Category Archives: Uncategorized

Poster for “Westworld” Season 3 (2020)

HBO.  “Character poster” portraying Jeffrey Wright as Bernard Lowe.

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“You must be prepared to work always without applause.”

“You must be prepared to work always without applause.”

— Ernest Hemingway

 

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THE TRUMP IS OUT THERE.

Fun fact — “alien DNA ” and “demon sperm” were both plot devices on “The X-Files” (1993-2018). The former was part of a background story arc throughout most of the show’s seasons; the latter was the subject of a Season 6 episode entitled “Terms of Endearment.” (Aside from being a great episode, it’s notable because it stars horror icon Bruce Campbell.)

Stella Immanuel may be an irresponsible quack, but she really knows her sci-fi television.

 

“I want to be an honest man and a good writer.”

“I don’t like people who like me because I’m a Negro; neither do I like people who find in the same accident grounds for contempt. I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one’s own moral center and move through the world hoping that this center will guide one aright. I consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and get my work done.

“I want to be an honest man and a good writer.”

— James Baldwin

 

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Photo credit: By Allan warren – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=22305867

“Young Man Playing a Theorbo,” Jan Gerrit van Bronchorst, circa 1645

Oil on canvas.

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“Our dream of safety has to disappear.”

Much can be said for social savior-faire,
Bu to rejoice when no one else is there
Is even harder than it is to weep;
No one is watching, but you have to leap.

A solitude ten thousand fathoms deep
Sustains the bed on which we lie, my dear:
Although I love you, you will have to leap;
Our dream of safety has to disappear.

—  excerpt from W. H. Auden’s “Leap Before You Look”

 

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This is a wise landlord.

The consensus online is that this is a typo — they probably meant to say “NO PETS.”

But you can never be too careful.

 

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Throwback Thursday: “The Lone Ranger” (1949 -1957)!

No, I obviously don’t remember “The Lone Ranger” during its initial run between 1949 and 1957.  (At least I hope that’s obvious — I’m a couple of full decades younger than that.)  But I absolutely do remember this show’s reruns from when I was a baby … maybe around 1976, if I had to guess?  I would have been about four years old.   (I was five when my family moved out of that house in Queens, New York, to rural Long Island.)

I know that people who claim early childhood memories are often viewed with skepticism — I get it.  (And I think many of us are more prone to confabulation than we’d like to admit.)  But I’ve actually got a few memories from when I was a toddler — and this is one of them.

I can remember my Dad putting “The Lone Ranger” on in the tiny … den or living room or whatever, to the left of our house’s front door and hallway.  You see the part in the intro below where the horse rears up at the .31 mark — and again at the 1:53 mark?  That was a verrrrrry big deal to me as a tot.

Go ahead, tell me I’m nuts.  I can take it.  You and I live in an age in which conspiracy theories have gone completely mainstream.  If I share something online that seems implausible to others, I figure I’m in a lot of company.

Anyway, I pretty much forgot about The Lone Ranger after that.  There was a 1981 television movie, “The Legend of the Lone Ranger,” that was remarkably well done — especially for a TV movie at the time.  I remember being pretty impressed with that — its plot-driving scene where the good guys get fatally ambushed was unexpectedly dour.

But I never bothered with the infamous 2013 film.  I occasionally enjoy movies that everybody else hates — something that earns me a lot of ribbing on Facebook — so maybe I should give it a shot.  Hell, the trailer makes it look decent.  And HBO’s “Westworld” has really whetted my appetite for westerns … which is weird, because “Westworld” is decidedly NOT a western — that’s sort of the point of its central plot device.  But still.

 

“Jeune Fille A La Cruche,” William-Adolphe Bouguereau, 1885

“Young Girl with a Jug.”  Oil on canvas.

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“Who controls the past, controls the future …”

“Who controls the past, controls the future: who controls the present, controls the past…

“The mutability of the past is the central tenet of Ingsoc. Past events, it is argued, have no objective existence, but survive only in written records and in human memories.
The past is whatever the records and the memories agree upon. And since the Party is in full control of all records and in equally full control of the minds of its members, it follows that the past is whatever the Party chooses to make it. It also follows that though the past is alterable, it never has been altered in any specific instance. For when it has
been recreated in whatever shape is needed at the moment, then this new version IS the past, and no different past can ever have existed.”

— from George Orwell’s “Nineteen Eighty-Four”

 

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Photo credit: By Nevil Clavain – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=76575596