Tag Archives: Hellraiser: Deader

A very short review of “Thinner” (1996)

“Thinner” (1996) was a fun enough outing; I’d give it an 8 out of 10.  You can easily tell that this story originated with Stephen King.  Only he can take an antiquated plot device like a gypsy curse and actually make it frightening.

I do get the sense that screenwriters Michael McDowell and Tom Holland stuck closely to the original novel (which I have not read).  It seems like a character-focused story; I’ll bet the original prose really explored the incongruous friendship between Robert John Burke’s mild-mannered attorney and Joe Mantegna’s apparently psychotic mobster.  I’ll bet that King’s unique style would have perfectly rendered certain plot points in the movie, such as one key conversation being overheard early on.

I feel like an idiot … For the life of me, I thought that actress Kari Wuhrer was Marissa Tomei.  Her resemblance in this movie is striking.  I can’t be the only one who made that mistake, can I?  Anyway, I really panned Wuhrer’s performance in 2005’s disappointing “Hellraiser: Deader.”  But she is damn terrific here in her role as the beautiful banshee adversary — she damn near steals the movie.  Also outstanding is Michael Constantine as her haggard, curse-casting gypsy father.

 

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A short review of “Hellraiser: Deader” (2005)

Believe it or not, “Hellraiser: Deader” (2005) surprised me at first for being unexpectedly good for the seventh film in a franchise.  We’ve got a detailed, original, creative horror story setup, we’ve got some quite good makeup effects, and we’ve got Romania as a great atmospheric location.  I was having a good time.

Just past the halfway mark, however, this movie descended into confused plotting and incomprehensibility, half-heartedly depicted by bland directing and bad acting.  (The lead actress here illustrates for us that not every pretty girl can be an Oscar contender.)

Fans of the franchise, take note — this is only a putative “Hellraiser” movie.  The iconic “Pinhead” makes a couple of perfunctory appearances; the other “Cenobites” appear once, I think, in background.  A quick check of Wikipedia confirmed my suspicion — this was originally a standalone horror movie script, into which these characters were inserted (and pretty tenuously in terms of plot).  Clive Barker had no creative involvement whatsoever.

I’d give this movie a 3 out of 10 for an interesting first half, and I’d recommend you skip it.

You know what?  Go watch “From Within” (2008).  That’s a good horror yarn that gets too little press.

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