All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

Keith Olbermann on Trump’s attack on the press.

“The Cremation of Sam McGee,” by Robert W. Service

“The Cremation of Sam McGee,” by Robert W. Service

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

Now Sam McGee was from Tennessee,
where the cotton blooms and blows
Why he left his home in the South to roam
‘round the Pole, God only knows.
He was always cold but the land of gold
seemed to hold him like a spell;
Though he’d often say in his homely way
that he’d sooner live in Hell.

On a Christmas Day we were mushing our way
over the Dawson trail.
Talk of your cold! through the parka’s fold
it stabbed like a driven nail.
If our eyes we’d close, then the lashes froze
till sometimes we couldn’t see,
It wasn’t much fun, but the only one
to whimper was Sam McGee.

And that very night, as we lay packed tight
in our robes beneath the snow,
And the dogs were fed, and the stars o’erhead
were dancing heel and toe,
He turned to me, and “Cap”, says he,
“I’ll cash in this trip, I guess;
And if I do, I’m asking that you
won’t refuse my last request.”

Well, he seemed so low that I couldn’t say no;
then he says with a sort of moan,
“It’s the cursed cold, and it’s got right hold
till I’m chilled clean through to the bone
Yet ‘taint being dead-it’s my awful dread
of the icy grave that pains;
So I want you to swear that, foul or fair,
you’ll cremate my last remains.

A pal’s last need is a thing to heed,
so I swore I would not fail;
And we started on at the streak of dawn
but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day
of his home in Tennessee;
And before nightfall a corpse was all
that was left of Sam McGee.

There wasn’t a breath in that land of death,
and I hurried, horror-driven
With a corpse half hid that I couldn’t get rid,
because of a promise given;
It was lashed to the sleigh, and it seemed to say.
“You may tax your brawn and brains,
But you promised true, and it’s up to you
to cremate these last remains”.

Now a promise made is a debt unpaid,
and the trail has its own stern code,
In the days to come, though my lips were dumb
in my heart how I cursed that load!
In the long, long night, by the lone firelight,
while the huskies, round in a ring,
Howled out their woes to the homeless snows–
Oh God, how I loathed the thing!

And every day that quiet clay
seemed to heavy and heavier grow;
And on I went, though the dogs were spent
and the grub was getting low.
The trail was bad, and I felt half mad,
but I swore I would not give in;
And I’d often sing to the hateful thing,
and it hearkened with a grin.

Till I came to the marge of Lake Lebarge,
and a derelict there lay;
It was jammed in the ice, but I saw in a trice
it was called the Alice May,
And I looked at it, and I thought a bit,
and I looked at my frozen chum;
Then “Here”, said I, with a sudden cry, “is my
cre-ma-tor-eum”!

Some planks I tore from the cabin floor
and I lit the boiler fire;
Some coal I found that was lying around,
and I heaped the fuel higher;
The flames just soared, and the furnace roared
such a blaze you seldom see,
And I burrowed a hole in the glowing coal,
and I stuffed in Sam McGee.

Then I made a hike, for I didn’t like
to hear him sizzle so;
And the heavens scowled, and the huskies howled,
and the wind began to blow,
It was icy cold, but the hot sweat rolled
down my cheeks, and I don’t know why;
And the greasy smoke in an inky cloak
went streaking down the sky.

I do not know how long in the snow
I wrestled with grisly fear;
But the stars came out and they danced about
ere again I ventured near;
I was sick with dread, but I bravely said,
“I’ll just take a peep inside.
I guess he’s cooked, and it’s time I looked”.
Then the door I opened wide.

And there sat Sam, looking cool and calm,
in the heart of the furnace roar;
And he wore a smile you could see a mile,
and he said, “Please close that door.
It’s fine in here, but I greatly fear
you’ll let in the cold and storm–
Since I left Plumtree, down in Tennessee,
it’s the first time I’ve been warm”.

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

 

115350-004-695317a5

W. H. Auden reads “O What is That Sound?”

Poster for “Invasion of the Body Snatchers,” 1956

 

Tom O’Bedlam reads W. H. Auden’s “The Fall of Rome”

It’s W. H. Auden’s birthday today — he was born on February 21, 1907.

 

Dennis Villelmi reviews Barbie Wilde’s “Voices of the Damned”

There’s a terrific review over at The Bees Are Dead for Barbie Wilde’s short story anthology, “Voices of the Damned.”  If you’ve been following this blog, then you know that my colleague Dennis Villelmi interviewed Wilde for B.A.D. last Halloween — in addition to being an accomplished author, she is none other than the female Cenobite from 1988’s “Hellbound: Hellraiser II.”

The review is right here: Voices of the Damned.  And while you’re over at B.A.D., be sure to check out some dystopian poetry by Paul Brookes and Robert Alan Rife.

 

votd-front-cvr-e1443433059535

 

These “Stake Land” webisodes are pretty decent.

If you enjoyed the “Stake Land” movies, as I did, then you might have fun with the prequel webisodes that are scattered around Youtube.  (Some of the fan-created playlists for them have been taken down, but all seven can still be found individually.)  I think they were released online around the same time as the first film in 2010.

They’re actually surprisingly good.  “Belle” is artistic and interesting, even if its link to the films’ story is only peripheral.  “Origins” is easily the scariest.  If you listen closely to the news reports in the background for the latter, there are clues about the vampire holocaust’s inception.

 

 

Mattea Columpsi reads W.H. Auden’s “As I Walked Out One Evening”

This woman’s speaking voice is gorgeous.  This reading is definitely different, but it’s one you should hear.

 

A tiny review of “Stake Land II” (2016)

“Stake Land II” (2016) can’t match the magic of the original, but it’s still good enough to recommend, I guess.  I’d give it a 7 out of 10.  (I’m told that an alternate title is “Stakelander,” but I refuse to call it that, because it sounds too much like a spoof of either “Zoolander” or “Highlander.”)

This sequel has a direct-to-video feel to it.  Set a decade following the events of the original, the movie reunites Connor Paolo and Nick Damici, as the now-adult Martin and the enigmatic, vampire-killing powerhouse, “Mister.”  Paolo feels flat this time out, the movie is occasionally slow, and the action sequences are a little underwhelming.

Still, Damici shines.  And I couldn’t help but find myself engaged by the movie as a whole.  Even if the film isn’t a classic, the brutal, unflinching “Stake Land” fictional universe is still front and center.  The post-apocalyptic setting and character backstories are so dark and unpredictable that the film is still fun for a seasoned horror fan.  It’s at least as interesting as an average episode of AMC’s “The Walking Dead.”

 

stake-land-2-movie-poster

“Consciousness Haiku,” by Eric Robert Nolan

Consciousness Haiku:

Self-aware atoms
in a byzantine system —
Neurons feign a man.

(c) Eric Robert Nolan 2017

800px-crystal_mind
Photo credit: By Nevit Dilmen (talk) – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=1510783