Tag Archives: The Shadow

“Who knows what evil lurks in the hearts of men? THE SHADOW KNOWS!”

The weed of crime bears bitter fruit.  Crime does not pay.

Dabbling in old time radio inevitably brought me to “The Shadow” — a character I’d heard about periodically when I was growing up.  My Dad had been a fan of the radio program and film serials when he was a kid, and he was fond of rattling off that tagline you see in this blog post’s headline.  (The radio shows were broadcast in to the mid-1950’s, long after they started in 1937.)  I also remember the character from the truly unfortunate 1994 feature film with Alec Baldwin, which I actually saw in the theater with my college girlfriend.  (The less said, the better.  About the movie, I mean.)  The Shadow is also cited periodically as an influence in the creation of my own favorite iconic dark detective, Batman.

The Shadow has a loooooooong, varied and occasionally confusing history – spanning radio, pulp magazines, comic books, television and film.  He’s still being portrayed in comics.  DC Comics released a crossover with Batman last year that looks interesting, and the incomparable Matt Wagner produced a couple of books in 2015 and 2016 that I’d love to get my hands on.  (He fights Grendel!!!)

The radio shows are a lot if fun, just like the antique horror and mystery programs that I’ve linked to here at the blog.  And, just like those, they’re easily found on Internet.  (How my Dad might have marveled at that!)  They’re definitely more campy.  And I suppose that makes sense, as they seem aimed at children, whereas the horror shows seem intended for general audiences or just adults.  The period commercials for Blue Coal are a weird glimpse into the past, too.  If I had to name one thing that I found annoying about all of the old time radio shows I’ve found, it’s the omnipresence of that damned organ music.  (Was it just a cultural staple of the time?)

If “The Shadow’s” stories are a bit hokey, the show’s voice acting and production are just terrific.  I particularly like the actor performing The Shadow for the episode in the first link below — “Death is a Colored Dream” (1948).  I believe it is Bret Morrison.  (And I was surprised to learn that the famous Orson Welles only voiced the character for a year or so a decade earlier.)

But what’s most interesting is the character’s inception.  He didn’t start out as a character in a story at all … “The Shadow” was simply the name of the generic host for a series of unrelated mystery stories comprising “The Detective Story Hour” in 1930.  After a surprising fanbase developed around the creepy-sounding host (voiced at the time by Frank Readick, Jr.), people started asking for stories featuring “The Shadow” at the news stand.  Street & Smith commissioned writer Walter B. Gibson to write up some tales featuring a supernatural detective; the first came out in 1931.  The iconic character was just sort of made-to-order for confused customers who might have thought he already existed.  That “Shadow” later arrived at the airwaves in 1937, with Welles voicing him.

Seriously, though, I totally need to get my hands on “Grendel vs. The Shadow.”








“These are a few of my favorite things.”

I am now the proud owner of … a goodly portion of all the “Grendel” comics Matt Wagner ever wrote.  What you see in the top row are “Grendel Omnibus” Volumes 1, 2 and 3.  (I believe I actually shared my review of Volume 1 on this site a while ago.)  These would comprise a nearly inclusive history of Hunter Rose, Christine Spar, Brian Li Sung, Orion Assante and Eppy Thatcher.  All that remains for me to collect is the fourth Omnibus trade-paperback, chronicling the possibly immortal Grendel Prime and his imperiled charge, Jupiter Assante.

The Omnibus editions do not include crossovers with heroes such as Batman and The Shadow, as those characters are obviously owned by other companies.  Nor do they include the diverse dystopian future tales depicted by various artists in the 1990’s “Grendel Tales.”  But I am in heaven with what you see below — or maybe hell, considering these books’ central motif.

To top it all off, that hefty tome beneath the comics is W. H. Auden’s “Collected Poems,” edited by Edward Mendelson, with the poet’s work between 1927 and his death in 1973.  It’s 927 pages.  It weighs 30 pounds, probably.  And it is indexed by both the poem’s titles and their first lines.  That is what you call a lifetime investment.

The comics will be excellent summer reading; as will Auden.  But I’ll focus more on the Briton when fall arrives.  Like his countryman, Doyle, he might be best enjoyed outdoors on a gray and increasingly brisk Autumn day.

I need to buy books more often.