As so many people enjoyed the link that I posted yesterday to MST3K’s “Last Clear Chance,” here is second greatest short film ever lampooned by the show.
Enjoy “Hired,” parts one and two.
“Ya got a nice office, Boss.”
Henry Holiday’s “Dante and Beatrice” (1883)
“One gaze points elsewhere, Prospero …”
One gaze points elsewhere, Prospero,
My compass is my own;
Nostalgic sailors do not know
The waters where Antonio
Sails on and on alone.
— Antonio, from W. H. Auden’s “The Sea and the Mirror”
I love autocorrect.
My Girl Friday just texted me to express the concern that a friend of ours is “donuting on his own.”
I myself am inclined to respect his privacy. That thing about going blind is just an old wives’ tale.
“Kill da wabbit, kill da WABBIT …”
Mystery Science Theater 3000’s “Last Clear Chance.” Arguably the funniest 20 minutes of footage ever recorded.
I demand that you watch this. Now.
“All right, let’s listen.” “OKAY, NOW STOP.”
My initial review of “The Signal” (2014) was going to be two sentences:
“WTF did I just watch? YOUR GUESS IS AS GOOD AS MINE.”
Reflection does suggest a few more things for me to say for this challenging sci-fi thriller, even if I did need a little subsequent help from Wikipedia to understand it.
It is beautifully shot and scored, and has strong performances from all of its actors. It does just great at establishing mood, and setting up an unsettling mystery. And it is good, old fashioned, hard-core science fiction.
I DO think it runs a bit long, and has big pacing problems. Simply put, this film is too slow to be scary. So it fails as a horror movie or thriller. There is insufficient exposition about what is going on, even for an intentional “mind-bending” movie in the tradition of films like “12 Monkeys” (1995). Can we really be scared or affected if we have so little understanding of what is actually happening onscreen?
I STILL have questions. Why does the facility appear to have technology only from the 1970’s or 1980’s? Why is one character homicidal? Why are alarms going off?!
Still, it was interesting, challenging, and lovely to look at. It’s worth a look, if you want a darker, demanding film that makes you think.
Anyway, there actually is another recent science-fiction thriller entitled “The Signal.” It was made in 2007, and should please fans of well made formula films like “The Crazies” or “Dawn of the Dead.” I actually enjoyed that low-budget genre film more than I enjoyed this.
Paranoid fear of the day —
— that now Uwe Boll will challenge me to a boxing match.
Oh well. If it happens, then at last I can finally invoke the phrase (and in context!) “Come at me, Bro!”
4-LAN reviews Clive Anthony’s “Wildmind”
There’s another great review by 4-LAN over at his column, “What I Am Reading.” This time out, it is Clive Antony’s “Wildmind,” which sounds like a hell of a fun mashup of fantasy and classical history.
Thanks for the heads up, 4-LAN!
I know that 4-LAN is a human bibliophile and a talented writer himself. But if you grew up with R2-D2, KITT, and the HAL-9000, you actually do have fun pretending he is actually a book-reviewing robot, as his moniker suggests, or at least some form of AI.
Here’s the review:
http://thebookmarketingnetwork.com/profiles/blogs/what-i-am-reading-20
A quick review of “Rampage: Capital Punishment” (2014)
“Rampage: Capital Punishment” is a poorly directed, poorly written, and poorly executed horror-thriller that is partially redeemed by the brilliant performance of bad guy Brendan Fletcher. And that’s a shame, because the original “Rampage” (2009), despite its flaws, was actually very effective as a horror movie, and a surprise win for the Internet’s favorite whipping boy, Uwe Boll.
The less said about Boll’s writing and directing, the better. I’ll leave it at that. And we see some pretty bad acting from guys who were at least okay in other movies.
Even the movie poster is problematic. The movie does not take place in Washington, DC; unless I’m mistaken, it’s the same small town as the first film. This is also a low-budget film that take place mostly in the basement of an office complex. And … if the title is meant to be a play on words … shouldn’t it read “C-A-P-I-T-O-L Punishment?”
Still, anyone who studies acting might want to see Fletcher’s performance as the psychotic spree killer. He hits it out of the park. He is obviously an extremely gifted young actor. He’s intense, frightening and natural in the role, and he makes a great villain. Talk about a guy who is NOT phoning it in. I sincerely hope that at some point Hollywood puts him in a better movie.
Question: why does the uncredited television producer in the movie have a German accent? Is that Boll himself in a bit of stunt casting? IMDB doesn’t say.
“Seagull,” by Eric Robert Nolan
“Seagull,” by Eric Robert Nolan
(First publsihed in Dead Snakes, November 2013)
Like an awkward emperor,
you sit alone atop
the rooftop of my urbane neighbors.
Squat and fat and white, you’re
a satisfied and unenlightened despot.
Edicts issue out
From your discordant “caw!”
What do those yuppies think of you?
Your mien makes
Their rich art-deco house
A commonplace kingdom.
Your ungainly gait makes
a prosaic palace of their home.
Cardinals arcing over
are airborne scarlet darts.
Pairs of swallows will sometimes
loop in symmetry.
You’ll have none of it. You’re
All utilitarian flight
And graceless landings.
If you were human
you’d be a pot-bellied plumber, perhaps
in a wife-beater t-shirt
holding a beer.
Other birds will swoop and dive.
Other birds will sing.
But your cawing only exhorts us,
“Hail to The King.”
© Eric Robert Nolan 2013
http://deadsnakes.blogspot.com/2013/11/eric-robert-nolan-three-poems.html
Eric Robert Nolan, Author 