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“The Boarded Window,” by Ambrose Bierce

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In 1830, only a few miles away from what is now the great city of Cincinnati, Ohio, lay a huge and almost endless forest.

The area had a few settlements established by people of the frontier. Many of them had already left the area for settlements further to the west. But among those remaining was a man who had been one of the first people to arrive there.

He lived alone in a house of logs surrounded on all sides by the great forest. He seemed a part of the darkness and silence of the forest, for no one had ever known him to smile or speak an unnecessary word. His simple needs were supplied by selling or trading the skins of wild animals in the town.

His little log house had a single door. Directly opposite was a window. The window was boarded up. No one could remember a time when it was not. And no one knew why it had been closed. I imagine there are few people living today who ever knew the secret of that window. But I am one, as you shall see.

The man’s name was said to be Murlock. He appeared to be seventy years old, but he was really fifty. Something other than years had been the cause of his aging.

His hair and long, full beard were white. His gray, lifeless eyes were sunken. His face was wrinkled. He was tall and thin with drooping shoulders—like someone with many problems.

I never saw him. These details I learned from my grandfather. He told me the man’s story when I was a boy. He had known him when living nearby in that early day.

One day Murlock was found in his cabin, dead. It was not a time and place for medical examiners and newspapers. I suppose it was agreed that he had died from natural causes or I should have been told, and should remember.

I know only that the body was buried near the cabin, next to the burial place of his wife. She had died so many years before him that local tradition noted very little of her existence.

That closes the final part of this true story, except for the incident that followed many years later. With a fearless spirit I went to the place and got close enough to the ruined cabin to throw a stone against it. I ran away to avoid the ghost which every well-informed boy in the area knew haunted the spot.

But there is an earlier part to this story supplied by my grandfather.

When Murlock built his cabin he was young, strong and full of hope. He began the hard work of creating a farm. He kept a gun–a rifle—for hunting to support himself.

He had married a young woman, in all ways worthy of his honest love and loyalty. She shared the dangers of life with a willing spirit and a light heart. There is no known record of her name or details about her. They loved each other and were happy.

One day Murlock returned from hunting in a deep part of the forest. He found his wife sick with fever and confusion. There was no doctor or neighbor within miles. She was in no condition to be left alone while he went to find help. So Murlock tried to take care of his wife and return her to good health. But at the end of the third day she fell into unconsciousness and died.

From what we know about a man like Murlock, we may try to imagine some of the details of the story told by my grandfather.

When he was sure she was dead, Murlock had sense enough to remember that the dead must be prepared for burial. He made a mistake now and again while performing this special duty. He did certain things wrong. And others which he did correctly were done over and over again.

He was surprised that he did not cry — surprised and a little ashamed. Surely it is unkind not to cry for the dead.

“Tomorrow,” he said out loud, “I shall have to make the coffin and dig the grave; and then I shall miss her, when she is no longer in sight. But now — she is dead, of course, but it is all right — it must be all right, somehow. Things cannot be as bad as they seem.”

He stood over the body of his wife in the disappearing light. He fixed the hair and made finishing touches to the rest. He did all of this without thinking but with care. And still through his mind ran a feeling that all was right — that he should have her again as before, and everything would be explained.

Murlock had no experience in deep sadness. His heart could not contain it all. His imagination could not understand it. He did not know he was so hard struck. That knowledge would come later and never leave.

Deep sadness is an artist of powers that affects people in different ways. To one it comes like the stroke of an arrow, shocking all the emotions to a sharper life. To another, it comes as the blow of a crushing strike. We may believe Murlock to have been affected that way.

Soon after he had finished his work he sank into a chair by the side of the table upon which the body lay. He noted how white his wife’s face looked in the deepening darkness. He laid his arms upon the table’s edge and dropped his face into them, tearless and very sleepy.

At that moment a long, screaming sound came in through the open window. It was like the cry of a lost child in the far deep of the darkening forest! But the man did not move. He heard that unearthly cry upon his failing sense, again and nearer than before. Maybe it was a wild animal or maybe it was a dream. For Murlock was asleep.

Some hours later, he awoke, lifted his head from his arms and listened closely. He knew not why. There in the black darkness by the side of the body, he remembered everything without a shock. He strained his eyes to see — he knew not what.

His senses were all alert. His breath was suspended. His blood was still as if to assist the silence. Who — what had awakened him and where was it!

Suddenly the table shook under his arms. At the same time he heard, or imagined he heard, a light, soft step and then another. The sounds were as bare feet walking upon the floor!

