Headline Publications, Inc.
Headline Publications, Inc.
Harvey Comics. If I understand what I am reading correctly, then no one is 100 percent sure who the cover artist was here back in (the obviously pre-Comics Code) 1953. It is probably either Frank Frazetta, Sid Check or Lee Elias.
Eastern Color Printing.
Fawcett. Via the Monster Brains blog.
Man, did “The War of the Worlds” rock my world as a little kid. When this movie made the rounds on 1980’s television, it was arguably a bigger reason to celebrate than a “Godzilla” movie.
I’m a little puzzled to realize that neither the trailer or the original film poster below show the Martian ships, which were pretty damned nifty for a 50’s movie. I’m not sure why that is. (Maybe up to certain point the filmmakers wanted to save that as a surprise for people who bought a ticket?)
This isn’t the only adaptation of the classic 1898 H. G. Wells novel that I would come to love. A few years later, I wound up getting the famous 1939 radio play on cassette tape. And as an adult, I’ll always enjoy Steven Spielberg’s genuinely frightening big-budget 2005 version. I haven’t quite warmed to the new BBC series yet, but maybe that will change.
Three Dimension Pictures.
This will probably be a pretty obscure Throwback Thursday post, but the segment below should be recognized by people who grew up in the New York metropolitan area in the late 1970’s and early 1980’s. It’s none other than the intro for WOR-TV Channel 9’s “Million Dollar Movie.” (That music you hear is a particularly brassy rendition of Max Steiner’s “Tara’s Theme” from 1939’s “Gone With the Wind.”)
If you were in the New York area at that time, it ought to bring back memories of the old days of broadcast television. (It’s actually surprising how much nostalgia people online report at seeing this 44-second clip. And it’s amazing what you can find on the Internet.) A few commenters note sardonically that the clip makes Manhattan look like a nighttime paradise — while The Big Apple in the 1970’s was not always an easy place to be. (The city if far cleaner and safer today.)
Some of the comments I read were befuddling. There is one blogger who wrote that he remembers this intro from as far back as the 1950’s. (Had they really used it for more than two decades?) And a populous minority of commenters remember being unsettled by the clip. (They describe it as ominous, and the music as creepy, which mystifies the rest of us who remember “Million Dollar Movie.”)
This intro had an indelible effect on me. While it recalls monster movies like “King Kong” (1939) and “Godzilla” (1954) for a lot of others, it will always remind me of my father watching war films and cowboy movies on his days off — along with the occasional Charles Bronson flick. “The Great Escape” (1963), “A Bridge Too Far” (1977) and “Shane” (1953) all spring to mind.
When I was in the first or second grade, I habitually enhanced my Dad’s enjoyment of the “Million Dollar Movie” by peppering him endlessly with questions about whatever was playing — even if I had only wandered into the room for a few minutes. “Why did they call it ‘a bridge too far?'” “Why did they fight World War II?” “The British and French were good guys in the war, right?” “Why did the cowboy drop his gun on purpose?” “Why did the guy fake his death?” (Bear in mind, folks, this was broadcast television — long before the days of Netflix and DVD’s.)
If any kid did that to me when I was watching my favorite movies, I’d go nuts — even if I had a pause button. My father was a saint.