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“On The Verge,” by Algernon Swinburne

This one is dedicated to My Girl Friday, who is soon to make her own pilgrimage to the beach.

I discovered this poem when I was 19.  My mother and I were renting a house in Lake-of-the-Woods, Virginia, from some State Department Washingtons who had lived there before us.  The basement had rows of old books; one was of English literature.  There wasn’t another kid my age in sight, all summer.  Hell, I don’t think that there was another PERSON in sight when my Mom was at work.  Lake-of-the-Woods was an INCREDIBLY quiet community.

I’ve loved the poem ever since, even if I might better enjoy the various abridged versions that I have seen.

Anyway, my 20-something friends, before the Internet, we had basement books to entertain us during solitary summers.  AND WE WERE THANKFUL FOR WHAT WE HAD.

“On The Verge,” by Algernon Swinburne

Here begins the sea that ends not

till the world’s end. Where we stand,
Could we know the next high sea-mark
set beyond these waves that gleam,
We should know what never man hath
known, nor eye of man hath scanned.
Nought beyond these coiling clouds
that melt like fume of shrines that steam
Breaks or stays the strength of waters
till they pass our bounds of dream.
Where the waste Land’s End leans westward,
all the seas it watches roll
Find their border fixed beyond them,
and a worldwide shore’s control:
These whereby we stand no shore
beyond us limits: these are free.
Gazing hence, we see the water
that grows iron round the Pole,
From the shore that hath no shore
beyond it set in all the sea.

Sail on sail along the sea-line
fades and flashes; here on land
Flash and fade the wheeling wings
on wings of mews that plunge and scream.
Hour on hour along the line
of life and time’s evasive strand
Shines and darkens, wanes and waxes,
slays and dies: and scarce they seem
More than motes that thronged and trembled
in the brief noon’s breath and beam.
Some with crying and wailing, some
with notes like sound of bells that toll,
Some with sighing and laughing, some
with words that blessed and made us whole,
Passed, and left us, and we know not
what they were, nor what were we.
Would we know, being mortal? Never
breath of answering whisper stole
From the shore that hath no shore
beyond it set in all the sea.

Shadows, would we question darkness?
Ere our eyes and brows be fanned
Round with airs of twilight, washed
with dews from sleep’s eternal stream,
Would we know sleep’s guarded secret?
Ere the fire consume the brand,
Would it know if yet its ashes
may requicken? yet we deem
Surely man may know, or ever
night unyoke her starry team,
What the dawn shall be, or if
the dawn shall be not, yea, the scroll
Would we read of sleep’s dark scripture,
pledge of peace or doom of dole.
Ah, but here man’s heart leaps, yearning
toward the gloom with venturous glee,
Though his pilot eye behold
nor bay nor harbour, rock nor shoal,
From the shore that hath no shore
beyond it set in all the sea.

Friend, who knows if death indeed
have life or life have death for goal?
Day nor night can tell us, nor
may seas declare nor skies unroll
What has been from everlasting,
or if aught shall always be.
Silence answering only strikes
response reverberate on the soul
From the shore that hath no shore
beyond it set in all the sea.

“Mmmmmmm. This foot tastes GOOD.”

Or, at least, that’s what this Tinycat appears to be thinking.  Seriously.  The Twerp went at his paw in much the same manner as I go at a Big Mac.

Actually, in the second picture, he appears to be blowing you a kiss.  Because you’re just that special.

Anyway, speaking of what kittens like to eat, at what age should they be moving to solid food instead of suckling at MamaCat?  Advice will be appreciated.  Thanks!!

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So I extemporized my first children’s story the other night, for the child of a friend.

Of COURSE it involved a little red-haired girl with a unique ability, science vs. magic, medicines, a special mission, a powerful man-eating animal, and certain colors signifying good or evil. (If anyone wants to get all shrinky-psychy about this, please reference Jung and not Freud; I am not on board with the latter.)

