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“Time to die.” Rest easy, Sir Rutger Hauer.

I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.

— Rutger Hauer’s closing soliloquy in “Blade Runner” (1982), Ridley Scott’s seminal adaptation of Philip K. Dick’s 1968 science fiction novel, “Do Androids Dream of Electric Sheep.”  The actor co-wrote the speech that appears in the movie.

Hauer died Friday at age 75.  The news of his passing was reported today.

His role in “Blade Runner” will always define him in my mind.  But I also grew up seeing him in “Ladyhawke” (1985), “The Hitcher” (1986) and “Blind Fury” (1989); and later was pleased to discover him in “Batman Begins” and “Sin City” (2005).  Believe it or not, it was “The Hitcher” and not “Blade Runner” that first made me love Hauer’s performances.  I was still in early high school when I saw both films.  The former was among the first horror movies I truly loved, and I wasn’t yet mature enough to fully appreciate the latter.

Hauer was Knight in the Dutch Order of the Netherlands Lion.

What an amazing artist, whose creativity in his craft brought so much enjoyment to others.

 

 

IT’S A JUNGLE IN THERE.

This is Charlotte Perkins Gilman’s “The Yellow Wallpaper” on steroids.

 

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A very short review of “Crawl” (2019)

“Crawl” (2019) is an often corny creature feature that still delivers the scares quite nicely, given its decent special effects and its successful mashup of man-vs.-nature plots.  (Our father and daughter protagonists here must face off not only against the movie’s reptilian horrors, but also against the hurricane that conspires to aid the lizards’ hunt.)  Our heroes are portrayed by the terrific Barry Pepper and Kaya Scodelario, both of whom are better than the script’s forced and clunky family drama.

But the real stars here are the alligator-related catastrophes that we bought a ticket to see, and those are inventive and fun.  The movie feels like a particularly creative 10-year-old playing with his toy alligators in his sister’s dollhouse — but I mean that in a good way.  It totally works.  I jumped a couple of times, and that’s a pretty good sign that a horror movie is working.

I’d rate “Crawl” an 8 out of 10, and I’d cheerfully recommend it to someone looking for a decent new summer monster movie.

 

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Cover art for Depeche Mode’s “Enjoy the Silence” single, 1990

Mute Records.

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So we’re set, then.

Still a better attack plan then sending Dothraki cavalry ahead unsupported at the Battle of Winterfell.

And … still a better love story than “Twilight.”

I didn’t make this meme — I found it on Twitter.  Everyone knows this is a gag cooked up by the young people, right?  PLEASE tell me that everyone knows this is a gag.  Otherwise, someone is going to get shot.

Probably me, even though I’ll be nowhere near Area 51, because that’s just how my luck works.

Me, I’d rather storm Pier One than Area 51 — get me some nice furniture.  (I’m old.)

 

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Bee cool.

If you want to read some fantastic postapocalytic poetry, then do stop by The Bees Are Dead.

There is some outstanding work by Linda Imbler, Benjamin Blake, Howie Good, Jake Tringali, Cody Simpson, Yuan Changming, Holly Day and more.

 

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Photo credit: Engin Asil [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)%5D

“Beethoven Listening To A Muse,” Ludovic Alleaume, 1928

Lithograph.

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“The Writer” appears at Every Writer!

I am grateful tonight to Editor Richard Edwards for publishing “The Writer” at Every Writer!

I’m quite happy that Mr. Edwards felt my poem might appeal to the readers of Every Writer — especially considering what an important resource Every Writer has been to the independent literature community since 1999.

You can find the poem right here:

“The Writer,” by Eric Robert Nolan

 

 

 

The Piker Press features “Smiling Among Inert Shipwrecks”

I’m honored tonight to share here that The Piker Press has graciously published my poem, “Smiling Among Inert Shipwrecks.”

Once again, I’m indebted to Editor Sand Pilarski for allowing me to join the creative community of this wonderful weekly journal of arts and sciences.

You can find the poem at the link below:

“Smiling Among Inert Shipwrecks,” by Eric Robert Nolan

 

 

“Amore e Morte,” Calcedonio Reina, 1881

“Love and Death.” Oil on canvas.

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