All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“Life is only a borrowing of bones.”

“October Fullness,” by Pablo Neruda

(translated from the original Spanish)

 

Little by little, and also by great leaps

life happened to me, and how insignificant this business is.

These veins carried my blood, which I scarcely ever saw,

I breathed the air of so many places without keeping a sample of any.

In the end, everyone is aware of this:

nobody keeps any of what he has, and life is only a borrowing of bones.

The best thing was learning not to have too much either of sorrow or of joy,

to hope for the chance of a last drop,

to ask more from honey and twilight.

 

Perhaps it was my punishment, perhaps I was condemned to be happy.

Let it be known that nobody crossed my path without sharing my being.

I plunged up to the neck in adversities that were not mine, into all the sufferings of others.

It wasn’t a question of applause or profit.

Much less. It was not being able to live or breathe in this shadow, the shadow

of others like towers, like bitter trees that bury you, like cobblestones on the knees.

 

Our own wounds heal with weeping, our own wounds heal with singing.

But in our doorways lie bleeding widows, Indians, poor men, fishermen.

The miner’s child doesn’t know his father amidst all that suffering.

 

So be it, but my business was the fullness of spirit: a cry of pleasure choking you, a sigh

from an uprooted plant, the sum of all action.

It pleased me to grow with the morning, to bathe in the sun, in the great joy of sun, salt,

sea-light and waves, and in that unwinding of the foam, my heart began to move,

growing in that essential spasm, and dying away as it seeped into the sand.

 

 

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Cover to “Daredevil” #72, Alex Maleev, 2005

Marvel Comics.

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A few quick words on “Black Mirror” Season 1 (2011)

Season 1 of Britain’s “Black Mirror” (2011) was absolutely terrific.  (To be clear, this first “season” consists of only three episodes, although subsequent seasons have more.)  This looks to be a truly superb dystopian science fiction anthology series — I’d rate it a 9 out of 10.

I’d point to two qualities that make this show stellar.  First, it’s truly smart stuff.  The story devices are thoughtfully invented and quite original.  (These are “near-future” -type sci-fi tales depicting how new technology or cultural trends can have unforeseen consequences.)  This show doesn’t insult the viewer’s intelligence, it relies on him or her to pay attention and think.

Second, the writers here have a firm grasp of genuine psychological horror.  There are no radioactive monsters in the sewers here, or killer robots from the future — but “Black Mirror” manages to be scary without those things.  It does just fine presenting the viewer with visions of human shame, fear, jealousy or existential loss.  These are stories that deal primarily with the psychology of their characters — and they truly get under your skin.

This is great stuff — I’d recommend it.

 

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“Provincetown Street, The Corner Grocery,” by William McGregor Paxton

Oil on canvas.  Date unknown.

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“The Shade Hat,” William McGregor Paxton, 1912

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“The Other Room,” William McGregor Paxton, 1916

Oil on canvas.

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Just a quick shot of the mountains …

… looking south from College Avenue yesterday in Salem, Virginia.

If my sense of geography can be trusted (and it usually can’t) those are technically part of the Blue Ridge Mountains, and not the Alleghenies.

 

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My day has been a disaster.

Somebody toss some paper towels at me.

That’ll help.

 

 

 

“The Other Door,” William McGregor Paxton, 1917

Oil on canvas.

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Where to donate to help Las Vegas shooting victims

See Bethany Hines’ article at CNN.com here.