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“‘O Oysters, come and walk with us!'” The Walrus did beseech.

“The Walrus and the Carpenter,” by Lewis Carroll

The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright —
And this was odd, because it was
The middle of the night.

The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done —
“It’s very rude of him,” she said,
“To come and spoil the fun.”

The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying overhead —
There were no birds to fly.

The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
“If this were only cleared away,”
They said, “it would be grand!”

If seven maids with seven mops
Swept it for half a year,
“Do you suppose,” the Walrus said,
“That they could get it clear?”
“I doubt it,”said the Carpenter,
“And shed a bitter tear.”

“O Oysters, come and walk with us!”
The Walrus did beseech.
“A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each.”

The eldest Oyster looked at him,
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head —
Meaning to say he did not choose
To leave the oyster-bed.

But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat —
And this was odd, because, you know,
They hadn’t any feet.

Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more —
All hopping through the frothy waves,
And scrambling to the shore.

The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.

“The time has come,” the Walrus said,
“To talk of many things:
Of shoes — and ships — and sealing-wax —
Of cabbages — and kings —
And why the sea is boiling hot —
And whether pigs have wings.”

“But wait a bit,” the Oysters cried,
“Before we have our chat;
For some of us are out of breath,
And all of us are fat!”
“No hurry!” said the Carpenter.
They thanked him much for that.

“A loaf of bread,” the Walrus said,
“Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed —
Now if you’re ready, Oysters dear,
We can begin to feed.”

“But not on us!’ the Oysters cried,
Turning a little blue.
“After such kindness, that would be
A dismal thing to do!”
“The night is fine,” the Walrus said.
D”o you admire the view?

It was so kind of you to come!
And you are very nice!”
The Carpenter said nothing but
Cut us another slice:
“I wish you were not quite so deaf —
I’ve had to ask you twice!”

“It seems a shame,” the Walrus said,
“To play them such a trick,
After we’ve brought them out so far,
And made them trot so quick!”
The Carpenter said nothing but
“The butter’s spread too thick!”

“I weep for you,” the Walrus said:
“I deeply sympathize.”
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.

“O Oysters,” said the Carpenter,
“You’ve had a pleasant run!
Shall we be trotting home again?”
But answer came there none —
And this was scarcely odd, because
They’d eaten every one.

 

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A scene from “The Walrus and the Carpenter”, by Lewis Carroll, drawn by Sir John Tenniel in 1871.

Throwback Thursday: “Mazes and Monsters” (1982)!

“Mazes and Monsters” (1982) was one of the 1980’s’ weirder television events — it was a made-for-TV movie that was a hysterical cautionary tale about “Dungeons & Dragons.”  It was based on a novel by Rona Jaffe that was ostensibly a fictionalized version of a real case, in which a Michigan college student was supposedly driven insane by the role-playing game three years earlier.  (The media reports that sensationalized the boy’s disappearance in 1979 were subsequently debunked, so Jaffe’s book was based on what was essentially an urban legend.)

“Mazes and Monsters” was weird and dumb.  It was a pretty labored melodrama based on a thin, reactionary premise, and it actually wound up being a depressing story.  But its infamy has earned it a kind of ironic, enduring devotion from 80’s pop culture nerds.

And here’s the kicker — it starred Tom Hanks, in his first leading film role, at age 26.  Hanks played the sensitive, unstable undergrad who was pushed over the edge, and he actually did a good job with the material.  If you’re curious, the entire movie is available for free right here over at TVfanatic.

I never really played D&D.  I was a third grader when “Mazes and Monsters” aired on CBS, and by the time I reached high school, role-playing games had been supplanted by video games.  I’m not even sure D&D ever had a massive following in my little stretch of New York’s suburbia anyway.  My older brother played regularly with a couple of his friends, but the game was hardly spoken of by anyone else.  It just never caught on with kids in my age group.

But this movie was something people talked about.  They thought the danger it depicted was real.  Seriously, look at the newspaper ad below.  (Somebody over at Youtube commented that the film was basically “Reefer Madness for D&D,” and I thought that was pretty funny.)  Here’s the thing about the world before the Internet — there was obviously no fake news spreading like wildfire online, and that was a very good thing.  But neither could you instantly debunk an urban legend.  (We still had a few, back then.)  If you heard that D&D could make teenagers psychotic, you couldn’t check Snopes.com to verify that.  (Encyclopedias were also giant-ass book sets that they advertised on TV, but that’s another story.)

 

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“Cupid with a Lion,” Bénigne Gagneraux, 1791

Oil on canvas.

Bénigne_Gagneraux_-_Cupidon_avec_un_lion_(1791)

It’s a bird … It’s a plane …

I took this video a few hours ago, just before that brief thunderstorm over Roanoke. This looks like one of those AWACS (Airborne Warning and Control System) planes that the military uses, doesn’t it?  (See the dish-shaped radar device atop it.)  It was circling the area.

I remember seeing these in the 1980’s as a kid on Long Island (along with plenty of F-14 “Tomcats” buzzing our neighborhood), because Grumman Aerospace had a major plant out in Calverton.  They actually designed and tested new fighter jets there — which the kids thought was pretty neat.) The AWACS aircraft were the planes that could detect incoming planes or missiles from Russia.  (Nowadays, Senate Republicans would block funding for that sort of thing.)

I suppose this could be a civilian plane … I can only imagine that the radar technology has other applications.  I honestly don’t know.

 

“Desiderius Erasmus,” Hans Holbein, 1523

Paper, mounted on pine.

Holbein-erasmus2

“And I was cursed in all the languages …”

I got addicted to my sorrows,
Until I have gotten scared of not being sorrowed.

And I was stabbed thousands of times,
Until it felt painful not to be stabbed.

And I was cursed in all the languages,
Until I started being nervous of not being cursed.

And all the countries seemed the same,
That I don’t see myself there, And I don’t see myself here.

— Syrian poet Nizar Qabbani

 

FlamingPoi

Photo credit: Sam Fentress [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)%5D

“Laundresses,” Alexei and Sergei Tkachev, circa 1956

Alexei and Sergei Tkachev - Laundresses

“Patriotism is supporting your country all the time …”

“Patriotism is supporting your country all the time, and your government when it deserves it.”

— Mark Twain

 

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I’m so brilliant that famous actors wish they could meet me.

A pal of mine read my review of “Condor” earlier and opined that John Hurt was a better actor than William Hurt.

I told him that someone should call an ambulance BECAUSE THEY’RE BOTH HURT.

He suggested that I have someone read and approve my jokes before I post them.  It is an abiding challenge in my life that those close to me fail to appreciate my greatness.

 

 

Cover to “World’s Finest” #6, John Sikela, 1942

DC Comics.

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