First Irish postage stamp, 1922

Department of Posts and Telegraphs, Irish Government.

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“The lone wolf dies, but the pack survives.”

[MINOR “GAME OF THRONES” SPOILERS BELOW. ]

This is what makes me worry over Arya’s fate before the show ends. I think a lot of people would think of Jon as the “lone wolf” of the family, being a putative “bastard” and being relegated to the Night’s Watch, etc.  I, for one, always imagined the prognostication applied to him. (I think it was a verse Ned recited to Sansa in Season 1?) But … being marginalized, vilified or betrayed doesn’t mean Jon has been alone.

Jon’s has always had friends near him.  He became a King, for god’s sake.  But more than any of the other Stark children, Arya has usually walked alone.  Her primary motivation is personal revenge, whereas Sansa, Jon and Bran are respectively motivated by their duties to House Stark, Westeros, and all of humanity.  (I myself am slightly befuddled about Bran’s importance, including during the Battle of Winterfell.  He’s … “the world’s memory?”  I thought we had books and maesters for that.  But whatever.)

Arya doesn’t exactly leave the Faceless Men under the best of terms.  Even when she encounters Nymeria in the woods on her way back to Winterfell, her own former pet turns down her invitation to join her.

Then, even when she’s back among her siblings at Winterfell, she keeps to herself.  Upon her arrival, she slips by the two guards who were supposed to escort her.  When Jon asks where she is, Sansa says something to the effect of “She’s lurking around here somewhere.”

Besides … [MAJOR SPOILERS FOR SEASON 8 AFTER THE JUMP BELOW]

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Continue reading “The lone wolf dies, but the pack survives.”

Rest easy, Peter Mayhew.

1944 – 2019.

[Update: I didn’t create this meme, and I don’t know its author; I shared it from Facebook.]

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“Alas, poor Yorick!”

Alas, poor Yorick! I knew him, Horatio, a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times, and now, how abhorred in my imagination it is! My gorge rises at it.

Here hung those lips that I have kissed I know not how oft. —Where be your gibes now? Your gambols? Your songs? Your flashes of merriment that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chapfallen?

Now get you to my lady’s chamber and tell her, let her paint an inch thick, to this favor she must come. Make her laugh at that.

— William Shakespeare’s Hamlet, Act V. Scene 1

 

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“Hamlet and Horatio at the Cemetery,” Eugène Delacroix, 1835

Cover to “Batman: The Killing Joke,” Brian Bolland, 1988

DC Comics.

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Newspaper headlines about success of polio vaccine, 1955

March of Dimes.

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10 classic movies that I will never fully understand the appeal of:

Because I can’t sleep, and you’ve been dying to know.  Here they are, in no particular order:

1) “Memento” (2000)
2) “Fight Club” (1999)
3) “American Psycho” (2000)
4) “Rosemary’s Baby” (1968)
5) “The Rocky Horror Picture Show” (1975)
6) “Monty Python and the Holy Grail” (1975)
7) “Natural Born Killers” (1994)
8) Lucio Fulci’s “Zombi” (alternately titled “Zombi 2,” 1979)
9) “Fast Times at Ridgemont High” (1982)
10) “The Big Chill” (1983)

And … worst of all … I’m kinda on the fence about the first two “The Evil Dead” films (1981, 1987), Stanley Kubrick’s “A Clockwork Orange” (1971) and John Carpenter’s original “Halloween” (1978).   I am hanging my head in shame here over those last two.  I know Kubrick’s film is considered a masterpiece.  I saw it twice when I was a college student (once in a psychology class!), soooo … maybe I just wasn’t mature enough to grasp it?  Mea culpa, people.

I left “Citizen Kane” (1941) and “Ben Hur” (1959) off the list, because I haven’t seen them in their entirety.  I was nonplussed enough to turn those off after 40 minutes or so, but I’m weird about never saying I dislike a movie unless I watch the whole thing.  You can add 1979’s “Phantasm” to this category too.

I know, I know … there’s nothing wrong with any of these films (except “Fast Times at Ridgemont High,” of course, which is terrible).  There are just basic ingredients in them that I somehow fail to appreciate.

Now one of you needs to e-mail me a cure for insomnia.

 

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“Time Unveiling Truth,” Giovanni Battista Tiepolo, circa 1758

Oil on canvas.

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“For those who dread to drown, of thirst may die.”

“The Tower,” by W. H. Auden

(Part IX of “The Quest”)

This is an architecture for the old;
Thus heaven was attacked by the afraid,
So once, unconsciously, a virgin made
Her maidenhead conspicuous to a god.

Here on dark nights while worlds of triumph sleep
Lost Love in abstract speculation burns,
And exiled Will to politics returns
In epic verse that makes its traitors weep.

Yet many come to wish their tower a well;
For those who dread to drown, of thirst may die,
Those who see all become invisible:

Here great magicians, caught in their own spell,
Long for a natural climate as they sigh
“Beware of Magic” to the passer-by.

 

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Chinese characters for Feng Shui, by Larsbo C, 2010

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Nurse Your Favorite Heresies in Whispers