Tag Archives: 1903

“Paris Place de l’Etoile, Avenue Wagram,” Gustave Loiseau, circa 1930

Oil on canvas.

What is that strange poem in the trailer for “28 Years Later” (2025)?

If you’re a horror fan like I am, then you were delighted with the news that Danny Boyle, Alex Garland and even Cillian Murphy have reunited to present the world with “28 Years Later” (2025).  And the trailer to which I’ve linked below is the real one.  (I positively loathe the abundance of fake movie trailers to be found online — especially when their incorporation of AI makes them seem authentic.)

The creepy military cadence that you hear in the background, I have come to learn, is Rudyard Kipling’s 1903 poem, “Boots.”  I pasted it below for your perusal.

Postscript — am I an OCD psycho if it annoys me that we didn’t get a “28 Months Later” before a “28 Years Later,” just for consistency?  There were one or two fan films that appropriated the title.  Maybe we could collectively vote to simply decide that at least one is canon?



“Boots,” by Rudyard Kipling

We’re foot—slog—slog—slog—sloggin’ over Africa —
Foot—foot—foot—foot—sloggin’ over Africa —
(Boots—boots—boots—boots—movin’ up an’ down again!)
There’s no discharge in the war!

Seven—six—eleven—five—nine-an’-twenty mile to-day —
Four—eleven—seventeen—thirty-two the day before —
(Boots—boots—boots—boots—movin’ up an’ down again!)
There’s no discharge in the war!

Don’t—don’t—don’t—don’t—look at what’s in front of you.
(Boots—boots—boots—boots—movin’ up an’ down again);
Men—men—men—men—men go mad with watchin’ em,
An’ there’s no discharge in the war!

Try—try—try—try—to think o’ something different —
Oh—my—God—keep—me from goin’ lunatic!
(Boots—boots—boots—boots—movin’ up an’ down again!)
There’s no discharge in the war!

Count—count—count—count—the bullets in the bandoliers.
If—your—eyes—drop—they will get atop o’ you!
(Boots—boots—boots—boots—movin’ up an’ down again) —
There’s no discharge in the war!

We—can—stick—out—’unger, thirst, an’ weariness,
But—not—not—not—not the chronic sight of ’em —
Boot—boots—boots—boots—movin’ up an’ down again,
An’ there’s no discharge in the war!

‘Taint—so—bad—by—day because o’ company,
But night—brings—long—strings—o’ forty thousand million
Boots—boots—boots—boots—movin’ up an’ down again.
There’s no discharge in the war!

I—’ave—marched—six—weeks in ‘Ell an’ certify
It—is—not—fire—devils, dark, or anything,
But boots—boots—boots—boots—movin’ up an’ down again,
An’ there’s no discharge in the war!



“The Green Sofa,” Sir John Lavery, circa 1903

Oil on canvas.

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“Apocalypse,” Albert Goodwin, 1903

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“Angst,” Alfred Kubin, 1903

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Photo of Oscar Maurier and his wife by Anne Brigman, 1903

“Silhouette of Oscar Maurer and His Wife Who Depart for Europe in a Few Weeks.”

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A pal of mine told me that she was so happy that she could go out and eat lobster in a suit.

I told her that she was better off ordering a lobster that wasn’t wearing anything.

I’m so funny.



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Raphael Tuck & Sons. London. 1903.

Valentine’s Day Card, circa 1903

New York Public Library.

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Study for “Memory of Ivancice,” Alfons Mucha, circa 1903

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“Petit Bleu, le Dernier Loup du Menez-Hom, Capturé le 23 Janvier, 1903”

“Petit Bleu, the last wolf of the Menez-Hom, captured on January 23, 1903.”  Le Journal du Dimanche.

Dernier_loup_du_Ménez-Hom