Tag Archives: Blade

“Salem’s Lot” hits differently if you’ve ever lived in a town named “Salem.”

Yep — we’ve got one in Southwest Virginia; it’s right next to Roanoke, and I lived there for a little while.

The people there are awesome.  There are no vampires.  And the only weird, alarming newcomer in town was me.

Anyway, the new “Salem’s Lot” was damned good.  I loved it.  This movie successfully channeled the dark energy that made Stephen King’s 1975 novel such a feast for horror fans — how the vampires are portrayed.  They are at their scariest when they are mindless, Satanic minions of a mysterious overlord — and perversions of their former human selves.  (I love the “Blade” movies to no end, but their chic, cool, articulate monsters just aren’t as frightening.)

The directing was slick, the storytelling was rapid, and the newly tweaked plot elements worked for me.  The acting was good too.  If you are a genre fan, see if you can spot Pilou Asbaek (the mean-ass, ambitious pirate king from “Game of Thrones”), among others.

This was loads of creepy fun.  I recommend it.



Norwegian poster for “Blade” (1998)

New Line Cinema.

blade

A very short review of “Silent Night” (2012).

I wrote this review three years ago; Donal Logue’s career is alive and well today in “Gotham.”  And, yes, I do get that this is a remake/homage to 1984’s “Silent Night, Deadly Night.”   *****

“Silent Night” (2012) is a fair slasher film, distinguished only by Malcolm McDowell, Jaime King and Donal Logue, whose talents would have been better invested elsewhere. I can only give this a 5 out of 10 at best – it’s more or less a B movie that can provide a late night horror movie fix if there’s nothing else on.

Where has the wonderful Donal Logue’s career gone? He’s funny as hell, and even “Grounded for Life” wasn’t too bad a tv show. A friend and I were asking the same thing about his even better “Blade” (1998) co-star, Stephen Dorff.

Silent_Night_poster

My review of NBC’s “Revolution”

Blogging some of my past tv reviews from Facebook — this was my lukewarm response to “Revolution.”  

+++++

The pilot of “Revolution” (2012) gets the high-concept sci-fi series off to a really good start — it’s smart, interesting, and it’s got a pretty original premise. (This is not a story about an electromagnetic pulse – the globe loses all electricity because of some other unexplained phenomenon.) I’d give it an 8 out of 10.

There’s a nice amount of pathos and action, including a clever use of a bottle of liquor in the pilot. There’s also some really good special effects depicting a post-apocalyptic world. (I can’t tell what is CGI and what is a matte painting, but it all works.) The script is damned good, including an awesome surprise at the end that I never saw coming, but which makes perfect sense.

Two things worry me about the show’s chances for success. One, the premise is interesting … for a miniseries. Or for one season of a television show. Or for maybe two seasons. After that, can we really remain interested in watching an agrarian society? Wouldn’t it just basically be “Game of Thrones” with a few firearms thrown in and a lot of obsolete machines lying around?

Two, this is a character-centric “soft” science fiction show with an overarching mystery, obviously inspired by the success of “LOST.”. Which is awesome. Except, since “LOST,” shows like that rarely survive long on network television. “V” was deservedly short-lived, as was the superior “Flash-Forward.” Yes, “The Walking Dead” is a big hit, but that’s really more an episodic horror show, and it’s free to do more things because it’s not an a major network. For whatever reasons, programs like “Revolution” just don’t seem to last very long.

By the way – if anyone recognizes the Dad, and can’t remember where they know him from … the actor’s name is Tim Guinee. He played the unfortunate hospital orderly in “Blade” (1998). That was bugging me like crazy until I looked it up.

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