Tag Archives: X-Men

Throwback Thursday: the trailer for “Lifeforce” (1985)!

This is probably a very odd way to remember Patrick Stewart following his passing, but I feel certain that my social media will be filled today with clips of the legendary actor’s role in the “Star Trek” and “X-Men” franchises. The first time I ever saw Stewart on screen was Tobe Hooper’s brain-busting 1985 horror/sci-fi opus, “Lifeforce.” (I don’t think I saw it upon its release … I’m pretty sure I caught it on either television or VHS.)

Stewart had a minor role. He is hardly in the trailer at all, though you can see him briefly around the .48 mark. (I am linking here, by the way, to the Youtube channel for Arrow Video.)

I think “Lifeforce” is one of those movies that is genuinely both good and bad. It’s … often incomprehensible, in my opinion. But the creature and special effects were top-notch, and the movie successfully conveyed an epic global monster-apocalypse. (The baddies that you see are space vampires.) You can’t really say that it failed as a horror movie … and it sure scared me a lot when I saw it as an adolescent. It might actually be overdue for a rewatch.



Variant cover to “X-Men” #20, Mike Del Mundo, 2021

Marvel Comics.

Cover to “X-Men: Heir Of Apocalypse” #3, Dotun Akande, 2024

Marvel Comics.

Poster for “X-Men” (2000)

20th Century Fox.

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Throwback Thursday: “Willard” (1971) and “Ben” (1972)!

“Willard” (1971) and its sequel, “Ben” (1972), were another pair of 1970’s movies that got plenty of airtime on 1980’s television.  I read both books when I was a kid too.

First I picked up Stephen Gilbert’s Ratman’s Notebooks at a yard sale, because that’s how you found cool horror books during summer vacations when you were too young to drive.  (Sometimes adults had few compunctions about what they sold to minors too.  I bought a vampire book in gradeschool that was full of nude photos, for some reason, and that led to what I’m sure was an interesting conversation between my parents and the neighbor-proprietor down the street.)

Anyway, I absolutely loved Ratman’s Notebooks (despite its lamentable absence of nude photos) and I finished it in a day or two.  The novelization of the “Ben” film by Gilbert A. Ralston was somewhat less impressive, but I still enjoyed it.

If you’re a comics fan, like I am, then it might occur you that “Willard” and his army of trained rats seem to inspire a villain in Batman’s rogue’s gallery — Ratcatcher.  Ratcatcher has been a minor league villain since he debuted in DC Comics in 1988, but he’s a pretty neat bad guy when placed in the hands of the right writer.

I feel certain that anyone will recognize Ernest Borgnine in the first trailer below– his  face and voice are impossible to confuse with those of another man.  If the disaffected, spooky, eponymous Willard looks familiar to you, that’s none other than a young Bruce Davison.  He’s a good actor who’s been in a lot of films, but I think a plurality of my friends will know him as Senator Kelly from the first two “X-Men” movies (2000, 2003).

You’ll note the presence of flamethrowers in the trailer for “Ben.”  Flamethrowers were a staple of 70’s and 80’s horror films; it was just part of  the zeitgeist.  They were handy for heroes fighting any nigh-unstoppable nonhuman baddie — think of “The Swarm” (1978), “The Thing” (1982), “C.H.U.D.” (1984), “Aliens” (1986), and “The Blob” (1988), for example.  Hell, 1980’s “The Exterminator” featured a vigilante using a flamethrower to kill criminals.   It was a weird time.

 

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Cover to “X-Men” #1 (Variant), Ed McGuinness, 2013

Marvel Comics.  Variant cover to aid Sick Children’s Fund.

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A very short review of the Season 7 premiere of “American Horror Story” (2017)

I finally got around to watching my first episode of “American Horror Story” last night; I started with this season’s critically praised premiere.  (People have been enthusiastically recommending this show to me for years, and “Game of Thrones” taught me that the bandwagon isn’t always a bad thing.)

I can’t say that I was overly impressed.  Season 7’s opening episode, entitled “Election Night,” consists mostly of heavy-handed political commentary with caricaturized portrayals of both Donald Trump and Hillary Clinton supporters.  Nearly none of the characters are likable; not even the one played by the terrific Evan Peters.  (Yes, comics fans, that’s none other than Quicksilver from the latest “X-Men” movies.)

There is a lot of “scary clown” horror here, as anyone who’s seen any marketing for the show at all should know.  Between that and the political elements, I suspect I am not the right audience for this show.  I simply find clowns obnoxious instead of scary, and political commentary in horror usually falls flat with me.  (I’m the rare horror fan who loves George A. Romero’s work only because it’s scary, without caring much about the social statements he’s supposedly making.)

With all of that said, there actually were a couple of creepy moments late in the game.  And there was one (as of yet, minor) character that I liked — the child of the liberal couple who were so devastated by the election results.  He’s cute, and any kid who hides parentally forbidden horror comics under his pillow is one of my tribe.

I’d somewhat grudgingly rate this a 5 out of 10.

Anyway … scary clowns are ubiquitous now, and we already have the zombie shows we need.  I propose that we bring back … body snatchers.  Those can be terrifying in the hands of a talented writer, and they require no special effects.  Or, what about vampires?  Now that “The Strain” has concluded, how about a well written television excursion into Steve Niles’ “30 Days of Night” universe?  Or maybe a “Stakeland” TV show?  Looking at you, AMC.

 

 

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Variant cover to “X-Men” #1, Jim Lee, 1991

I previously identified the variant covers for Jim Lee’s first issue as a single four-section fold-out.  That was a mistake.  These were four variant covers for Issue #1 that comprised a larger picture when you placed them side-by-side.

In 1991, this racked up $7 million in revenue from preorder alone, and was entered into the Guinness Book of World Records as the best selling comic book of all time.

 

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Cover to “X-Men” #1, Jim Lee, 1991

I’m pretty sure this defines the concept of a classic cover.

It folded out into four parts.

[Edit 5/8/17: The above is a mistake — these were four variant covers for Issue #1 that comprised a larger picture when you placed them side-by-side.]

 

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Cover to “X-Men Annual,” Jim Lee, 1992

“Shattershot” Part 1.  I had this one!

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