The first three episodes of “Station 11” (2021) are utterly engrossing.

Think of what Stephen King’s “The Stand” would be like if you removed Randall Flagg and all of its supernatural elements — then told character-focused stories with an intertwining mystery in the manner of “Lost” (2004-2010).  And then maybe peppered it with a little “Dead Poets Society” (1989).

I know that sounds weird, but if you pay attention, it totally works.



s11

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