All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“Lying Close,” by Eric Robert Nolan

Lying Close

Lying with her,
Lying close,
Lying while her past escapes in silver whispers.

Lying with her,
Lying close,
Lying while the unspoken
Is a rough coal in my own throat.

Her soft voice is as that
Of the single quail at dusk —
Easy and artless.

My silence fails to announce
The purposeful, leaning
Turn of the falcon’s arc.

Lying with her,
Lying close,
Lying by omission.

(c) Eric Robert Nolan 2013

First published by Dead Snakes, May 2013:

http://deadsnakes.blogspot.com/2013/05/eric-robert-nolan-two-poems.html

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“Coturnix Novaezelandiae (New Zealand Quail),” Charles Joseph Hullmandel, “The Zoology of the Voyage of the H.M.S. Erebus & Terror,” 1844

A Quick Review of “The Interview” (2014)

“The Interview” (2014) was a pretty good comedy for much of its running length, but then lost its way — I’d give it a 7 out of 10.

James Franco is fantastic — he’s funny as hell, and I think I am on my way to becoming a Franco fan (Francophile?).  Seth Rogan is a good straight man.  And Randall Park is terrific in the role of Kim Jong Unpleasant.

The funniest parts of the movie happen early on, with celebrity interviews on the movie’s fictional entertainment news show.  The cameo by Eminem was hilarious, thanks to Franco’s over-the-top reactions and the rapper’s surprisingly great deadpan delivery.  The cameo by Joseph Gordon Levitt was funny even without a line of dialogue.  I wish the whole movie was like that — a goofy, dialogue driven farce about the Fourth Estate, like “Anchorman” (2004) or the 1980s’ “Fletch” movies.

Sadly, Franco’s wit increasingly takes a back seat to potty humor and seemingly constant sex jokes.  It’s not that I’m a Puritan or anything … these things just weren’t funny, and even started to feel like filler.  Then the movie fails remarkably in its final act, with bizarre creative choices by the screenwriters — it turns into slapstick physical farce with (confusingly) a lot of violence, blood and gore.  Finger horror?  Borrowing a stomach-turning, brutal battle sequence from “Band of Brothers” (2001)?  Miss Pyongyang?  And … a bizarre emotional payoff regarding a rescued puppy?  Huh?

Whatever.  The film was still funny.  And it makes me want to check out another James Franco movie.  So it has that going for it.

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You know how you know you’re a “Gladiator” fan?

When your friend is in a play and you tell her “Win the crowd!” instead of “Break a leg.”

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sick B*STARDS!!!

Noooooo, not YOU people!!  “sick B*STARDS” is the title of a new book by Matt Shaw, for which 4-LAN has written a great review over at his blog, “What I am Reading.”

It actually sounds like a really interesting, no-holds-barred, intense postapocalyptic horror novel — read the robot’s review right here:

http://thebookmarketingnetwork.com/profiles/blogs/what-i-am-reading-28

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“Politics: A Haiku,” by Eric Robert Nolan

Politics: A Haiku

red rats, blue weasels —
opportunistic little
mammals dart at votes.

© Eric Robert Nolan 2013

First published by Dead Snakes, July 2013:

http://deadsnakes.blogspot.com/2013/07/eric-robert-nolan-three-poems.html

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Image from “Die Gartenlaube,” 1870.

Scarlet Witch Had a Rough Childhood.

If you liked Elizabeth Olsen in “The Avengers: Age of Ultron,” then check out “Silent House.”  She hit it out of the park, and the movie is a cool horror-thriller that I think was unfairly panned.

This was my review.

Whatever. I really liked “Silent House” (2011)..

“Nothing the God of biomechanics wouldn’t let you into heaven for.”

BLADE RUNNER.

It’s only fun until someone loses their eyes.

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“When I Meet The Devil,” by Eric Robert Nolan

When I Meet the Devil

When I meet the Devil
I’ll kill him.

Not for his endless treachery, richly expressed
In perfectly worded, erudite, platinum-bright aphorisms.

Not for the endless lies that spiral from his quick lips
Like fine red ethereal thread, spooling at our feet
Like bloodshot spider-web.

