Tag Archives: Eric Nolan

“Girl, Orchard and Frost,” by Eric Robert Nolan

You were seven and you rose before the sun.
Even then, the lightning that I love in you was present —
the fond and ardent current in your limbs
your manic-hot unique kinesis:
darting through a farm in Tennessee,
past the ordered orchard,
a pistoned-powered pixie,
an electric girl with raven hair.

Decades cannot dim this image,
nor physics as I see the past.
Lovers’ confabulations are strange, the way they bend all laws;
a beloved’s recollections shape to share,
and their stories dearest to us
grow so salient that
they arrange in our own remembrance.

You filed to a child’s chores —
collecting eggs for breakfast. I see
your purposeful sunup march; your little strides, their industry;
your ink-colored hair, drawn to an overhead bun;
your pressed pink lips – the morning’s labors had
absented their customary mischief,
doodled over your smile like
graffiti of a ribald rhyme.

The barn was enlarged in contrast with you —
at your elfin outline,
the great gray door grew vaster,
the inner beams and corners angled farther,
and the hay there whispered softer
for your footsteps at dawn.

A cacophony of fowl
indignant at your diligence
complained over your little hands,
gentle though they were,
gingerly loading the heated carrier.
Even here, at this young year, I see
your life’s indelible tenderness.

Then, the reverse march,
again past the orchard.
The sun rose over the verdant rows, and the darkness fell like rain,
down and away, to trail in running shadows at their roots,
an aqueous dim
arriving at its strange and daily alteration,
made whole and soft and porous
to become the black soil.

All of the orchard’s birdsong
scored the course of your girlhood.
Its colors were the palette,
for sustenance in watercolor chroma
scented rustic air.

In rainbow, alternating
seasons of heavy fullness
were pears bearing the green of Eden;
round red apples, so crisp
that they crackled at the sweetened bite;
the flourishing, supple underfoot gems of strawberries;
ripe and oranging crabapples;
opaling peaches of the very same tincture
as your own Romanian cheeks.

Each of the ordered rows was
a phalanx of fragrance,
a linear, leaning clutch of sweetened air.
Bats were known to favor
the pears in particular — from the ripe green skin rose
their perfume of opulent sugars, as alluring
as the lotus that fascinated
the compulsions of Odysseus’ men.

I see your surprise one morning —
Your jaw falling at an unexpected silver sunrise,
your fair face reflecting
the brightly lucent, winter-colored
hue of a rolling frost.
At clear and cooling night
the starlit, jealous heavens
had snatched all of their perfume back.
The warm air rose in their stygian fit
while layers of cooler gales
were made an encompassing brush
over the whole of the orchard —
rendered, then, to a chill and high,
glistening and nigh-acrylic whitesilver.

Along this abruptly colder
way to your labors, one day,
a sight surprised you,
like a single little chestnut
upon a fitted sheet.
It might have been a fallen plum —
the bat which met your mercy.
The rime had smothered over it.
The ivory ice had sheened to mean
its destitute demise.

You ran to help.
You always run to help.
The idyll of your life
is a history of sprinting.
I try to remind you, at times,
how your years’ trajectory
could be plotted by lives touched —
the lives that you’ve changed,
and, thus, how you’ve changed the world,
for they are all a part of it.

You darted along the rows
where every rich fruit
had kindled into argent,
where every wispy limb was weighted
in dooming translucence.
And you sprang to a newer labor.
Your little frame fell lower as you crouched
to cup the cold and beryl breast.

Where others would recoil
at your brown and leathery,
Gothic beneficiary,
your hands folded over its heart
and you raised it up from the frost.
You named him “Mordecai” and brought him home.
Though you felt your fingers sting with digging, you drew
your power,
your natural, warm, unique, redeeming
reverse of whitesilver.

I see and feel them all –
the pulsating heart,
the tiny ice crystals, the fine and matted
fur the color of mulberry,
your little cupped hands like porcelain,
the warmth,
the warmth I love in you,
present there, decades before we met.

Allison,
You are seasons of heavy fullness.
You are perfume over the orchard.
You are watercolor chroma under sun.
You are hands that fold to warm in an unsparing frost,
when all is forsaken in whitesilver.

Observing the ordered rows of your days and your mercies,
I learn tenderness.
What cold will hold my roots will wane with season.
What sun will rise again will ease my limbs.
What darkness there may be in me will fall like rain
and then, in running shadow, drain
to become the black soil.

— Happy Birthday, Allison!

(c) Eric Robert Nolan



Photo credit: julian dobson / Restored Apple Orchard

That 70’s Poet.

