All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

Wait. Just … WAIT. Why is this wolf the size of a bear?

Was God just drunk when he made this animal?  Was this footage shot near Chernobyl?  Or what?

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New poster for “Star Wars: The Force Awakens.”

It totally escaped me that this movie is just two months away.

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Publication Notice: Peeking Cat Poetry Magazine to feature “hens staring upward.”

I received some terrific news today — Peeking Cat Poetry Magazine will feature one of my latest poems, “hens staring upward,” in its upcoming 8th eighth issue.  I am honored to have my work appear for the first time in this terrific print and online periodical.

Issue 8 should be published next week; hard copies will be available for purchase at Lulu.com, while downloads in pdf format will be available for free.  I will run a link here at the blog when it is released.  In the meantime, if you’d like to peruse past issues of Peeking Cat Poetry Magazine, please follow this link:

http://peekingcatpoetrymagazine.blogspot.co.uk/p/issues_14.html

Thanks to Editor Samantha Rose for allowing me to contribute to this wonderful literary magazine!

Screenshot from “The Bride of Frankenstein” (1935)

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Photo credit: By Trailer screenshot, from DVD Bride of Frankenstein, Universal 2004 (https://www.youtube.com/watch?v=rYD3-pIF9jQ) [Public domain], via Wikimedia Commons.

A new Halloween tradition: Christopher Walken reads “The Raven”

It never fails — every Halloween, at least several of my friends send me Christopher Walken’s reading of Edgar Allan Poe’s “The Raven.”

“These sufferings are even the things of which I am most proud …”

“The pessimist resembles a man who observes with fear and sadness that his wall calendar, from which he daily tears a sheet, grows thinner with each passing day. On the other hand, the person who attacks the problems of life actively is like a man who removes each successive leaf from his calendar and files it neatly and carefully away with its predecessors, after first having jotted down a few diary notes on the back. He can reflect with pride and joy on all the richness set down in these notes, on all the life he has already lived to the fullest. What will it matter to him if he notices that he is growing old? Has he any reason to envy the young people whom he sees, or wax nostalgic over his own lost youth? What reasons has he to envy a young person? For the possibilities that a young person has, the future which is in store for him?

“No, thank you,’ he will think. ‘Instead of possibilities, I have realities in my past, not only the reality of work done and of love loved, but of sufferings bravely suffered. These sufferings are even the things of which I am most proud, although these are things which cannot inspire envy.’ ”

—  Viktor Frankl, “Man’s Search for Meaning”

If any of you are looking for a book recommendation, “Man’s Search for Meaning” is incredible.  Frankl’s version of “existential psychotherapy” could be considered either a philosophy or a practical therapy.

I read it at age 20; it’s one of the best books I’ve ever read.  Frankl’s accounts of his experiences in a concentration camp are detailed, lengthy and brutal.  But if you can get past that, the following message of hope in the book’s later chapters is both easy to read and profoundly conceived.

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“Lust,” by Eric Robert Nolan

Lust

Her stomach’s skin
is smooth and flat and warm and even,
and as a calm sea.

Yet my own flesh
surges into stormy oceans at its touch.

— (c) Eric Robert Nolan 2013
— originally published by Dead Snakes, July 13, 2013

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Photo credit: “S. Martinho Porto October 2014-12a” by Alvesgaspar – Own work. Licensed under CC BY-SA 4.0 via Wikimedia Commons.

A quick review of “The Green Inferno” (2015)

There is one special effects sequence in Eli Roth’s “The Green Inferno” (2015) that is technically very well done.  I won’t describe it, for fear of spoilers here, but if you know that Greg Nicotero was in charge of effects for this movie, and you know the TV show with which he’s associated, then you have a pretty good idea of what this sequence entails.  (Hint: it’s “The Walking Dead.”)

This movie also makes excellent use of its Peruvian location, and the real tribe employed as extras.

Beyond those two things … this really is a rather mediocre horror-thriller, folks.  It’s nothing to write home about.  In fact, it seems amateurishly made on a few levels, especially considering the creative talent Roth exhibited with films like “Hostel” (2005), “Hostel 2” (2007) and “Cabin Fever” (2002).

This movie held my attention, and it does serve up a disturbing horror film that’s weird and different — which is what I think Roth is known for.  But, regrettably, it just wasn’t especially well scripted, performed or directed.  I’d give it a 4 out of 10.

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Check out Aca-toberfest in Arlington tomorrow night!

Now this looks like a heck of a lot of fun for an Autumn evening — my Mary Washington College Alumna Barbara Pando-Behnke will be performing with Supreme Chord at Aca-toberfest tomorrow night, October 17th, at 7:30 PM at Arlington Temple.

Here are the details:

“ACA-TOBERFEST will be an amazing night of music featuring the debut concert for DC-based co-ed a cappella group Supreme Chord, and will include an additional headlining performance by Boston’s a cappella sensation, Ball in the House.

“The concert will be held at Arlington Temple (1835 N. Nash Street, Arlington, VA), just steps from the Rosslyn Metro Station. Tickets are $17 in advance, and $20 at the door.

“Learn more about both groups at:

www.supremechordsings.com
www.ballinthehouse.com

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