Tag Archives: 1891

“Perseus and Andromeda,” Frederic Leighton, 1891

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“To Sherlock Holmes she is always *THE* woman.”

“To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex.”

— from Arthur Conan Doyle’s “A Scandal in Bohemia” (1891)



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“Poppies,” Henri Fantin-Latour, 1891

Oil on canvas.

Henri_FANTIN-Latour_-_Poppies_-_Google_Art_Project

“Glade Jul,” Viggo Johansen, 1891

“Joyful Christmas.”  Oil on canvas.

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12690-580.TIF

“The Punishment of Lust,” Giovanni Segantini, 1891

Oil on canvas.

Giovanni_Segantini_-_The_Punishment_of_Lust_-_Google_Art_Project

“Orpheus Charming Wild Beasts with His Lyre,” Franz von Stuck, 1891

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“Pieta,” Franz von Stuck, 1891

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“In the Wild North,” Ivan Shishkin, 1891

Oil on canvas.

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“Der Verlorne Sohn,” Hermann Neuhaus, 1891

Illustrated Catalog of the Munich Annual Exhibition of Works of Art of All Nations.

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“Ulysses and the Sirens,” by John William Waterhouse, 1891 (Click to enlarge!)

John William Waterhouse’s “Ulysses and the Sirens” is extraordinary.  I tried to download a high-resolution file here … if you’re so inclined, click to enlarge and then click again to zoom in on the troubled sailor being accosted by the “siren” that has managed to perch.  Look at the expression on the faces of him and his would-be temptress.

Anyway, I am slightly confused by the painting despite its beauty … Yes, we have Odysseus (Ulysses) tied to the mast and able to hear the monsters’ irresistible call, while his men oar on with wax in their ears so that they cannot succumb to its attraction.  But … am I nuts, or are those harpies, and not sirens?

2048px-WATERHOUSE_-_Ulises_y_las_Sirenas_(National_Gallery_of_Victoria,_Melbourne,_1891._Óleo_sobre_lienzo,_100.6_x_202_cm)