“Selene,” Albert Aublet, 1880

Oil on canvas.

Albert_Aublet_-_Selene

“Roanoke Summer Midnight,” by Eric Robert Nolan

“Roanoke Summer Midnight”

Its midnight moon is newly minted coin —
a white-hot silver obol
forged in burning phosphorus.
The crisping clouds around it blacken.

Its silhouetted mountains
are great blue gods at slumber
the faded-haze azure horizon’s
giants in the dim.

Those slopes have known a billion bones of hares
that raced upon them other midnights, then,
pausing, one by one,
and drawing up their downy legs at last to final sleep.

Where the Shenandoahs’ driving
beryl falls to black,
ultramarine to onyx,
lay legions of hares — generations resting.
There are the hills where ivory
rabbits sleep among gods.

Ahead and under moonlight
the curving rural road obscures its end.
At right, an intersecting well-lit modern block
confuses the curling topography.
The fresh and symmetrical asphalt’s angle
mars the winding thoroughfare with order —
a ninety-degree anachronism.

That new and perfect subdivision
affronts the corner’s antebellum chimney,
broken down to stones and overrun in lavender
— its lilac colors driven plum by sunset.
That last century’s smokestack
was itself effrontery once
to the formless places where natives stayed,
their only edifice the stars,
their only currency the blinding coin of moon.

Eyeing, then, the summits’ crowning cobalt
driving down in royal blue to coal,
I hope to one day take my rest
there, in the darkening indigo,
alongside giants,
among white rabbits in myriad easy stillness,

to pause myself at last and sleep beneath
what meadows stretch in cerulean dark,
where hares will race like moon-kissed silver,
or comets of darting pearl.

(c) Eric Robert Nolan 2017

 

Super-Moon-2_11-14-2016

Photo credit: By Jessie Eastland (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)%5D, via Wikimedia Commons

“In the Country,” Konstantin Korovin, 1895

1895_Korovin_Auf_dem_Lande_anagoria

More gooey monstery goodness from Oats Studios (The “ZYGOTE” short film)

Oats Studios dropped its newest science fiction – horror short film yesterday, and it’s pretty damned good.  “ZYGOTE” follows (an all grown up!) Dakota Fanning and Jose Pablo Cantillo as they try to escape an inspired and truly horrifying monster.  (Cantillo was none other than Martinez a few seasons ago on “The Walking Dead.” )

My enjoyment here was hampered just a little with some problems I had with the short film’s audio … I tried watching this both with my laptop’s speakers and with my headphones, and I found the early dialogue a little difficult to hear either way.  (I’m guessing the problem is only mine.)

Nevertheless, this was a pretty decent short film, taking writer-director Neill Blomkamp’s zeal for body horror to a new level.  (I get the sense that Blomkamp watched a lot of David Cronenberg growing up.)

Fans of John Carpenter’s “The Thing” should be pleased.  Check it out below.

 

Cover to “Batman” #495, Kelley Jones, 1993

From the “Knightfall” storyline.

 

Batman_495

Nolan’s Relatively Mellow Summer 2017 Playlist — featuring Toxic Sundown Avenger!!

Take this for whatever it’s worth to you — it’s my relatively chill summer playlist.  A good college buddy of mine consistently posts a “Friday Dance Party” playlist on Facebook every week.  (The Dude is on a mission to make the whole world dance.)  This, I prefer to think, is a more laid back seasonal complement.

Hey, you want to hear something really sad?  I really like Airborne Toxic Event a hell of a lot, but, when I tried to Google them earlier tonight, I typed in “Toxic Sundown Avenger.”   That is what happens when an old man tries to get into the young people’s music.

*I’m* the one who’s “sundowning.”

 

*****

[Explicit lyric warning for Daniela Andrade and Kawehi.]

1.

 

2.

 

3.

 

4.

 

5.

 

6.

 

7.

 

8.

 

9.

 

10.

 

11.

 

12.

 

13.

 

14.

 

15.

 

16.

W. H. Auden’s “Dear, Though the Night is Gone,” read by Tom O’Bedlam

Am I mistaken or is “Tom O’Bedlam” the most bad-ass Irish name ever?

 

Neill Blomkamp’s free new sci-fi short films are goddam nightmare-inducing.

Writer-director Neill Blomkamp (who brought us 2009’s “District 9” and who wanted to bring us a fifth “Alien” installment) is currently releasing a series of sci-fi short films via his “Oats Studios” channel on Youtube.  There have been four released so far, with a fifth, “ZYGOTE,” scheduled for release today.

The two to which I’ve linked below, “Firebase” and “Rakka,” are fantastic.  They’re both military science fiction, they’ve both got lots of gore and great special effects, and they both show Blomkamp’s trademark predilection for body horror.

They’re both incredibly dark stories, too.  “Firebase” is disturbing; “Rakka” is downright horrifying.  (The Eiffel Tower scene … yeesh.)  It might make you smile, though, to see none other than Sigourney Weaver fighting alien invaders.

If “Firebase” doesn’t make much sense to you, try not to let it hamper your enjoyment of it.  (The short’s reveal shows us that many of these disparate story elements actually aren’t supposed to make much logical sense, considering their cause.)  And you should know ahead of time that both of these short films should serve as prologues for sequels or longer tales.  (Maybe Blomkamp is planning their denouements in subsequent shorts?)

I was so befuddled by “Firebase” at first that I wound up turning it off and then returning to it later.  I still think that its writing could be cleaned up a bit.  It’s definitely out there, and strays from science fiction into fantasy and … maybe even theology.  It was “Firebase,” however, that stayed with me and really got under my skin — much more than the more straightforward invasion horror story, “Rakka.”

 

 

“Dover Beach,” by Matthew Arnold

Dover Beach,” by Matthew Arnold

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Aegean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

 

Shakespeare_cliff_and_Aycliff,_Dover_-_geograph.org.uk_-_308573

Photo credit: Peter Facey [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons

 

“The Torment of Saint Anthony,” Michelangelo, circa 1487

The Torment of Saint Anthony is the earliest known painting by Michelangelo, painted (after an engraving by Martin Schongauer) when he was only 12 or 13 years old.  (Wikipedia.org.)

 

Michelangelo_Buonarroti_-_The_Torment_of_Saint_Anthony_-_Google_Art_Project

Nurse Your Favorite Heresies in Whispers