Tag Archives: 1941

“Stone and snow, silence and air.”

Assuming you beach at last
Near Atlantis, and begin
The terrible trek inland
Through squalid woods and frozen
Tundras where all are soon lost;
If, forsaken then, you stand,
Dismissal everywhere,
Stone and snow, silence and air,
O remember the great dead
And honour the fate you are,
Travelling and tormented,
Dialectic and bizarre.

Stagger onward rejoicing;
And even then if, perhaps
Having actually got
To the last col, you collapse
With all Atlantis shining
Below you yet you cannot
Descend, you should still be proud
Even to have been allowed
Just to peep at Atlantis
In a poetic vision:
Give thanks and lie down in peace,
Having seen your salvation.

All the little household gods
Have started crying, but say
Good-bye now, and put to sea.
Farewell, my dear, farewell: may
Hermes, master of roads,
And the four dwarf Kabiri,
Protect and serve you always;
And may the Ancient of Days
Provide for all you must do
His invisible guidance,
Lifting up, dear, upon you
The light of His countenance.

— excerpt from W. H. Auden’s “Atlantis,” January 1941

 

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Photo credit: Lis Burke [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons.

“Freedom of Speech,” by Norman Rockwell, 1941

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“The Wolf Man” (1941)

Here’s what looks like a publicity still for “The Wolf Man” (1941); this is part of my efforts to monster up the blogosphere a bit this Halloween.

For some reason, it seems weird to me that the classic Universal monster movies came out before America entered World War II.  They really ARE old movies.

I had a children’s book about the making of the Universal classics when I was a kid.  I remember reading how Lon Chaney, Jr.’s makeup had to be applied — each hair was apparently placed there strand by strand.  And audiences back then were quite thrilled with the result.

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