Category Archives: Uncategorized

Cover to “X-Men” #1 (Variant), Ed McGuinness, 2013

Marvel Comics.  Variant cover to aid Sick Children’s Fund.

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Tom Hiddleston reads William Shakespeare’s Sonnet 18

“The Laboratory,” John Collier, 1895

Oil.

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Eileen Atkins as Emilia in William Shakespeare’s “Othello”

This is an installment in Guardian Culture’s “Shakespeare Solos” series.

 

Ghost Dork.

Yes, I realize that photo filters are nothing new.  But they’re new and amazing to me, because I am old, and I was never quick to catch on to things in the first place.  This is actually my first use of a filter, and I only discovered it by accident because I’m befuddled by the Facebook Messenger app on my cell phone.

I hope you like it.  I’m so glad they had a horror theme instead of just sunglasses and neon kitten ears and stuff.  I even ran into the woods behind my house for the creepiest effect.

 

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Cover to “Catwoman: the One You Love,” Adam Hughes, 2015

DC Comics.

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“Precocious children rarely grow up good.”

“I must admit that I was most precocious
“(Precocious children rarely grow up good).
“My aunts and uncles thought me quite atrocious
“For using words more adult than I should.”

— excerpt from W. H. Auden’s “Letter to Lord Byron,” in Letters from Iceland, 1937

 

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All I want for Presidents Day is a qualified one.

I’ll even leave out cookies and milk …

 

 

 

Poster for “Charly” (1968)

ABC Motion Pictures.

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This was W. H. Auden’s first book of poetry.

It was hardly more than a chapbook, really — it was a hand-printed pamphlet informally published in 1928 by Auden’s friend and fellow Briton, the poet and essayist Stephen Spender (second photo).  Auden would have been about 21 at the time.  In other words, Auden’s career began in a manner not unlike many indie poets today.

Only about 45 copies of Poems were released.  The book is today considered one of the rarest in 20th Century literature.

To make matters just a bit more confusing, Auden’s next two books of poetry, in 1930 and 1934, were likewise entitled simply Poems.  (And the 1930 book had two editions.)  Oddly, Auden wanted no distinctive title for any of the books because he thought a title might distract the reader from the content of the poems themselves.)  The 1930 volume was accepted for publisher Faber & Faber by none other than T.S. Eliot, who was one of his earliest influences.

 

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