Tag Archives: W. H. Auden

“Once in a while, the moon turns blue.”

“She looked over his shoulder/ For vines and olive trees …”

She looked over his shoulder
For vines and olive trees,
Marble well-governed cities
And ships upon untamed seas,
But there on the shining metal
His hands had put instead
An artificial wilderness
And a sky like lead.

— opening lines from W. H. Auden’s “the Shield of Achilles”



“Our dream of safety has to disappear.”

A solitude ten thousand fathoms deep
Sustains the bed on which we lie, my dear:
Although I love you, you will have to leap;
Our dream of safety has to disappear.

—  from W. H. Auden’s “Leap Before You Look”



Photo credit: ” Cliff in the Moonlight,” Rufin Sudkovsky, 1880

Title page of W. H. Auden’s “The Age of Anxiety,” 1947

Random House.

AgeOfAnxietyTitle

“That valley is fatal where furnaces burn.”

“O where are you going?” said reader to rider,
“That valley is fatal where furnaces burn,
Yonder’s the midden whose odours will madden,
That gap is the grave where the tall return.”

“O do you imagine,” said fearer to farer,
“That dusk will delay on your path to the pass,
Your diligent looking discover the lacking,
Your footsteps feel from granite to grass?”

— excerpt from W. H. Auden’s “O Where Are You Going?”



W._H._Auden_(1956_press_photo)

“Wild images, come down/ Out of your freezing sky.”

A terror shakes my tree,
A flock of words fly out,
Whereas a laughter shakes
The busy and devout.

Wild images, come down
Out of your freezing sky.
That I, like shorter men.
May get my joke and die.

— Trinculo, in W. H. Auden’s The Sea and the Mirror



A cold whisper
A cold night at Meghalaya  Photo credit: Dipankarbordoloi, CC BY 4.0 <https://creativecommons.org/licenses/by/4.0&gt;, via Wikimedia Commons

“Women and books would teach his middle age/The fencing wit of an informal style.”

“Vocation,” by W. H. Auden (Part XII of “The Quest”)

Incredulous, he stared at the amused
Official writing down his name among
Those whose request to suffer was refused.

The pen ceased scratching: though he came too late
To join the martyrs, there was still a place
Among the tempters for a caustic tongue

To test the resolution of the young
With tales of the small failings of the great,
And shame the eager with ironic praise.

Though mirrors might be hateful for a while,
Women and books would teach his middle age
The fencing wit of an informal style,
To keep the silences at bay and cage
His pacing manias in a worldly smile.



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“And the deep river ran on.”

O look, look in the mirror,
O look in your distress:
Life remains a blessing
Although you cannot bless.

O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart.’

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.

— excerpt from W. H. Auden’s “As I Walked Out One Evening”



W._H._Auden_(1956_press_photo)

“What instruments we have agree/ The day of his death was a dark cold day.”

He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.

But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the bourse,
And the poor have the sufferings to which they are fairly accustomed
And each in the cell of himself is almost convinced of his freedom
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.

What instruments we have agree
The day of his death was a dark cold day.

— excerpt from W. H. Auden’s “In Memory of W. B. Yeats”



W._H._Auden_(1956_press_photo)

“Among the creatures of middle age.”

A cloudless night like this
Can set the spirit soaring:
After a tiring day
The clockwork spectacle is
Impressive in a slightly boring
Eighteenth-century way.

It soothed adolescence a lot
To meet so shameless a stare;
The things I did could not
Be so shocking as they said
If that would still be there
After the shocked were dead

Now, unready to die
Bur already at the stage
When one starts to resent the young,
I am glad those points in the sky
May also be counted among
The creatures of middle-age.

It’s cosier thinking of night
As more an Old People’s Home
Than a shed for a faultless machine,
That the red pre-Cambrian light
Is gone like Imperial Rome
Or myself at seventeen.

— excerpt from W. H. Auden’s “A Walk After Dark”



W._H._Auden_(1956_press_photo)