I passed a nice milestone yesterday — I’ve now seen my writing and photography appear in 70 ongoing periodicals (in addition to the anthologies and other standalone publications).

🙂



 

Horror Sleaze Trash

It’s the magazine named for me and my peer group — how could I NOT submit a poem?

Seriously, though, I am quite grateful to Editor in Chief Arthur Graham for publishing “Confession” in this superb and subversive art/lit zine “that will always be for the misfits.”

You can find the poem right here:

“Confession”



 

“A February Walk Short Poem,” by Eric Robert Nolan

Three score blackbirds alight a winter tree,
soundless on the leafless limbs in quiet company.

In lines of silent, sable flames, they ignite to spy
me with curiosity and six score eyes.

 

(c) Eric Robert Nolan 2026



Photo credit: Donald F. Mott, 2021

Nolan vs. The Bird Bullies!

Avian altercation!  A chirpity-chirpity ruckus erupted at my fifth floor windowsill this morning … two sparrows were biting and plucking at a third.  The aggressors had darker head coloring; the victim’s was lighter — I’m guessing this means it was either a female or a juvenile?

I tapped the glass pretty hard, and the bad birds took off.  Then this beleaguered bird-twerp hung out for a minute and actually looked at me as if in acknowledgment.  (Yeah, the picture quality is cruddy, but you can see the little fluff-nugget looking at me.)

I started searching my memory for a bird-themed superhero I could then proclaim myself to be … but both Marvel’s “Falcon” and Michael Keaton’s “Birdman” (2014) seemed fairly lame.  My girlfriend, who is ever more cultured than I am, invoked Walt Whitman instead:

“I sound my barbaric ‘YAWP’ over the roofs of the world!!!”



“Her Smile Was Silver Jupiter”

It was a mad and spinning world in which you met her, but she was a mad and spinning girl — so brightly and resolutely burning that she herself was celestial. There was starshine bottled up in her heart, solar winds charged the particles of her thoughts, ions in the atmosphere ignited her impulses. Her willful joy was her own burning sun.

When she was sly, her eyes were hasty comets. Her passion amassed from Saturnal storms. Her smile was silver Jupiter– you wanted to repose over its white sands, beside the stained and rose-metal lakes of smoldering, darkening copper.

Between the spaces of her words, chasms of cosmos would occasionally open. You could stare into those depths for indifferent and measureless distances of light years — the sublime nightmare-nothingness that Providence had made, the Forever-of-Empty-Dark. But before you could be afraid, her own gravity drew you in.

And you were glad. That such loveliness could exist in a single soul was reassurance. (The Forever-of-Empty-Dark wasn’t entirely empty, after all.) And you were grateful — grateful for her rejoinders, for the taste of her mouth on your own, for her girlish laugh, for the way that she regularly lighted a murky Earth with the moonbeams of her quiet kindnesses.

She was unstoppable. Ultraviolet rode the coronal shades of her irises, and flared in her contemplation. She blazed. Magnetic radiation murmured in her poetry. You loved her for her uniqueness in a universe of cold space, for the way that she burned and turned and burned and turned without ever slowing or expiring. When her light fell across you, you could almost believe that you, too, were spinning and illuminated. You loved her enough for the illusion alone.

You loved her more for her gravity that drew you in and held you, and for her arms that did the same.

— “Her Smile Was Silver Jupiter,” by Eric Robert Nolan



Abandon all hope, ye who enter here …

Hey, guys.  If my strange and archaically worded ravings amuse you, I’ve started a page here at the site for 2026 poetry.  You can find it right here:

Poetry, 2026



 

The cool people at Spillwords Press published my “Weeping Willow Haiku.”

You can find it right here.  🙂

Thanks, as always, to Chief Editor Dagmara K and the rest of the staff at Spillwords Press!



The Galway Review 14 anthology was released yesterday with my love poem, “Where Would We Go?”

I’m honored to be one of 17 poets worldwide whose work was selected for The Galway Review 14, the latest annual anthology from The Galway Review in the Republic of Ireland.  My love poem “Where Would We Go?” appears on Page 60; it was first first published online by the journal a month ago.

You can order a copy by contacting The Galway Review directly at thegalwayreview@gmail.com.

This is the second time that my work has appeared in one of the journal’s yearly anthologies.  Thanks once again to Managing Editor Ndrek Gjini and the rest of the leadership and staff of this distinguished publication.



Mary Washington College friends are the best.

My alumbud Rick Slagle: “My Mary Washington friend has been published again and I am enjoying my 2nd Eric Nolan book!”

Thanks, man!