Tag Archives: 1877

“Paris Street, Rainy Day,” Gustave Caillebotte, 1877

Oil on canvas.

800px-Gustave_Caillebotte_-_Paris_Street,_Rainy_Day_-_1964.336_-_Art_Institute_of_Chicago

Illustration from “Castle St. Angelo And The Evil Eye: Being Additional Chapters to ‘Roba Di Roma,'” 1877

Castle_St._Angelo;_and,_The_evil_eye_-_being_additional_chapters_to__Roba_di_Roma_(1877)_(14783969472)

“Morning Awakening,” Eva Gonzalès, 1877

Oil on canvas.

Eva_Gonzalès_-_Morning_Awakening

“Day Dreams,” John Atkinson Grimshaw, 1877

2023_NYR_22297_0076_000(john_atkinson_grimshaw_day_dreams095711)(1)

Cover to “Italy from the Alps to Mount Etna,” 1877

London : Chapman and Hall.

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“Vase of Flowers,” Henri Fantin-Latour, 1877

Oil on canvas.

Henri_Fantin-Latour_-_Vase_of_Flowers_-_Google_Art_Project

“The New Novel,” Winslow Homer, 1877

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“The most certain test by which we judge whether a country is really free …”

“The most certain test by which we judge whether a country is really free is the amount of security enjoyed by minorities.”

— Lord John Dalberg-Acton, The History of Freedom in Antiquity, 1877

 

Picture_of_John_Dalberg-Acton,_1st_Baron_Acton

“The one pervading evil of democracy is the tyranny of the majority …”

“The one pervading evil of democracy is the tyranny of the majority, or rather if that party, not always the majority, that succeeds, by force or fraud, in carrying elections.”

— Lord Acton, in a review of Sir Thomas Erskine May’s Democracy in Europe (1877)

 

Picture_of_John_Dalberg-Acton,_1st_Baron_Acton

“The Disaffected,” Ludwig Knaus, 1877

Oil on panel.

The Disaffected, 1877 (oil on canvas)