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(I could be just pareinoid.)

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Seems like everyone online is talking about pareidolia.

I see a pattern developing here.

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“Forest,” Ivan Shishkin, 1880’s

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Oil on canvas.

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(Either way, it stinks.)

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I’m not sure which is more tragic — when people go bad or when pork chops do.

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Atmosphere is everything.

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Setting the right tone for some October horror movies and shows.

Last night, I watched “Talk to Me” (2022), which was surprsingly good, despite its gimmicky supernatural setup.  And I am assiduously following Season 3 of “From,” Season 2 of “The Walking Dead: Daryl Dixon,” and Season 1 of “Agatha All Along.”

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Cover to “The New Yorker,” Edna Eicke, October 31, 1953

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“I have never found the limit of my capacity for work.”

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“I have never found the limit of my capacity for work.” 

— Naploeon Bonaparte, attributed

Portrait of Napoleon Bonaparte by Paul Delaroche, 1838

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The Piker Press publishes another photo of mine.

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I’m so happy to see The Piker Press publish an additional photo of mine today — this time of some incandescent leaves near Roanoke’s border with Salem.

Thanks, as always, to Managing Editor Sand Pilarski!

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“The Count” from “Basel’s Dance of Death,” Matthäus Merian, 17th Century

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AI dunno.

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The problem with AI is that it looks so much like “Al” (short for “Albert”).

I keep worrying over this one mysterious prick who apparently steals everyone’s creative work and then coldly plots to kill us all.

Photo credit: mikemacmarketing, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0&gt;, via Wikimedia Commons

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Poster for “The Matrix Resurrections” (2021)

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Warner Bros. Pictures.