He was afraid beyond the power to cry out or move. He waited—waited there in the darkness through what seemed like centuries of such fear. Fear as one may know, but yet live to tell. He tried but failed to speak the dead woman’s name. He tried but failed to stretch his hand across the table to learn if she was there. His throat was powerless. His arms and hands were like lead.

Then something most frightful happened. It seemed as if a heavy body was thrown against the table with a force that pushed against his chest. At the same time he heard and felt the fall of something upon the floor. It was so violent a crash that the whole house shook. A fight followed and a confusion of sounds impossible to describe.

Murlock had risen to his feet. Extreme fear had caused him to lose control of his senses. He threw his hands upon the table. Nothing was there!

There is a point at which fear may turn to insanity; and insanity incites to action. With no definite plan and acting like a madman, Murlock ran quickly to the wall. He seized his loaded rifle and without aim fired it.

The flash from the rifle lit the room with a clear brightness. He saw a huge fierce panther dragging the dead woman toward the window. The wild animal’s teeth were fixed on her throat! Then there was darkness blacker than before, and silence.

When he returned to consciousness the sun was high and the forest was filled with the sounds of singing birds. The body lay near the window, where the animal had left it when frightened away by the light and sound of the rifle.

The clothing was ruined. The long hair was in disorder. The arms and legs lay in a careless way. And a pool of blood flowed from the horribly torn throat. The ribbon he had used to tie the wrists was broken. The hands were tightly closed.

And between the teeth was a piece of the animal’s ear.

 

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Ambrose Bierce wrote a horror story called “The Thing at Nolan,” and you people never told me?!

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“The Thing at Nolan,” by Ambrose Bierce

First published in the San Francisco Examiner, August 2, 1891.

Included in Can Such Things Be? (1893).

(Thanks to The Ambrose Bierce Project.)

*****

To the south of where the road between Leesville and Hardy, in the State of Missouri, crosses the east fork of May Creek stands an abandoned house. Nobody has lived in it since the summer of 1879, and it is fast going to pieces. For some three years before the date mentioned above, it was occupied by the family of Charles May, from one of whose ancestors the creek near which it stands took its name.

Mr. May’s family consisted of a wife, an adult son and two young girls. The son’s name was John – the names of the daughters are unknown to the writer of this sketch.

John May was of a morose and surly disposition, not easily moved to anger, but having an uncommon gift of sullen, implacable hate. His father was quite otherwise; of a sunny, jovial disposition, but with a quick temper like a sudden flame kindled in a wisp of straw, which consumes it in a flash and is no more. He cherished no resentments, and his anger gone, was quick to make overtures for reconciliation. He had a brother living near by who was unlike him in respect of all this, and it was a current witticism in the neighborhood that John had inherited his disposition from his uncle.

One day a misunderstanding arose between father and son, harsh words ensued, and the father struck the son full in the face with his fist. John quietly wiped away the blood that followed the blow, fixed his eyes upon the already penitent offender and said with cold composure, “You will die for that.”

The words were overheard by two brothers named Jackson , who were approaching the men at the moment; but seeing them engaged in a quarrel they retired, apparently unobserved. Charles May afterward related the unfortunate occurrence to his wife and explained that he had apologized to the son for the hasty blow, but without avail; the young man not only rejected his overtures, but refused to withdraw his terrible threat. Nevertheless, there was no open rupture of relations: John continued living with the family, and things went on very much as before.

One Sunday morning in June, 1879, about two weeks after what has been related, May senior left the house immediately after breakfast, taking a spade. He said he was going to make an excavation at a certain spring in a wood about a mile away, so that the cattle could obtain water. John remained in the house for some hours, variously occupied in shaving himself, writing letters and reading a newspaper. His manner was very nearly what it usually was; perhaps he was a trifle more sullen and surly.

At two o’clock he left the house. At five, he returned. For some reason not connected with any interest in his movements, and which is not now recalled, the time of his departure and that of his return were noted by his mother and sisters, as was attested at his trial for murder. It was observed that his clothing was wet in spots, as if (so the prosecution afterward pointed out) he had been removing blood-stains from it. His manner was strange, his look wild. He complained of illness, and going to his room took to his bed.

