I’m so happy today to see my poem “Contagion is a Despot Poet” featured by Bulb Culture Collective!
Thank you again, Ms. L. M. Cole and Mr. Jared Povanda, for selecting my work. 🙂
I’m so happy today to see my poem “Contagion is a Despot Poet” featured by Bulb Culture Collective!
Thank you again, Ms. L. M. Cole and Mr. Jared Povanda, for selecting my work. 🙂
Look — back in 2008, I was as disappointed as any other fan that this second “The X-Files” feature film was unconnected withe the show’s overarching storyline about aliens. But … this actually was a really decent standalone horror-mystery tale.
It just happens to be well executed. (The trailer below doesn’t do it justice; it’s a methodically paced, atmospheric and character-driven thriller.) Chris Carter’s directing is in fine form; the opening sequence, where a kidnapping is juxtaposed with the subsequent arrival at a key piece of evidence is especially good. So too were the performances of David Duchovny and Gillian Anderson. (It seems like the older I get, the more I appreciate Anderson’s talent.)
Finally, Amanda Peet’s portrayal of FBI Agent Monica Bannan was excellent; she seemed like a nuanced, interesting character that would have been a terrific regular on the show.
Alright, it’s arguable whether either film was actually scary. I had fun, though.
First up last weekend I watched “Creep” (2014) and then I finally got to see “The Beast From 20,000 Fathoms” (1954). I’d wanted to see “The Beast” since I was a little kid. I was a nut for anything created by monster-maker special effects wizard Ray Harryhausen, and I’d seen a clip of the titular dinosaur’s Manhattan rampage in a documentary about movie monsters. Man, was a mesmerized. But “The Beast” was one Harryhausen creature that never seemed to make the rounds on 1980’s television.
Anyway, I had a nightcap of two vintage animated shorts — “Skeleton Frolic” (1937) Disney’s The Haunted House (1929).
Film at 11.
And tune in tomorrow for a special report on The Existential Vacuum!