Detail from “Descent of Christ to Limbo,” Andrea di Bonaiuto, circa 1368

Fresco.

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Warmest regards.

I know this is perfectly strange (look who you’re talking to), but I have never once checked a day’s temperature in my life. I’ll check whether it’s going to rain, sure. But when it comes to the temperature, I’ve always relied on just sticking my head outside to “see what it’s like out.”

Anyway … the past few months have been bizarrely warm. A warm September doesn’t faze me much, because sometimes Septembers are like that.

But it was warm enough to wear a t-shirt out this past Halloween, wasn’t it? And maybe even shorts, depending on what you find comfortable?

Throughout December, my fellow Roanokers occasionally commented that it was like spring out. And I absolutely cannot remember a Christmas that was more unseasonably warm.

It is the evening of January 11, and it was too warm after nightfall tonight to wear a winter jacket. Even a heavy sweatshirt might have been pushing it. A light rain has cooled this evening somewhat as we are arriving now at 7 PM, which makes a jacket okay, I guess.

This post isn’t intended as a commentary on climate change or anything. I’m just saying the situation is pretty damn weird, that’s all.

 

 

Male nude, head and shoulder, Franz von Stuck, circa 1908

Study for “Inferno” (1908).

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“McHaiku”

McHaiku:

Ravenously bolt
that midnight Egg McMuffin.
Then cower in shame.

 

 

t-mcdonalds-Egg-McMuffin

“Law is the senses of the young.”

Law is the wisdom of the old,
The impotent grandfathers feebly scold;
The grandchildren put out a treble tongue,
Law is the senses of the young.

— excerpt from W. H. Auden’s “Law Like Love”

 

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Photo credit: Alberto Nishiyama [CC BY-SA (https://creativecommons.org/licenses/by-sa/4.0)%5D

“Liebesfruehling,” Franz von Stuck, 1917

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“Others say, others say/ Law is no more.”

Others say, Law is our Fate;
Others say, Law is our State;
Others say, others say
Law is no more.
Law has gone away.

And always the loud angry crowd,
Very angry and very loud,
Law is We,
And always the soft idiot softly Me.

— excerpt from W. H. Auden’s “Law Like Love”

 

Donald_Trump_(27150816364)

Photo credit: Gage Skidmore from Peoria, AZ, United States of America [CC BY-SA (https://creativecommons.org/licenses/by-sa/2.0)%5D

Portrait of Louis XIV, by Hyacinthe Rigaud, 1702

Oil on canvas.

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Throwback Thursday: “Gargoyles” (1972)!

“Gargoyles” (1972) was a fairly corny made-for-television creature feature that’s still remembered fondly by a lot of older horror fans.  Despite its predictably campy nature, this weak-premised ABC Movie-of-the-Week just … inexplicably worked.  There are still people today who comment about how badly this scared them when they were kids.  It didn’t exactly terrify me when I saw it rebroadcast in the 1980’s, but I definitely found it pretty thrilling when I was in the second grade or so.

I think that there are a few elements of this apocalyptic monster flick that combined to make it effective — at least for impressionable youngsters.  The first was its garish costuming by Thomas S. Dawson; the film’s eponymous monsters looked kitsch, but nonetheless creepy.  The second was the movie’s sound editing — the bad guys’ grunts and electronically distorted voices could get under your skin.  The third was film’s dark, desert setting, and the fourth was director Bill L. Norton’s choice to film the attack sequences in trippy, 70’s-tastic slow motion.

Don’t get me wrong — I don’t think that “Gargoyles” is frightening by today’s standards.  But back in the day, it was unusually good for a made-for-TV horror film.  (You can find the entire movie for free on Youtube if you want to see for yourself.)

Postscript — that is indeed a young Scott Glenn in the trailer as one of the movie’s heroes.

 

“A Winter’s Afternoon,” Stepan Kolesnikov

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Nurse Your Favorite Heresies in Whispers