Tag Archives: Nick Damici

A tiny review of “Stake Land II” (2016)

“Stake Land II” (2016) can’t match the magic of the original, but it’s still good enough to recommend, I guess.  I’d give it a 7 out of 10.  (I’m told that an alternate title is “Stakelander,” but I refuse to call it that, because it sounds too much like a spoof of either “Zoolander” or “Highlander.”)

This sequel has a direct-to-video feel to it.  Set a decade following the events of the original, the movie reunites Connor Paolo and Nick Damici, as the now-adult Martin and the enigmatic, vampire-killing powerhouse, “Mister.”  Paolo feels flat this time out, the movie is occasionally slow, and the action sequences are a little underwhelming.

Still, Damici shines.  And I couldn’t help but find myself engaged by the movie as a whole.  Even if the film isn’t a classic, the brutal, unflinching “Stake Land” fictional universe is still front and center.  The post-apocalyptic setting and character backstories are so dark and unpredictable that the film is still fun for a seasoned horror fan.  It’s at least as interesting as an average episode of AMC’s “The Walking Dead.”

 

stake-land-2-movie-poster

A quick review of “Late Phases” (2014)

The independent werewolf movie “Late Phases” has been getting a lot of positive buzz among horror fans — and it deserves it.  This is a smartly written, well performed fright flick to which I’d give an 8 out of 10.

Nick Damici hands in an understated but perfect performance as a blind Vietnam War veteran antihero.  Don’t worry — his blindness is not a gimmick, it’s more of an interesting plot element.  (And, by the way, here’s a little trivia — Damici is also the screenwriter for 2010’s outstanding “Stake Land.”)

Tom Noonan is fantastic, as always.  Has he ever given a poor performance?  I sooooooo loved him trading barbed quips with Fox Mulder as an evil vacuum cleaner salesman — that was one of the best episodes of “The X Files” ever.  And am I a weird guy if I think his voice sounds hypnotic?

Regrettably, this film suffers just a little from something its makers probably couldn’t help —  a limited special effects budget.  We are definitely in the habitat here of man-in-a-suit werewolves, and it does show.  Most of my friends who are serious horror buffs will not mind this, but I noticed, and it did “take me out of the movie” just a little.  So many people lament the overuse of CGI in today’s movies.  I think that when it’s absent entirely, you can start to miss it.

This is still a really good movie, though.  It’s on Netflix. Give it a look.

late-phases-89807-poster-xlarge