game of Thrones.”
This article from the Washington Post shows a letter from the Trump Campaign to Robert Costa and Bob Woodward, dated 2016. Click the link below and read the letter on its original letterhead.
Donald Trump indeed indicated that he expected Mexico “to make a one-time payment $5 to $10 billion” to pay for the wall.
(Deadpool variant.) Marvel Comics.
“The past was alterable. The past never had been altered.
“Oceania was at war with Eastasia. Oceania had always been at war with Eastasia. A large part of the political literature of five years was now completely obsolete. Reports and records of all kinds, newspapers, books, pamphlets, films, sound-tracks, photographs — all had to be rectified at lightning speed. Although no directive was ever issued, it was known that the chiefs of the Department intended that within one week no reference to the war with Eurasia, or the alliance with Eastasia, should remain in existence anywhere. ”
— from George Orwell’s “Nineteen Eighty-Four”
Chuck Barris’ “The Gong Show” (1976-1980) was another show I remember vaguely (but quite fondly) from when I was in kindergarten or the first grade. (It aired its original run between 1976 and 1978, and then was syndicated the latter two years.) I still remember laughing uproariously at its weird acts, and it might have been one of those shows that ended just before my 8 PM bedtime.
The idea was this — a panel of three celebrity judges would view a handful of amateur talent acts, and would bang the titular gong if an act was so bad that they decided they couldn’t allow it to continue. (Along with legitimate talent, the program deliberately fielded acts that were weird or just plain bad.) What’s interesting is that this seems like a very tame precursor of contentious current reality shows like “American Idol” or “Britain’s Got Talent,” which are still going strong since their advent in the early 21st Century. “The Gong Show” was a lot more laid back.