All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“And not, when I had come to die, discover that I had not lived.”

“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms.”

— from Henry David Thoreau’s “Walden”

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Have “gazongas” and “sweater kittens” escaped the modern parlance?!

Oh, well.  Orwell’s “1984” did observe that “it was a beautiful thing, the destruction of language.”

October is Breast Cancer Awareness Month.  The National Breast Cancer Foundation has two lists of healthcare providers who offer free or low-cost breast cancer screenings.  One is for their partners:

http://www.nationalbreastcancer.org/national-mammography-program

And one is for other national or local referral services or programs:

http://www.nationalbreastcancer.org/about-breast-cancer/early-detection/early-detection-resources

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Throwback Thursday: “Halloween III: Season of the Witch” (1982)

Young people, let me try to explain what it was like for a kid who loved movies in the early 1980’s.

There was no trivia section for the Internet Movie Database.  There was no Internet Movie Database.  There was no goddam Internet.  This meant that information about new movies came mostly from other second-, third- or fourth-graders.  And that was one imperfect grapevine.

Sometimes the information was flat out wrong.  Brad Fisher told me at the beach in the summer of 1980 that Han Solo dies in “The Empire Strikes Back.”  (Yes, “Star Wars” fanatics, I am aware that Harrison Ford wanted the character to die.  Now grow up and watch Ron Moore’s “Battlestar Galactica.”)

Other times, the information was technically accurate, but confusingly articulated.  Such was the account of Jason Huhn, the kid across the street, of Ridley Scott’s “Alien.”  (That was a 1979 movie, but I wasn’t even allowed to watch the bowdlerized version that was on television a few years later.)  “Its head is like a tube.”  Jason told me thoughtfully.  “It has, like, two mouths.  It has a mouth, and then a mouth inside a mouth.”

Finally, the other boys’ reviews were occasionally just too spoiler-heavy.  In 1984, I had the entire rope-bridge scene in “Indiana Jones and the Temple of Doom” memorized in detail before I got to see the movie myself.  (Maddeningly, most of Mr. Greiner’s sixth grade class had seen it before I did, and Jason Girnius was particularly exuberant in recounting its climactic fight.)

“Halloween III: Season of the Witch” was something of a different animal.  None of the kids in the neighborhood could figure that one out.

“Michael isn’t in it!”  That was the buzz.  To a boy in the 1982, Michael Myers was an icon on par with “Friday the 13th’s” Jason.  (Leatherface was a bit before our time, and Freddy Krueger and Pinhead hadn’t arrived in theaters just yet.)  Even those of us who weren’t allowed to watch the movies had heard all about him.  It utterly confused us that that a “Halloween” movie could be made in which he was absent.

It … looked pretty scary, at least.  Its poster and tagline suggested that young trick-or-treaters would be victimized instead of teenagers old enough to babysit, so that was more frightening to a young boy.  (As an adult today, I suggest that this movie absolutely did not turn out to be a classic horror film, despite the pretty terrifying basic plot device revealed at the end.)

Today a simple Google search would inform us of John Carpenter’s plans — an anthology series in which every subsequent “Halloween” sequel was a standalone horror story with the holiday as a theme.  (I think I’d question the wisdom of that even as a kid; the studio wisely resurrected the slasher four years later.)

But the gradeschool grapevine was not so informed.  There weren’t even any tentative hypotheses among the kids on my street.  I think we just shrugged it off and returned to talking about “Star Wars.”  We just figured that adults sometimes did some really puzzling, really stupid things.  That’s a belief I still hold today.  In fact, I’m pretty sure that I occasionally engender that belief in others.

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Boris Karloff as Frankenstein’s monster, in “Bride of Frankenstein” (1935)

I read something interesting online the other day about “Frankenstein.”  The author was unattributed.

“The smart man knows that Frankenstein wasn’t the monster.  The wise man knows that Frankenstein WAS the monster.”

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Photo credit: By The Man in Question (Frankenstein’s monster (Boris Karloff).jpg) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)%5D, via Wikimedia Commons.

THIS IS MY ANTHEM.

Respect it.

“Do Not Weep,” author unknown

A dear and valued friend just lost her father.  This is for her.

Do Not Weep

Do not stand at my grave and weep;
I am not there, I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.

When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there, I did not die.

~ Author Unknown

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Photo credit: “Day 4- Stars -1 (8431511252)” by Takashi Hososhima from Tokyo, Japan – Day 4: Stars #1. Licensed under CC BY-SA 2.0 via Wikimedia Commons.

A quick pan of “Minority Report’s” pilot episode (2015)

The first episode of television’s “Minority Report” (2015) has all the bells and whistles of its 2002 cinematic source material, but little of its skilled storytelling.  I’d rate it a 6 out of 10, and that probably reflects my positive bias connected with my love for the classic film.