I’m planning on jotting it down just as soon as I get the chance. (I’ve been crazy busy lately.) If it’s any good, I’ll probably share it here.

 

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Kitten pics.

Because we haven’t done that in a while.

I’m growing concerned about Little Ninja.  He’s just a weeeeee bit pushy and bitey when it come to his brothers and sisters.  He’s also rather difficult to catch in a photograph for some reason.  I’m not sure why that is.

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What if SkyNet arose from the mind of just one guy? Would it be GuyNet?

I can’t understand why “Transcendence” (2014) got such a lukewarm reception — it was a cool, fun, decent science fiction movie.  It could have been a great movie, were it not for an ending that I wouldn’t have chosen.  It actually IS a creative and thought-provoking ending, but I would have preferred a more standard boilerplate sci-fi climax … I can’t really say much more while avoiding spoilers.

It’s a thoughtful, high-concept sci-fi story that still manages to move along at a nice, fast pace, thanks to good directing and the introduction of conflict and danger very early on.  The screenwriters handled exposition beautifully — all the characterization and tech-talk exposition that we need is there, but there’s still action and end-of-the-world scenarios served right up front.  I thought that was really well done.

And there’s some dark fun to be had.  Parts of this were nice and creepy — especially when various aspects of GuyNet parallel past film bot-baddies like HAL 9000 or the T-1000.  If you get absorbed in the movie, those things can get under your skin a little.  These elements hold the viewer’s interest against a backdrop of major philosophical questions about the nature of consciousness, the existence of the soul, the nature of love, etc.

Paul Bettany, Rebecca Hall, Morgan Freeman, and Johnny Depp all handed in great performances. (At this point, I’m pretty sure that Depp is the actor with the greatest range in Hollywood; Hall, for me, will always be that nice girl in Christopher Nolan’s “The Prestige.”)  If you’re a Cillian Murphy fan, as I am, don’t see this movie on his account — he’s underused, with little to do.

Josh Stewart, in a smaller role, is a surprise standout — that guy does great work, and deserves more leading roles.  And did anyone else realize that the outspoken, creepy Luddite audience member is Lukas Haas, the little Amish boy rescued by Harrison Ford in “Witness” (1985)?  I thought that was pretty funny.

A few things were slightly off about the movie:

1)  It’s potentially the end of the world.  The United States government sends 10 commandos to stop it?  Did this movie spend so much money on CGI that they couldn’t afford extras?

2)  Exactly what agency does Agent Buchanan work for?  Again … he’s the only one assigned to all this?  Shouldn’t this matter be swarming with Homeland Security, NSA, FBI and DARPA?

3) Given what GuyNet can do, one of its countermeasures against its human assailants is easily predicted.  They didn’t see that coming toward the end?

4) Given what GuyNet can do, there’s another interesting (and truly frightening) way it could have infiltrated the team working against it.  But this is never even suggested.  (I am trying to keep this review spoiler free.)

I recommend this; check it out.

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Besieged by bees.

Besieged by bees,

Troubled by moths,

Late night fauna

Piss me off.

Now I’m awake and writing this poem,

Tomorrow I need to buy screens for my home.

 

I got stung again last night — HARD!  It was a real bitch!!

“Horror is more than what we’ve taken for granted courtesy of celluloid and campfires …”

“Horror is more than what we’ve taken for granted courtesy of celluloid and campfires; it’s the scalpel, and the fire of Prometheus that shows us that the greatest monster is the so-called Almighty.” Dennis Villelmi.

Head on over to Laura Enright‘s blog for a fantastic interview of my good friend and colleague, Dennis Villelmi.

http://lauraenright.blogspot.com/2014/07/a-discussion-with-dennis-villelmi.html

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“There was a crooked man,” by Mother Goose

“There was a crooked man,” by Mother Goose

There was a crooked man, and he walked a crooked mile,

He found a crooked sixpence against a crooked stile;
He bought a crooked cat which caught a crooked mouse,
And they all lived together in a little crooked house.