Tag Archives: 2019

Cover art for Ethel Cain’s “Golden Age” EP, 2019

Homie Shit Magazine.

“Forest Park Sunset in Winter,” photo by Maud Newton, 2019

Forest Park in Queens, New York.

Maud Newton, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

Variant Cover to “Doom 2099” #1, Gerardo Zaffino, 2019

Cover D.  Marvel Comics.

“He travels the fastest who travels alone.”

If you are wondering what poem is referenced at the beginning of the incredible two-take war film, “1917” (2019), it is none other than Rudyard Kipling’s “The Winners.”  Lieutenant Leslie (Andrew Scott) quotes its refrain in explaining why only two men will be sent to deliver urgent news to the British 1st Battalion Devonshire Regiment.

Incidentally, the poem that Scofield (George MacKay) recites to the French baby in the film’s second half is Edward Lear’s “The Jumblies.”

Kipling’s piece is presented below.



“The Winners”

What is the moral? Who rides may read.
When the night is thick and the tracks are blind,
A friend at a pinch is a friend indeed;
But a fool to wait for the laggard behind
Down to Gehenna, or up to the Throne,
He travels the fastest who travels alone.

White hands cling to the tightened rein,
Slipping the spur from the booted heel,
Tenderest voices cry, “Turn again,”
Red lips tarnish the scabbarded steel,
High hopes faint on a warm hearth-stone–
He travels the fastest who travels alone.

One may fall, but he falls by himself–
Falls by himself, with himself to blame;
One may attain, and to him is the pelf–
Loot of the city in Gold or Fame
Plunder of earth shall be all his own
Who travels the fastest, and travels alone.

Wherefore the more ye be holpen and stayed,
Stayed by a friend in the hour of toil,
Sing the heretical song I have made–
His be the labour, and yours be the spoil. 
Win by his aid, and the aid disown–
He travels the fastest who travels alone.



Cover to “Detective Comics: 80 Years of Batman” Deluxe Edition, Jim Lee, 2019

DC Comics.

Cover to Slowdive’s “Golden Hair” (Live) single, 2019

Sonic Cathedral.

Throwback Thursday: “Dark City” (1998)!

“Dark City” (1998) maybe wasn’t quite as perfect as its most ardent fans make it out to be, but it was still a damned good film — creative, original and caliginously artistic.  (It occasionally suffers somewhat in comparison with its spiritual cousin, “The Matrix,” which changed the very medium of movies only a year later.)  And what a cast — William Hurt, Jennifer Connelly, Kiefer Sutherland and Rufus Sewell!

I saw this movie on VHS around … 2001, I think.  I remember being eager at the time to see the inimitable Hurt — I’d grown up with films like “Gorky Park” (1983) and “The Accidental Tourist” (1988).  It was only later in life that I really became a fan of Sewell — after his tour-de-force performance as the Nazi villain in “The Man in the High Castle” (2015-2019).

And how can you beat Connelly as a nightclub crooner?  My girlfriend sent me a gem that she found on Youtube — Connelly singing an alternate version of her musical number in the movie, Giovanni Polimeni’s “Sway.”  (It’s the second video below.)

By the way, I am linking tonight to Media Graveyard and Polimeni’s Youtube channel.



Album cover to Life On Venus’ “Odes To The Void” (2019)

Shelflife Records.

Cover to “Kingdom Come,” Alex Ross, 2019

DC Comics.

king

Poster for “Love, Death & Robots” Season 1 (2019)

Episode 14: “Zima Blue.”

love