May senior did not return. Later that evening the nearest neighbors were aroused, and during that night and the following day a search was prosecuted through the wood where the spring was. It resulted in little but the discovery of both men’s footprints in the clay about the spring. John May in the meantime had grown rapidly worse with what the local physician called brain fever, and in his delirium raved of murder, but did not say whom he conceived to have been murdered, nor whom he imagined to have done the deed. But his threat was recalled by the brothers Jackson and he was arrested on suspicion and a deputy sheriff put in charge of him at his home. Public opinion ran strongly against him and but for his illness he would probably have been hanged by a mob. As it was, a meeting of the neighbors was held on Tuesday and a committee appointed to watch the case and take such action at any time as circumstances might seem to warrant.

On Wednesday all was changed. From the town of Nolan , eight miles away, came a story which put a quite different light on the matter. Nolan consisted of a school house, a blacksmith’s shop, a “store” and a half-dozen dwellings. The store was kept by one Henry Odell, a cousin of the elder May. On the afternoon of the Sunday of May’s disappearance Mr. Odell and four of his neighbors, men of credibility, were sitting in the store smoking and talking. It was a warm day; and both the front and the back door were open. At about three o’clock Charles May, who was well known to three of them, entered at the front door and passed out at the rear. He was without hat or coat. He did not look at them, nor return their greeting, a circumstance which did not surprise, for he was evidently seriously hurt. Above the left eyebrow was a wound – a deep gash from which the blood flowed, covering the whole left side of the face and neck and saturating his light-gray shirt. Oddly enough, the thought uppermost in the minds of all was that he had been fighting and was going to the brook directly at the back of the store, to wash himself.

Perhaps there was a feeling of delicacy – a backwoods etiquette which restrained them from following him to offer assistance; the court records, from which, mainly, this narrative is drawn, are silent as to anything but the fact. They waited for him to return, but he did not return.

Bordering the brook behind the store is a forest extending for six miles back to the Medicine Lodge Hills. As soon as it became known in the neighborhood of the missing man’s dwelling that he had been seen in Nolan there was a marked alteration in public sentiment and feeling. The vigilance committee went out of existence without the formality of a resolution. Search along the wooded bottom lands of May Creek was stopped and nearly the entire male population of the region took to beating the bush about Nolan and in the Medicine Lodge Hills. But of the missing man no trace was found.

One of the strangest circumstances of this strange case is the formal indictment and trial of a man for murder of one whose body no human being professed to have seen – one not known to be dead. We are all more or less familiar with the vagaries and eccentricities of frontier law, but this instance, it is thought, is unique. However that may be, it is of record that on recovering from his illness John May was indicted for the murder of his missing father. Counsel for the defense appears not to have demurred and the case was tried on its merits. The prosecution was spiritless and perfunctory; the defense easily established – with regard to the deceased – an alibi. If during the time in which John May must have killed Charles May, if he killed him at all, Charles May was miles away from where John May must have been, it is plain that the deceased must have come to his death at the hands of someone else.

John May was acquitted, immediately left the country, and has never been heard of from that day. Shortly afterward his mother and sisters removed to St. Louis . The farm having passed into the possession of a man who owns the land adjoining, and has a dwelling of his own, the May house has ever since been vacant, and has the somber reputation of being haunted.

One day after the May family had left the country, some boys, playing in the woods along May Creek, found concealed under a mass of dead leaves, but partly exposed by the rooting of hogs, a spade, nearly new and bright, except for a spot on one edge, which was rusted and stained with blood. The implement had the initials C. M. cut into the handle.

This discovery renewed, in some degree, the public excitement of a few months before. The earth near the spot where the spade was found was carefully examined, and the result was the finding of the dead body of a man. It had been buried under two or three feet of soil and the spot covered with a layer of dead leaves and twigs. There was but little decomposition, a fact attributed to some preservative property in the mineral-bearing soil.

Above the left eyebrow was a wound – a deep gash from which blood had flowed, covering the whole left side of the face and neck and saturating the light-gray shirt. The skull had been cut through by the blow. The body was that of Charles May.

But what was it that passed through Mr. Odell’s store at Nolan?

*****

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“An Occurrence at Owl Creek Bridge,” by Ambrose Bierce

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A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man’s hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. Some loose boards laid upon the sleepers supporting the metals of the railway supplied a footing for him and his executioners–two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as “support,” that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest–a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the center of the bridge; they merely blockaded the two ends of the foot planking that traversed it.

Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground–a gentle acclivity topped with a stockade of vertical tree trunks, loopholed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway of the slope between the bridge and fort were the spectators–a single company of infantry in line, at “parade rest,” the butts of the rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieu tenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.