The show looks great — the special effects are well thought out, well rendered, and in abundance.  Visually and in terms of its fictional technology, this is terrific way to revisit the future that was painstakingly envisioned for the fantastic movie.  The show is an earnest follow-up, too; you can tell that the writers respect the film and were reaching for its unique vibe and its fast-paced suspense.

Regrettably, the pilot here just doesn’t suggest that this will be an unusually good show.  The writing and directing are average, at best, and some of the acting is downright poor.  A hastily conceived plot features one of the movie’s plot-driving psychic “precogs” rushing to intervene in future murders, which he can still predict, like some kind of lone, nonviolent, pre-emptive vigilante.  A cheesy covert partnership develops between him and a tough-and-sassy-but-sexy, single, female cop.  And blah, blah, blah, blah, blah.  Cue the bad dialogue.  I honestly think my friends and I could have come up with something better than that.

Oh well.  It can’t all be “A” material.  At least, that’s what I’ve been telling people who bitch about my jokes on Facebook.  And this was just the pilot — maybe the show will get better.

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RUSSIA.

You know a country is badass when its poets look like goddam gunfighters.

Below is Vladimir Mayakovsky at age 20.

My first thought when I turned this up (strangely enough, on an unrelated Google search) was “Roland of Gilead.” Mayakovsky actually was an actor.  If he were alive today, maybe he could be cast in the upcoming “Dark Tower” movie adaptation.

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A quick review of the Season 6 premiere of “The Walking Dead.” And is a major death hinted at?

I tend to obsess a little about spoilers, so I’m reluctant even to describe the plot of the Season 6 opener for “The Walking Dead.”  The story I thought we’d see absolutely wasn’t the story we saw, and the very first scene should be a terrific surprise for the viewer.  Suffice to say, this episode was fantastic — I’d give it a 9 out of 10.

After five seasons, even a diehard fan of the program can ask about its screenwriters, “How long can they keep this up?”  This is a horror subgenre that’s hard to keep fresh.  But the show still succeeds.

The writers are trying, and it shows.  I suggest that this actually is sometimes a pretty smart show.  A nice amount of thought has gone into the major action set-pieces since the start of Season 5 — everything from strategy, tactics, terrain, diversion, leadership, and even differing levels of training for new or seasoned combatants.  When one protagonist refers to our heroes’ adversaries as “an army,” I began looking at this episode as … “military horror?”  Is that even a thing?  Anyway, it’s a refreshing change for fans of zombie horror who are tired of the spate of second-rate movies on Netflix — those typically show attractive twenty-somethings in vague battles, cheerfully rattling off dry one-liners while swinging impact weapons, despite their lack of any training or experience.  This episode offered horror fans both exploding zombie heads and an intelligently staged battle to follow.  Nice stuff!

Also present were the other things that people love about the show — great character moments, surprise character development, and terrific dialogue.  The exchange between Morgan and Carol was goddam beautiful, and it makes me rethink my longstanding (and unpopular) criticism that this show sometimes struggles with characterization.

The suspense and tension tonight were absolutely perfect.  I was on the edge of my seat until the end of story.  And the final surprise development and cliffhanger there really drove me nuts, even if I have a pretty good idea why it occurred.

There is one question here that I am embarrassed to ask.  I’m afraid I’m going senile.  Am I the only fan who absolutely does NOT remember the character of Ron?!  I … I thought that Alexandria’s Hester Prynne here had only ONE son, young Sam!

Hey, one more thing — if I’m onto something here, I’m going to be damn proud … and I don’t think this counts as a spoiler, as it is only an unconfirmed suspicion on my part.  We see an erratic Abraham manically and cavalierly battle some zombies here.  When asked why he was behaving strangely, he replies that he’s “taking the bull by the balls.”

He sounded a hell of a lot to me like the erratic Roger manically and cavalierly battling zombies during a fateful scene in George A. Romero’s “Dawn of the Dead” (1978).  He keeps blurting, “We got this by the balls, we got this by the balls!”  And both scenes involve people getting in and out of vehicles.  The 1978 sequence ends poorly for Roger because of his carelessness.  Does this mean that Abraham is likewise doomed?

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An incredible video of wolves along a snowy road.

This is the kind of footage that makes me want to get out and see the world — even if it is only “the world” between the Pacific and the Atlantic.

In case you’re wondering, this was indeed shot from the safety of a vehicle.  (You kind of can’t tell, as I can’t see a windshield.)  The source is the Facebook page for Kevin Bastarache Wildlife & Nature Photography.