All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“As Silver as the Stars You Tried to Rival,” by Eric Robert Nolan

“As Silver as the Stars You Tried to Rival”

The
world grows
darker in increments,
earlier every evening,
as Autumn’s arcing swallow bends to curve
at long last, rounding down, to the hardening ground, where only brown
leaves outlast November’s burning rug of reds and flaming footprints,
cast-off scarlets,

now giving way
to the gunmetal gray
of winter’s coarse eagle, its ash-gray and annual, slow,
feathered rule of sky ascends hemispheres, its lead belly
groaning for hare or softer birds, its slate eyes searching, yet ridden with hints of silver —

— thin silver threads in the breast of the lead predator,

ascending
screaming “December,”
slow, as slow as frost, as cold as loss,
frigid, frigid like a still photo and its forever frozen face there,
black and white, its timeless smile a lie, exposed by common calendars and your indifference.

If those blacks and whites were shaken up in a glass bottle, the jumbled shades under glass might make
silver:

— thin silver threads out of memory:

— as silver as the slimming minnows that you kicked
out of shallow water onto sand at 9
with the other boys
birthing, then returning swimming platinum
to the warm-womb mine of that black lake, you knew
that summer would never end —

— as silver as your father’s hair, when you were 13, the last time that you thought
your father would never end —

— as silver as the cross you gave to your first love,
kissing you at 16, there in the stairwell at school.
She laughed at your
accidental piety.
You thought it was a curving swallow;
it was a tiny crucifix.
And you told her
love would never end —

–as silver as the stars you tried to rival, drunk at 21, drunk at Cape Hatteras during the storm, drunk at the face of the Universe.
At “Kill Devil Hills” you balked at God.
The stars shouted with light, the violet-sable sky reeled and vaulted purple-black, interminable, drunk in its excess of self, the rhythmic, clutching sea its unforgiving son.

Your friends
warned you away from the sea.
The curving waves would swallow you.
They warned you, “You get dark when you are drunk.”
“And, besides, you’ll die.”
You laughed and stormed the waves against their wishes.
And you were dark. Your violet-sable heart
reeled and vaulted purple-black. You laughed
and shouted back at the stars,
young-mad and piss-drunk,
the freezing forward ramparts stung you but
you stormed in headfirst, headstrong, and interminable:

this night would never end,
and if it never ended, how could you?

(c)  Eric Robert Nolan 2015

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Photo credit:  bigwavephoto / Wikimedia Commons, via Wikimedia Commons.

Peeking Cat Poetry Magazine features “Amanda” and “Amanda II, A Haiku”

Peeking Cat Poetry Magazine released Issue 9 tonight; if you’re so inclined, you can peruse my poems, “Amanda” and “Amanda II, A Haiku.”  (You can find them on pages 16 and 20, respectively.)

You can actually download the magazine for free right here:

http://www.lulu.com/shop/samantha-rose/peeking-cat-poetry-magazine-issue-9/ebook/product-22468453.html

Or, if you’d like to have a hard copy of Peeking Cat delivered to you, you can purchase it here:

http://www.lulu.com/shop/samantha-rose/peeking-cat-poetry-magazine-issue-9/paperback/product-22468430.html

Once again, thanks to Peeking Cat Poetry Magazine for allowing me to have my work included among that of so many talented authors.

 

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Artwork from “Arkham Asylum: A Serious House on Serious Earth”

Written by Grant Morrison and illustrated by Dave McKean, 1989.

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“What I Had Stolen For Heaven’s Sake” and “Greenhouse Hot Contempt,” by Dennis Villelmi

Dead Snakes published two new poems by Dennis Villelmi on Monday — “What I Had Stolen For Heaven’s Sake” and “Greenhouse Hot Contempt.”  Read them both at the link below.

http://deadsnakes.blogspot.com/2015/11/dennis-villelmi-two-poems.html

Senator Mitch McConnell, please pick up the phone!

From first responder John Feal, who is currently leading efforts to secure potentially lifesaving medical care for the surviving 9/11 first responders:

Please contact Senator Mitch McConnell immediately.

John Feal

Nesconset, NY

Dec 2, 2015 — I’m outside of Senator McConnell’s office right now and need your help because he’s holding up our bill. Please reach out to Senator Mitch McConnell’s office immediately and tell him to meet with first responders who are outside his office in the Senate Russell Building:

Call: (202) 224-2541 or (502) 582-6304

If no one answers, try again!

All you need to say is “Tell Senator McConnell to meet with 9/11 first responders. As an American taxpayer I expect our government to give permanent health coverage to those who risked their lives on 9/11. Will Senator Mitch McConnell stand with the American people who will never forget? I hope he knows our heroes were there for our nation on that tragic day so we should be for them now instead of playing politics with human lives.”

On Twitter? Click here http://ctt.ec/odsVJ

Thank you.

-John

“Full of sound and fury, signifying nothing.”

download

What kind of imbecile steps into the shower with his reading glasses on?

And almost breaks them as they clatter to the floor under the rushing water?  And then almost trips?

This kind, people.  THIS KIND.

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“Agápē,” by Paul F. Lenzi

Poet Paul F. Lenzi has written a particularly nice piece entitled “Agape.”  It reminds me of what Dr. Cain taught us in Introduction to Christian Theology so many years ago at Mary Washington College.

I thought I remembered learning about three types of love delineated by basic Christian philosophy: Agape, Philia and … Eros?  But tonight this newfangled Internet thingy is telling me that there was a fourth — “Storge,” which was familial or empathetic love?  (That class was 23 years ago, I think.)

Anyway, enjoy Mr. Lenzi’s poem at this link to his blog, “Poesy plus Polemics,” right here:

Agápē.”

A quick review of “Re-Kill” (2015)

I want to give “Re-Kill” (2015) more than a 5 out of 10 rating.  I do.  It’s an ambitious post-apocalyptic independent zombie film that earnestly and unpretentiously tries to give fans of the subgenre everything they’re asking for: great action, decent makeup effects, gore, good scares and lots of creative world-building, all culminating in a nifty little sci-fi subplot that isn’t stupid and isn’t too forced.

There’s a wealth of fun ideas here — the original story was obviously developed by people with a love for zombie tales.  We follow a “COPS”-style reality-TV program documenting a”Re-Kill” unit, a squad of specially trained commandos who repel brushfire outbreaks during a global, stalemated war between the living and the dead.  They “rekill” the “re-ans,” this universe’s slang for re-animated dead.

We see the entire program, complete with commercials from this fictional world: PSA’s to encourage people to have sex (in order to repopulate the world), and drug companies opportunistically pushing drugs for PTSD and depression.  My favorite was an ad for a Desert Eagle sidearm marketed to protective mothers, “for the children.”  We get wicked-cool peeks into a fairly detailed fictional world, including the activities of the police, the military, the media and civilians.

This would have made a fine book series, in the manner of Max Brooks’ “World War Z.”  Or it would make a terrific TV series … like a far faster paced and more expansive equivalent of “The Walking Dead.”

Tragically, though, this movie’s execution is too often lacking.  The acting is sometimes poor (but not from the always awesome Roger Cross, who you and I know as Curtis Manning from “24.”)  The script has problems.  And worst of all is the absolutely unnecessary shaky-cam directing.  This movie could have been a fantastic action-horror flick … if only we were able to see the action a little better.  The style of shooting here was a disastrous creative decision.

Oh, well.  It’s still a fun watch for hardcore zombie fans.

 

ReKill_poster

 

You people always said I had no class …

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