The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. His features were good–a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well-fitting frock coat. He wore a mustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.

The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turn moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but not quite, reached a fourth. This plank had been held in place by the weight of the captain; it was now held by that of the sergeant. At a signal from the former the latter would step aside, the plank would tilt and the condemned man go down between two ties. The arrangement commended itself to his judgment as simple and effective. His face had not been covered nor his eyes bandaged. He looked a moment at his “unsteadfast footing,” then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move, What a sluggish stream!

He closed his eyes in order to fix his last thoughts upon his wife and children. The water, touched to gold by the early sun, the brooding mists under the banks at some distance down the stream, the fort, the soldiers, the piece of drift–all had distracted him. And now he became conscious of a new disturbance. Striking through the thought of his dear ones was a sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith’s hammer upon the anvil; it had the same ringing quality. He wondered what it was, and whether immeasurably distant or near by–it seemed both. Its recurrence was regular, but as slow as the tolling of a death knell. He awaited each stroke with impatience and–he knew not why–apprehension. The intervals of silence grew progressively longer, the delays became maddening. With their greater infrequency the sounds increased in strength and sharpness. They hurt his ear like the thrust of a knife; he feared he would shriek. What he heard was the ticking of his watch.

He unclosed his eyes and saw again the water below him. “If I could free my hands,” he thought, “I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader’s farthest advance.”

As these thoughts, which have here to be set down in words, were flashed into the doomed man’s brain rather than evolved from it the captain nodded to the sergeant. The sergeant stepped aside.

II

Peyton Farquhar was a well-to-do planter, of an old and highly respected Alabama family. Being a slave owner and like other slave owners a politician he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with the gallant army that had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in war time. Meanwhile he did what he could. No service was too humble for him to perform in aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.

One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only toe, happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.

“The Yanks are repairing the railroads,” said the man, “and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels or trains will be summarily hanged. I saw the order.”

“How far is it to the Owl Creek bridge?” Farquhar asked.

“About thirty miles.”

“Is there no force on this side the creek?”

“Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge.”

“Suppose a man–a civilian and student of hanging–should elude the picket post and perhaps get the better of the sentinel,” said Farquhar, smiling, “what could he accomplish?”

The soldier reflected. “I was there a month ago,” he replied. “I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tow.”

The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.

III

As Peyton Farquhar fell straight downward through the bridge he lost consciousness and was as one already dead. From this state he was awakened–ages later, it seemed to him–by the pain of a sharp pressure upon his throat, followed by a sense of suffocation. Keen, poignant agonies seemed to shoot from his neck downward through every fiber of his body and limbs. These pains appeared to flash along well-defined lines of ramification and to beat with an inconceivably rapid periodicity. They seemed like streams of pulsating fire heating him to an intolerable temperature. As to his head, he was conscious of nothing but a feeling of fulness–of congestion. These sensations were unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum. Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud splash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream. There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs. To die of hanging at the bottom of a river!–the idea seemed to him ludicrous. He opened his eyes in the darkness and saw above him a gleam of light, but how distant, how inaccessible! He was still sinking, for the light became fainter and fainter until it was a mere glimmer. Then it began to grow and brighten, and he knew that he was rising toward the surface–knew it with reluctance, for he was now very comfortable. “To be hanged and drowned,” he thought? “that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair.”

He was not conscious of an effort, but a sharp pain in his wrist apprised him that he was trying to free his hands. He gave the struggle his attention, as an idler might observe the feat of a juggler, without interest in the outcome. What splendid effort!–what magnificent, what superhuman strength! Ah, that was a fine endeavor! Bravo! The cord fell away; his arms parted and floated upward, the hands dimly seen on each side in the growing light. He watched them with a new interest as first one and then the other pounced upon the noose at his neck. They tore it away and thrust it fiercely aside, its undulations resembling those of a water snake. “Put it back, put it back!” He thought he shouted these words to his hands, for the undoing of the noose had been succeeded by the direst pang that he had yet experienced. His neck ached horribly; his brain was on fire; his heart, which had been fluttering faintly, gave a great leap, trying to force itself out at his mouth. His whole body was racked and wrenched with an insupportable anguish! But his disobedient hands gave no heed to the command. They beat the water vigorously with quick, downward strokes, forcing him to the surface. He felt his head emerge; his eyes were blinded by the sunlight; his chest expanded convulsively, and with a supreme and crowning agony his lungs engulfed a great draught of air, which instantly he expelled in a shriek!

