Goodbye, Spock.

Rest In Peace, Leonard Nimoy.

Thank you for the memories.

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‘Illusions,” by Ralph Waldo Emerson

‘Illusions,” by Ralph Waldo Emerson

Flow, flow the waves hated,
Accursed, adored,
The waves of mutation:
No anchorage is.
Sleep is not, death is not;
Who seem to die live.
House you were born in,
Friends of your spring–time,
Old man and young maid,
Day’s toil and its guerdon,
They are all vanishing,
Fleeing to fables,
Cannot be moored.
See the stars through them,
Through treacherous marbles.
Know, the stars yonder,
The stars everlasting,
Are fugitive also,
And emulate, vaulted,
The lambent heat–lightning,
And fire–fly’s flight.
When thou dost return
On the wave’s circulation,
Beholding the shimmer,
The wild dissipation,
And, out of endeavor
To change and to flow,
The gas become solid,
And phantoms and nothings
Return to be things,
And endless imbroglio
Is law and the world, —
Then first shalt thou know,
That in the wild turmoil,
Horsed on the Proteus,
Thou ridest to power,
And to endurance.

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“What lips my lips have kissed, and where, and why,” by Edna St. Vincent Millay

My good friend Jaine Sirieys posted this yesterday.  It’s powerful, and I love it.

“What lips my lips have kissed, and where, and why”

by Edna St. Vincent Millay

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.

millay


	

The Tiny Limerick (minus the sauce)

If you want a smile, then check out a few limericks written by my friend A.K. Hinchey. 🙂

akhinchey's avatarThe Torn Page - A K Hinchey's Writing Blog

During my unending years of English Language at Uni I had the honour of doing a poetry module or two each and every year. I really loved doing this as my tutors were fantastic published poets such as Carol Rumens. We studied everything from sonnets, haiku’s; all the way through to Limericks and this is what has really caught my attention at the moment. They’re just so fun to do and take very little time. They’re also perfect for the amateur poet just starting out to develop their poetic chakra. A limerick is always five lines and has a rythmic pattern of A, A, B, B, A. There’s also a tempo running through the entire poem which makes it sond almost musical. The thing that always bothered me about them however was most poets insistance on starting them ‘There once was a…’. I know this is the traditional starting…

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A very short review of “Skyfall” (2012).

“Skyfall” (2012) was a decent flick; I’d give it an 8 out of 10. I love modern movies that give us great action sequences without CGI, or at least without cartoonish and incredibly obvious and transparent CGI. The stunts were great. And it had good acting, good directing and fantastic dialogue. I love the way these characters talk.

It suffers from a comparatively weak third act, and a bizarre villain that is far more irritating the menacing. We see no evidence that the bad guy has the physical or mental characteristics to make him an equal to Bond, which is what the movie suggests. (He’s more like a rich jerk with a lisp who talks too much.)

Also … as the “Honest Trailers” gag points out … what happened to the stolen list? Wasn’t that the point of the movie?

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“I am confident in all of this; confident like a haunted doll …”

And here is another great piece by Dennis Villelmi:

++++++++++

Shots report the ritual; one…two…three…four shots;
The intervals, like they might have been dictated by ritual.
A dog barks, and some tawdry love letters slip from the dry-skinned fingers
Of some anonymous soon-to-be suicidal gal.
I am confident in all of this; confident like a haunted doll, knowing it won’t be long before
I’m “welcomed” into another household cause that household has a young daughter with
A need for dollies.
I know the next ritual will be my welcome mat.
There’s a market for rituals, do long as there’s inspiration to pen those soppy mementos of
Amour.
I’m not penned, not even summoned. I’m the shadow on Fate’s balcony, and the cities are my
Shoeboxes of sundry photos.
I remove the cover from Yonkers, or, well, you name it, and there are the faces, the love letters, and the incantations.
One…two…three…four! The push pins I use to tack up those photos sure are loud. It truly is a matter of caliber.

++++++++++

If you haven’t checked out the author’s Facebook page for his work, you can find it right here:

https://www.facebook.com/beastdeities

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If you have author friends, call and ask them if the blizzard-borne ghosts have driven them yet to murder their families.

It’s what I’m doing.  (Calling author friends, not murdering my family.)

Then yell “REDRUM” in that creaky voice.  It’s exactly the light-hearted humor that will lighten the stress of severe snowy weather.

New ‘Alien’ Movie Confirmed with Director Neill Blomkamp

ELATION!!!

A very short review of “Silent Night” (2012).

I wrote this review three years ago; Donal Logue’s career is alive and well today in “Gotham.”  And, yes, I do get that this is a remake/homage to 1984’s “Silent Night, Deadly Night.”   *****

“Silent Night” (2012) is a fair slasher film, distinguished only by Malcolm McDowell, Jaime King and Donal Logue, whose talents would have been better invested elsewhere. I can only give this a 5 out of 10 at best – it’s more or less a B movie that can provide a late night horror movie fix if there’s nothing else on.

Where has the wonderful Donal Logue’s career gone? He’s funny as hell, and even “Grounded for Life” wasn’t too bad a tv show. A friend and I were asking the same thing about his even better “Blade” (1998) co-star, Stephen Dorff.

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Whatever. I really liked “Silent House” (2011).

Elizabeth Olsen is goddam amazing. Her performance in “Silent House” (2011) alone is worth the price of a rental. She honestly makes me think of a young Jodie Foster.

I’m surprised this film was so widely panned. I thought it was generally good, and I’d give it an 8 out of 10. It was damn scary, and it had some nifty devices going for it. One was its real-time action, another was its exclusive use of very long tracking shots, that were carefully edited to make the entire film look like one, long continuous take. Another was filming a lot of scenes in almost complete darkness – capturing Olsen’s character’s point of view as she flees through a house from a mostly unseen assailant.

Was this supposed to be a twist movie? If so, it failed in that sense. The plot development toward the end was spelled out early on, and when certain items keep popping up, it’s a clincher. If you can’t see what’s going on by the last 15 minutes, you stayed up too late last night. And although this is supposed to be a remake of a Uruguayan film, its “twist” makes it remarkably similar to a well made French horror film from a few years back, which I won’t name to avoid spoilers. (Please follow suit in any comments.)

I’d recommend this …with the caveat that nearly everyone else seems to have hated it.

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