As I believe I may have mentioned, I have a love-hate relationship with David Tennant’s onscreen performances. I find him inexplicably, positively grating whenever he plays a protagonist. (See 2011’s “Fright Might” remake, or his cringe-inducing stint as “Doctor Who.”) But it seems to me that the man is absolutely fantastic when he plays a bad guy. (See his frightening and hilarious role as Kilgrave the first season of “Jessica Jones” in 2015.)
“Bad Samaritan” (2018) thankfully presents us with the latter Tennant. He musters an intensity with his eyes and his voice that are incongruous counterpoints to his innocent-looking face, and this makes him a damned good antagonist in a thriller. (He is a highly organized, sociopathic kidnapper in this film. I don’t think that’s much of a spoiler, as all of the film’s marketing make it clear.) He’s a hell of a lot of fun to watch — and listen to.
With that said, “Bad Samaritan” is an average movie — not altogether bad, but not awesomely good, either. (I suppose I’d rate it a 7 out of 10.) It benefits a lot from another very good actor in Robert Sheehan as its anti-heroic young protagonist. (The plot setup here is interesting — a mild-mannered burglar discovers a psychopath’s captive while in his house, then struggles with how he can help the terrified victim of a far worse criminal than he is.) The movie’s biggest sin seems to be that it borrows heavily from comparable genre-defining works from the likes of Thomas Harris and James Patterson. But it’s still an enjoyable enough movie in its own right.
There’s someone else here that’s great fun to watch too — Kerry Condon as the kidnapee. Her voice is amazing, and she’s a superb actress; I think she’s strong enough to carry another movie like this. I just knew she looked familiar … it turns out she played Clara, the really weird woman that Rick found in the woods during Season 3 of “The Walking Dead.” (He asks her the show’s signature “three questions.”)
She is also to voice of F.R.I.D.A.Y., Tony Stark’s on-board A.I. in several of Marvel’s “Avengers” movies. Didn’t see that one coming. Weird world.
The weed of crime bears bitter fruit. Crime does not pay.
Dabbling in old time radio inevitably brought me to “The Shadow” — a character I’d heard about periodically when I was growing up. My Dad had been a fan of the radio program and film serials when he was a kid, and he was fond of rattling off that tagline you see in this blog post’s headline. (The radio shows were broadcast in to the mid-1950’s, long after they started in 1937.) I also remember the character from the truly unfortunate 1994 feature film with Alec Baldwin, which I actually saw in the theater with my college girlfriend. (The less said, the better. About the movie, I mean.) The Shadow is also cited periodically as an influence in the creation of my own favorite iconic dark detective, Batman.
The Shadow has a loooooooong, varied and occasionally confusing history – spanning radio, pulp magazines, comic books, television and film. He’s still being portrayed in comics. DC Comics released a crossover with Batman last year that looks interesting, and the incomparable Matt Wagner produced a couple of books in 2015 and 2016 that I’d love to get my hands on. (He fights Grendel!!!)
The radio shows are a lot if fun, just like the antique horror and mystery programs that I’ve linked to here at the blog. And, just like those, they’re easily found on Internet. (How my Dad might have marveled at that!) They’re definitely more campy. And I suppose that makes sense, as they seem aimed at children, whereas the horror shows seem intended for general audiences or just adults. The period commercials for Blue Coal are a weird glimpse into the past, too. If I had to name one thing that I found annoying about all of the old time radio shows I’ve found, it’s the omnipresence of that damned organ music. (Was it just a cultural staple of the time?)
If “The Shadow’s” stories are a bit hokey, the show’s voice acting and production are just terrific. I particularly like the actor performing The Shadow for the episode in the first link below — “Death is a Colored Dream” (1948). I believe it is Bret Morrison. (And I was surprised to learn that the famous Orson Welles only voiced the character for a year or so a decade earlier.)
But what’s most interesting is the character’s inception. He didn’t start out as a character in a story at all … “The Shadow” was simply the name of the generic host for a series of unrelated mystery stories comprising “The Detective Story Hour” in 1930. After a surprising fanbase developed around the creepy-sounding host (voiced at the time by Frank Readick, Jr.), people started asking for stories featuring “The Shadow” at the news stand. Street & Smith commissioned writer Walter B. Gibson to write up some tales featuring a supernatural detective; the first came out in 1931. The iconic character was just sort of made-to-order for confused customers who might have thought he already existed. That “Shadow” later arrived at the airwaves in 1937, with Welles voicing him.
Seriously, though, I totally need to get my hands on “Grendel vs. The Shadow.”