All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

Vote for me. No … seriously, this time.

Hey, guys — I was notified yesterday that I’ve received a really nice honor from Spillwords Press.  I’ve been nominated for the online magazine’s Author of the Month for June 2020.  (The editors were kind enough to recently select three of my poems for publication: “This Windy Morning,” “Lie To Me, But Brightly”and “Blue Wolves Move In An Indigo Wood.”)

There is a voting process, and it’s quick and easy; if you are feeling so inclined, you can cast your vote for me or any other nominee by clicking the link below.  (Voting will be held from today through Monday.)

VOTE

If you do vote for me, thanks a bunch.  🙂

 

 

(We’d have a hell of a good time.)

I realized just last night that there are actually people walking around with the surname “Faust.”

I sooooo want a friend with that name so I can repeatedly ask them every weekend if they want to go bargain hunting with me.

We’d have a great deal of fun, is what I’m saying.

I’d challenge every opinion they express, on any subject — even the weather. When they got fed up, I’d wink and tell them I’m just playing devil’s advocate.

 

 

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Ludwig Devrient als Faust 1873, Holzstich nach F. Th. Hildebrandt

Poetry Pacific will publish “The Writer”

I got some great news today — Poetry Pacific will publish my poem “The Writer” in its next annual edition.  The poem will be published online in May 2021; I’ll post a link here when it appears.

Poetry Pacific is is “a literary e.zine committed to promoting and publishing the very ‘best’ contemporary poetry in English it can find.”  It really is a terrific place to peruse the latest in indie short poetry, as well as artwork from around the world.  I really encourage you to give the site a visit, and consider submitting your own creative work.

You can find it right here.

 

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Cover to “Heavy Metal” #299, Giovanni Maisto, 2020

Cover A.

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What a day it was for sci-fi 38 years ago today.

If you see an abundance of “The Thing” or “Blade Runner” posts today, it’s because both films opened in theaters 38 years ago today.

We … need a holiday or something. But “Thing/Blade Day” sounds too much like “Sling Blade Day.”

Anyway, both films resonate just fine in 2020 America. “The Thing” is predicated on paranoia about those around you. “Blade Runner” is technically about cruelty to illegal immigrants — and how “human” we all are depending on our reaction to that.

Hey … let’s not even get started on (the overrated) fan favorite “Tron,” also released in 1982. If you want to talk about a movie about a guy trapped in a virtual world and its parallels to the social media age, then I’m gonna need some more coffee.

 

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Throwback Thursday: “Devil Dog: The Hound of Hell” (1978)!

“Devil Dog: The Hound of Hell” (1978) was yet another made-for-television movie that rocked my world when I saw it in early grade school.  But it didn’t age well — not even by a narrow margin.  When I saw it on TV again a few years down the line, like maybe when I was in junior high, I realized it was … truly a third-rate horror movie.  (It was every bit s campy as the trailer below suggests.)

It wasn’t all bad, I guess.  It stars Richard Crenna.  And whatever special effects they used to show the titular monster after its demonic transformation were surprisingly decent for a 70’s TV movie.  (I actually wonder if they used the same rotoscope process that Ralph Bakshi used in the same year’s animated “The Lord of the Rings.”)

 

 

Cover to “The Batman Who Laughs” #1, Greg Capullo, 2019

Variant.  DC Comics.

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“Law, say the gardeners, is the sun.”

“Law, Like Love,” by W. H. Auden

Law, say the gardeners, is the sun,
Law is the one
All gardeners obey
To-morrow, yesterday, to-day.

Law is the wisdom of the old,
The impotent grandfathers feebly scold;
The grandchildren put out a treble tongue,
Law is the senses of the young.

Law, says the priest with a priestly look,
Expounding to an unpriestly people,
Law is the words in my priestly book,
Law is my pulpit and my steeple.

Law, says the judge as he looks down his nose,
Speaking clearly and most severely,
Law is as I’ve told you before,
Law is as you know I suppose,
Law is but let me explain it once more,
Law is The Law.

Yet law-abiding scholars write:
Law is neither wrong nor right,
Law is only crimes
Punished by places and by times,
Law is the clothes men wear
Anytime, anywhere,
Law is Good morning and Good night.

Others say, Law is our Fate;
Others say, Law is our State;
Others say, others say
Law is no more,
Law has gone away.

And always the loud angry crowd,
Very angry and very loud,
Law is We,
And always the soft idiot softly Me.

If we, dear, know we know no more
Than they about the Law,
If I no more than you
Know what we should and should not do
Except that all agree
Gladly or miserably
That the Law is
And that all know this
If therefore thinking it absurd
To identify Law with some other word,
Unlike so many men
I cannot say Law is again,

No more than they can we suppress
The universal wish to guess
Or slip out of our own position
Into an unconcerned condition.
Although I can at least confine
Your vanity and mine
To stating timidly
A timid similarity,
We shall boast anyway:
Like love I say.

Like love we don’t know where or why,
Like love we can’t compel or fly,
Like love we often weep,
Like love we seldom keep.

 

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Photo credit: By Kashparovski, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=53195268

Cover to “Shadows Fall” #1, John Van Fleet, 1994

DC Comics.  Vertigo.

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“Nor certitude, nor peace, nor help for pain.”

“Dover Beach,” by Matthew Arnold

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Aegean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

 

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Photo credit: Elmar Ersch / CC BY-SA (https://creativecommons.org/licenses/by-sa/3.0)