He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf–saw the very insects upon them: the locusts, the brilliant-bodied flies, the grey spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies’ wings, the strokes of the water-spiders’ legs, like oars which had lifted their boat–all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water.

He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort, the soldiers upon the bridge, the captain, the sergeant, the two privates, his executioners. They were in silhouette against the blue sky. They shouted and gesticulated, pointing at him. The captain had drawn his pistol, but did not fire; the others were unarmed. Their movements were grotesque and horrible, their forms gigantic.

Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle. He observed that it was a grey eye and remembered having read that grey eyes were keenest, and that all famous marksmen had them. Nevertheless, this one had missed.

A counter-swirl had caught Farquhar and turned him half round; he was again looking into the forest on the bank opposite the fort. The sound of a clear, high voice in a monotonous singsong now rang out behind him and came across the water with a distinctness that pierced and subdued all other sounds, even the beating of the ripples in his ears. Although no soldier, he had frequented camps enough to know the dread significance of that deliberate, drawling, aspirated chant; the lieu. tenant on shore was taking a part in the morning’s work. How coldly and pitilessly–with what an even, calm intonation, presaging, and enforcing tranquillity in the men–with what accurately measured inter vals fell those cruel words:

“Attention, company! . . Shoulder arms! . . . Ready! . . . Aim! . . . Fire!”

Farquhar dived–dived as deeply as he could. The water roared in his ears like the voice of Niagara, yet he heard the dulled thunder of the volley and, rising again toward the surface, met shining bits of metal, singularly flattened, oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent. One lodged between his collar and neck; it was uncomfortably warm and he snatched it out.

As he rose to the surface, gasping for breath, he saw that he had been a long time under water; he was perceptibly farther down stream nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually.

The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning.

The officer,” he reasoned, “will not make that martinet’s error a second time. It is as easy to dodge a volley as a single shot. He has probably already given the command to fire at will. God help me, I cannot dodge them all!”

An appalling plash within two yards of him was followed by a loud, rushing sound, diminuendo, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps!

A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken a hand in the game. As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond.

“They will not do that again,” he thought; “the next time they will use a charge of grape. I must keep my eye upon the gun; the smoke will apprise me–the report arrives too late; it lags behind the missile. That is a good gun.”

Suddenly he felt himself whirled round and round–spinning like a top. The water, the banks, the forests, the now distant bridge, fort and men–all were commingled and blurred. Objects were represented by their colors only; circular horizontal streaks of color–that was all he saw. He had been caught in a vortex and was being whirled on with a velocity of advance and gyration that made him giddy and sick. In a few moments he was flung upon the gravel at the foot of the left bank of the stream–the southern bank–and behind a projecting point which concealed him from his enemies. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him, and he wept with delight. He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble. The trees upon the bank were giant garden plants; he noted a definite order in their arrangement, inhaled the fragrance of their blooms. A strange, roseate light shone through the spaces among their trunks and the wind made in their branches the music of Æolian harps. He had no wish to perfect his escape–was content to remain in that enchanting spot until retaken.

A whiz and rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest.

All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman’s road. He had not known that he lived in so wild a region. There was something uncanny in the revelation.

By nightfall he was fatigued, footsore, famishing. The thought of his wife and children urged him on. At last he found a road which led him in what he knew to be the right direction. It was as wide and straight as a city street, yet it seemed untraveled. No fields bordered it, no dwelling anywhere. Not so much as the barking of a dog suggested human habitation. The black bodies of the trees formed a straight wall on both sides, terminating on the horizon in a point, like a diagram in a lesson in perspective. Overhead, as he looked up through this rift in the wood, shone great garden stars looking unfamiliar and grouped in strange constellations. He was sure they were arranged in some order which had a secret and malign significance. The wood on either side was full of singular noises, among which–once, twice, and again–he distinctly heard whispers in an unknown tongue.

His neck was in pain and lifting his hand to it found it horribly swollen. He knew that it had a circle of black where the rope had bruised it. His eyes felt congested; he could no longer close them. His tongue was swollen with thirst; he relieved its fever by thrusting it forward from between his teeth into the cold air. How softly the turf had carpeted the untraveled avenue–he could no longer feel the roadway beneath his feet!

Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene–perhaps he has merely recovered from a delirium. He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down from the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forward with extended arms. As he is about to clasp her he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon–then all is darkness and silence!

Peyton Farquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.