Category Archives: Uncategorized

Depiction of Siena in 1578, attributed to Meister N. J. W.

Colored pen drawing.

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“Ode to a Would-Be Swimmin’ Skink,” by Eric Robert Nolan

Hello to you, o’ silver skink!
You’re after my milkshake, I think —
perhaps to make a swimming pool
this hot Virginia afternoon.


But please don’t cool off in my drink,
for after your bronze head will sink,
I’ll accidentally sip your scales
or wiggling iridescent tail.


Please do me this one small favor —
spare me knowledge of your flavor
gained by a spaghetti-slurp
and gained again by little burp.




“Black Mass,” Alfred Kubin, 1905

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“Authoritarians stand out … by appealing to negative experiences and emotions.”

“From the start, authoritarians stand out from other kinds of politicians by appealing to negative experiences and emotions. They don the cloak of national victimhood, reliving the humiliations of their people by foreign powers as they proclaim themselves their nation’s saviors. Picking up on powerful resentments, hopes, and fears, they present themselves as the vehicle for obtaining what is most wanted, whether it is territory, safety from racial others, securing male authority, or payback for exploitation by internal or external enemies.”

― Ruth Ben-Ghiat, Strongmen: Mussolini to the Present




strongmen - Copy

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“The Last King,” Alfred Kubin, 1902

Drawing.  Dedicated here to the Trump rally tonight in Wellington, Ohio.

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So seize the day.

(I did not take this picture.  It’s circulating on Facebook.)

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SKYBALD.

Throwback Thursday: “The Dark Crystal” (1982)!

My Dad took me to see “The Dark Crystal” when it came out in 1982.  I remember looking it up in the newspaper’s movie listings — and deciding on it even without knowing much about it.  (That was just how we did it in those days — we used “the phone book” and TV Guide as well.)

Hot damn, did I love this movie.  If you’re familiar with the 1980’s at all, then you know that “The Dark Crystal” was a surprisingly dark tour de force for Jim Henson, showcasing his ability to create a detailed and truly immersive alternate world.  (Modern CGI just wasn’t a thing yet — it arguably made its first appearance in 1989’s “The Abyss.”)  And you can’t really grasp the sheer spectacle of Henson’s world designs without seeing this movie on the big screen.



Variant Cover to “Fantastic Four 2099” #1, Mike McKone, 2019

Marvel Comics.

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