Tag Archives: The Dark Tower

A review of “The End of the World As We Know It: New Tales of Stephen King’s The Stand,” 2025

The End of the World As We Know It: New Tales of Stephen King’s The Stand (2025) isn’t a sequel; it’s a hefty companion volume to King’s apocalyptic classic. I had a lot of fun with it, and I cheerfully recommend it to those who love The Stand.

There are 34 stories here, set concurrently with the events of The Stand or afterward. The contributing authors include a few names you are likely to recognize from genre fiction, including Joe R. Lansdale and Chuck Wendig. (Brian Keene actually chimes in with the anthology’s afterward.)

One of the things that I liked most about the book was the multitude of viewpoints, which really flesh out The Stand’s global catastrophe. The reader is introduced to all manner of individuals who witness this world’s pandemic, the ensuing dreams, and the longstanding consequences of Captain Trips and the showdown in Las Vegas.

It’s a diverse group — from cops (both good and bad), to children orphaned by disease, to astronauts aboard the space shuttle, to exotic animals trying to escape their zoo enclosures. (Catriona Ward’s brutal, beautiful “The African Painted Dog” might be my favorite in the bunch.) We even follow the ordeal of people who were never immune to Captain Trips, but who survive in hidden seclusion. The survivors we meet are in such far-flung places as Puerto Rico, Britain, Pakistan … and even other universes.

The anthology suffers once or twice when its entries stray a bit too far logically from the main narrative of The Stand. The stories I enjoyed a little less were those that felt like conventional horror stories shoehorned into our familiar, favorite end of the world.

This book often reminded me of Max Brooks’ World War Z (2006), which depicted a global zombie holocaust through the eyes of a wide variety of survivors around the world. I mean this as a favorable comparison, because I also loved Brooks’ opus.

Most of the stories have no impact on the events of The Stand. But a few do. And if you loved King’s plague-ravaged universe, it’s fascinating to see what was going on “in the background” while the major events unfolded in the original story. Some of the authors took just a single line or minor location from the novel and created an entire tangential story around it.

The authors even continue King’s tradition of linking his books and stories. There are references to a number of past tales: at least two stories from Night Shift; the The Dark Tower series; and possibly Hearts in Atlantis and The Eyes of the Dragon. (I’m sure there were a few that I missed.) This connectivity makes more sense than you’d think, considering the inclusion of a certain plot device — but I will avoid spoilers by saying no more about it.

If you are a King fan, this is really a good read. Grab it if you can.



1408?

Is this the haunted Nail Salon & Spa?  It’s even named for NYC, which is where Stephen King’s dooming eponymous hotel room tormented poor Mike Enslin.

That’s some synchronicity worthy of The Dark Tower.  FOLLOW THE PATH OF THE BEAM.




Thankee Sai.

Thank you to everybody who made my birthday a happy one yesterday, including the many cool people who called or sent messages.

You brought a smile to an old man’s face.  😉



‘Tis the (Halloween) Season!

A friend of mine decorated her house for Halloween, and I thought this one shelf looked so cool that it would be an awesome picture with which to start October.  She let me share it here.  (This is the same person who who made me my super-cool Halloween decorations a while back.)

I told her that those bird people reminded me of the Taheen, a unsettling race of beings in Stephen King’s The Dark Tower multiverse.  She couldn’t really appreciate the reference, as she is not a King fan the way I am.  And, if you think about it, the Taheen are kinda hard to explain to the uninitiated.



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What eye think.

Is it me, or does the logo for Vistar Eye Center bear an uncomfortable resemblance to the Sigil of The Crimson King from Stephen King’s “The Dark Tower” series?

It raises all sorts of questions for Vistar’s patients.

But you and I are on The Path of the Beam, folks.



“Say hello to my little friend.”

This handemade leather-bound volume is about the length of my forefinger; it was an especially cool Christmas present from a writer friend of mine.  She picked it up for me at a Renaissance Faire.  She told me I could write all my “secret thoughts” here.  (I’ve got a lot of ’em.)

I personally like to think that it looks like something out of Stephen King’s “The Dark Tower” universe, like maybe the place where Roland inscribes clues about his quest.  (I know he doesn’t need to search for clues in any of the books, but still.)  Or maybe it’s a convenient pocket-tome for the vengeance-driven Arya Stark from “Game of Thrones” to keep her “list.”

