Warner Bros. Pictures.
Isn’t this the coolest Halloween card ever? The little skeleton guy dances.
Hope you guys have something scary planned for the month ahead. I’ve got a short list of movies I’d love to make time for: “Dracula” (1939), “House of the Devil” (2009), “Annabelle Creation” (2017) and “Mr. Mercedes” Season 3 (2019). Yeah, I know that last one isn’t a feature film, but it’s a program of truly cinematic quality. “Mr. Mercedes” has been the best kept secret in Stephen King fandom — no, its antagonist isn’t as flashy as Pennywise the Clown or The Gunslinger’s various nemeses. But it’s a gorgeous adaptation of a King novel that might even be better than its source material. Check it out, seriously — skip “American Horror Story” if you have to.
There are two movies I need to get to that have been recommended to me with a lot of enthusiasm. The first is “In the Mouth of Madness,” 1994’s H.P. Lovecraft adaptation starring Sam Neill. (I actually started it a few years ago after a friend in New York urged me to, but it just didn’t hold my interest.) The second is 2001’s “Shadow of the Vampire,” which features Willem Dafoe doing Nosferatu. (I only discovered just now writing this that John Malkovich portrays F.W. Murnau.)
I’ll tell you something else, too — I’ve checked out one or two short films on the free ALTER channel and they’ve been terrific. Maybe I’m due for another visit there.
I’m just piping in here to say that I still enjoy “Black Mirror” — even after Season 5 left a lot of fans nonplussed. No, this tonally different, three-episode arc wasn’t the show’s best season, but it was still a decent watch. I had some minor criticisms, but I’d rate it an 8 out of 10.
Perhaps predictably, my favorite of the three was “Smithereens.” Not only did it most closely follow the tone and dialogue of past seasons, it boasted a fine lead performance by Andrew Scott, better known to many of us as Moriarty from Britain’s “Sherlock” (2010-2017).
For those of you who are wondering why the “season” was so short, I read today that “Bandersnatch” was supposed to be a part of it, and was produced at about the same time. The showrunners then decided to make that episode a standalone feature, given its unique nature.
I just cannot be partial to slasher films. It’s never been my preferred horror sub-genre to start with, and, at this point in my life, these movies have become so predictable and devoid of story that I often find them boring. There are exceptions — some of the the original “A Nightmare on Elm Street” films (1984- 2003) and “Child’s Play” (1988) were grotesquely creative and had terrific supernatural setups that were well executed. But even the attraction of John Carpenter’s original “Halloween” films (1978, 1981) is still mostly lost on me.
With all of that said, I’ll still say that my horror fan friends were right when they told me that 2018’s “Halloween” was a superior sequel. It looks a lot better than the segments I’ve seen of of the campier followups in the 1980’s and 1990’s.
It’s far better filmed and directed, it’s occasionally scary and it benefits from a very good cast. (Jamie Lee Curtis is of course quite good as the film’s heroine and perennial “final girl.” I’m also always happy to see Will Patton on screen, and I like Judy Greer a lot.) The script occasionally shines unexpectedly, too — the screenwriters have a truly impressive talent for making minor characters vivid with funny throwaway dialogue. (One of the three screenwriters is actor-writer-comedian Danny McBride, who I liked quite a bit in 2017’s “Alien: Covenant.”)
I’d be lying, however, if I told you that I wasn’t occasionally bored by this latest “Halloween” — simply because its basic, boilerplate plot and conclusion seem endlessly redundant with those of other slasher films. There are few surprises toward the end — one “gotcha” moment was especially nice — but the overall story is just too tired. I’d rate this film a 7 out of 10 for its merits, but I can’t actually get excited enough about it to recommend it.