Tag Archives: Stake Land

These “Stake Land” webisodes are pretty decent.

If you enjoyed the “Stake Land” movies, as I did, then you might have fun with the prequel webisodes that are scattered around Youtube.  (Some of the fan-created playlists for them have been taken down, but all seven can still be found individually.)  I think they were released online around the same time as the first film in 2010.

They’re actually surprisingly good.  “Belle” is artistic and interesting, even if its link to the films’ story is only peripheral.  “Origins” is easily the scariest.  If you listen closely to the news reports in the background for the latter, there are clues about the vampire holocaust’s inception.

 

 

A quick review of “Late Phases” (2014)

The independent werewolf movie “Late Phases” has been getting a lot of positive buzz among horror fans — and it deserves it.  This is a smartly written, well performed fright flick to which I’d give an 8 out of 10.

Nick Damici hands in an understated but perfect performance as a blind Vietnam War veteran antihero.  Don’t worry — his blindness is not a gimmick, it’s more of an interesting plot element.  (And, by the way, here’s a little trivia — Damici is also the screenwriter for 2010’s outstanding “Stake Land.”)

Tom Noonan is fantastic, as always.  Has he ever given a poor performance?  I sooooooo loved him trading barbed quips with Fox Mulder as an evil vacuum cleaner salesman — that was one of the best episodes of “The X Files” ever.  And am I a weird guy if I think his voice sounds hypnotic?

Regrettably, this film suffers just a little from something its makers probably couldn’t help —  a limited special effects budget.  We are definitely in the habitat here of man-in-a-suit werewolves, and it does show.  Most of my friends who are serious horror buffs will not mind this, but I noticed, and it did “take me out of the movie” just a little.  So many people lament the overuse of CGI in today’s movies.  I think that when it’s absent entirely, you can start to miss it.

This is still a really good movie, though.  It’s on Netflix. Give it a look.

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