I haven’t yet decided precisely what I will record here.  I quite love it, though.  It’s sitting on my desk as a reminder for me to write.  (You know what would fit perfectly on a single page?  All the progress I’ve made on my novel in the past six months.  Maybe I’ll start with that.)

 

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Variant cover to “The Dark Tower: The Long Road Home” #5, Jae Lee, 2008

Marvel Comics.  Sketch variant cover (#5c).

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Cover to “The Dark Tower: The Long Road Home” #4, Jae Lee, 2008

Marvel Comics.

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Throwback Thursday: “Omni” magazine in the late 1980’s (and that weird Stephen King cover)

Omni in the 1980’s was an absolutely unique magazine dedicated to science fiction and science fact — it was always weird and occasionally wonderful.  Its content was consistently a good deal trippier than anything you’d find in more mainstream contemporaries like Scientific American or Discover — futurism, the paranormal, and short stories that were pretty damned abstract.  (I remember Patricia Highsmith’s “The Legless A” being a real head-scratcher for me.)  And the covers to Omni were frequently awesome.

I had a subscription around 1989 or so — I believe I got a year’s subscription as either a Christmas or birthday present.  I still remember it arriving in the mailbox.  I think I had all of the issues you see below — except the third one.  That issue is from January 1983, and I never had it.  I’m including it here because it’s too interesting not to share.

Stephen King fans will recognize Don Brauitgam’s artwork for the cover of King’s classic 1978 short story collection, “Night Shift.”  Brautigam apparently sold it to the magazine later.  (Interesting, too, is the similarity of the artist’s name to a key character in King’s subsequent “Hearts in Atlantis” and his “The Dark Tower” series — the kindly psychic, Ted Brautigan.)

Anyway, if you were geeky enough to enjoy this back in the day, the entire run of Omni is currently available at Amazon for $3 a pop.  It was available online for free for a while, and I think you can still find all of the short stories uploaded in pdf if you google them — I found a bunch, including Highsmith’s story.  (I wonder if I’d get a better sense of it if I read it today.)

 

 

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A review of the pilot for Stephen King’s “Mr. Mercedes” (2017)

With all of the (frequently quite poor) buzz about the arrival this summer of “The Dark Tower” and “The Mist,” “Mr. Mercedes” might be the Stephen King adaptation that has slipped under the radar.  And that’s a shame, because the pilot episode suggests it might be one of the best King adaptations ever.  I’d rate it a 9 out of 10.

It really is that good.  The show’s first episode begins what looks to be an intelligent horror-thriller that is surprisingly faithful to King’s outstanding novel.  David E. Kelley’s script is excellent.  After a brutal prologues that sets its plot in motion, the story proceeds with three-dimensional, likable characters who are well played by their performers — especially Brendan Gleeson in the role of the grumpy, retired-cop anti-hero who is harassed by a mass murderer.  (Yes, that is indeed the Dad from 2002’s “28 Days Later.”)  Gleeson is just great — even though I found myself wondering why a retired Chicago cop should have a heavy U.K. accent.

The script even surprises us by being incongruously sweet during its odder moments.  Like its source material, the show effortlessly sets up characters that are easy to like.  (An exchange between Gleeson some kids playing hockey outside his house, for example, was truly inspired.)

The story’s plot-driving horror elements are disturbing, too — both in terms of its grisly violence and its sexual taboos.  This is not a show for the faint of heart.

This also seems like it could be a King adaptation that could easily appeal to people outside his usual fanbase.  There are no supernatural elements to this story, or any tangible connections to King’s sprawling, interconnected “Dark Tower” multi-verse.  (The original novel seemed to show us King trying his hand at a Thomas Harris-type serial killer tale.)

The only reservation I might have about “Mr. Mercedes” is what I am guessing about its pace.  The original novel was quite slow, despite being an engaging read.  After its gut-wrenching mass murder is depicted in graphic detail, the plot moves forward rather lethargically.  The one-hour pilot episode here seemed to mirror that, in its apparent loyalty to its source material.  I predict that viewers turning to “Mr. Mercedes” for a fast-paced horror tale will be disappointed.

I think that’s probably a subjective quibble on my part, though.  I’d still enthusiastically recommend this.