Not for the false
Compliments that slide off his baroque tongue
Like newly minted coins of fool’s gold.

When I meet the devil,
I’ll kill him
Because God made him.

(c) Eric Robert Nolan 2013

First published by Dead Snakes, May 2013:

http://deadsnakes.blogspot.com/2013/05/eric-robert-nolan-two-poems.html

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Photo credit: “Der Heilige Michael,” Luca Giordano, 1663 (via Wikimedia Commons)

I need YOUR help locating a vintage horror comic.

I have already queried the uber-nerd community on Facebook with this.  (I got connections, Baby.)  No response yet, so I figured I’d try to crowdsource it.

THIS IS AN IMPORTANT  MATTER, PEOPLE.  Stop whatever you’re doing right now and attend to it.  Shoot me an e-mail instead of commenting; thanks.  🙂

[“Oooooookay, Mr. Pete Harrison. Since you are the Internet’s resident vintage horror comic expert, maybe you or your friends can help me track down a comic from my childhood.

It was published in the late 70’s or early 80’s, and was a damn cool horror anthology. My parents bought it for me when I was around 7, on a family trip to Tennessee.

One story focused on a creepy kid who lived with his family by the ocean — he might have been a lighthouse keeper’s son. He finds a huge, mysterious egg that washes up with the tide, takes it home, and secretly cares for it. It hatches into a monster.

Another story was about a woman whose sprawling garden got possessed by demons or ghosts — these long viny plants sprouted screaming skulls at their tips. It had a happy ending — she vanquished the baddies. The last line of the story explained that she paved over the garden with concrete, and assiduously repaved it again every year.

Anyone know what I’m talking about?”]

Avengers Assemble … Again!!! (SPOILERS!)

[WARNING: THIS POST CONTAINS SPOILERS FOR “THE AVENGERS: AGE OF ULTRON.”]  Fun, fun, fun!  Earth’s Mightiest Heroes roar back onto the screen with nearly all of the action, humor and spectacle of the wonderful original — I would give “The Avengers: Age of Ultron” (2015) a 9 out of 10.

It’s got everything that you could ask for in a superhero movie, including another great villain in the form of James Spader’s “Ultron,” beautifully animated by CGI.  A surprise standout was Elizabeth Olsen as the Scarlet Witch.  She’s a great young actress whose work I really liked in 2011’s terribly under-appreciated horror-thriller, “Silent House.”  She’s got perfect line delivery.  I’d love to see future Avengers films include her in the lineup, so that she can trade quips with Tony Stark.

There’s some great writing — the backstory for the twins was suitably dark, and was a perfect motive for a hatred of Stark.  The banter might not be as funny as the first film, but was still quite good.  And there’s some nice thematic continuity with Marvel’s planned “Civil War” storyline.

The movie falls short of perfection with the occasional misstep.  For example, the flashbacks/hallucinations that various characters suffer were clumsy, overdone, and sometimes befuddling.  Compare them with similar scenes in movies like “12 Monkeys” (1995) or “Donnie Darko” (2001), or well made television shows like “LOST.”  Captain America’s worst fear is some lame “The war is over” existential bullshit?  No.  Cap is supposed to be the personification of freedom and democracy — his worst nightmare would be a totalitarian state.  Or an undead Bucky.  Or better yet, being a man out of time, it would be the loss of his friends, his family and his true love.

A key conversation between two key characters at the end about mankind’s future is just a little too depressing for an Avengers movie.  Also a little sad?  The suggestion that the team’s lineup would change.  Our existing roster is terrific — the fan’s love ’em and I believe all the actors are under contract.  If it ain’t broke, don’t fix it.

Postscript: this movie is interesting because it shows the same superhero starring in competing film franchises.  Aaron Taylor-Johnson’s “Quicksilver” is the very same Marvel Comics’ speedster we saw played (and scripted with much more fun) last year by Evan Peters in “X-Men: Days of Future Past.”  (There, he’s simply referred to as “a guy” or “Maximoff,” for copyright considerations, I guess.)

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