All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“A Grã-Bretanha, Defensora da Liberdade,” British World War II poster, circa 1945

Poster is in Portuguese language.

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Welp. The TV just turned itself on.

AREN’T I ALREADY HAUNTED ENOUGH BY MY OWN DEMONS?

What do I do? Turn it off? That would require that I acknowledge that it happened.

Plus maybe Ghosthomeboy is watching it now.

Update — now there is a thunderstorm brewing as night begins to fall. I am half-convinced that I am still asleep with my nap and dreaming this.



“Portrait of Helene Klimt,” Gustav Klimt, 1898

Oil on cardboard.

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I did NOT see Dad coming.

I told the nice young woman who cut my hair that I went to school in Fredericksburg.  She said she thought I might have gone to high school with her dad.

For some reason, that made me feel SO old.

Update — people on Facebook have now informed me that the phrase “nice young woman” is employed only by old people.



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“Vanity,” Frank Cadogan Cowper, 1907

Oil on panel.

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(I’m a silly goose.)

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Throwback Thursday: “Indiana Jones and the Kingdom of the Crystal Skull” (2008)!

I think that we can all agree that “Indiana Jones and the Kingdom of the Crystal Skull” (2008) is the least of the film series.  (Some people really despise it.)  And I suppose it’s telling that I’ve only seen it twice.

It isn’t a terrible movie, it just couldn’t match the magic of the original trilogy.  (I was surprised a moment ago when Wikipedia informed me that it was indeed still directed by Steven Spielberg.)  The Russian villains were a little too cartoonish, the chemistry among the leads was a little off, and the whole thing maybe felt a little … rushed.  For some reason, it makes me think of a pretty good made-for-television movie instead of a feature film — sort of an “Indiana Jones Reunion Special.”

Hey, I didn’t hate it.  The artifact they’re chasing is unique and cool, the denouement is inventive, and Shia LaBeouf’s “Mutt” actually didn’t bother me much.  This movie was fun. 



“Forest Lake, Cloud,” Arkhip Kuindzhi

Oil on paper mounted on canvas.

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“Dnieper in the Morning,” Arkhip Kuindzhi, 1881

Oil on canvas.

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