Tag Archives: Steve Niles

She spilleth about Lilith.

So I learned from a friend last night about the mythical significance of Lilith in the Talmud.  This was Adam’s first wife, portrayed in the same books that would later comprise the Book of Genesis — though she was excised from them when they were incorporated into the Bible.  (Yes, I have weird telephone conversations with my friends before bed.)

Aside from being a notable figure for feminists (she demanded equality with Adam), Lilith is alternatively portrayed as an evil or demonic figure.  If I understand correctly, this is because she defied God’s law about Adam’s superiority, essentially “divorced” him, and left the Garden of Eden.  (Jewish tradition holds that Eve was actually Adam’s third wife.)

So now I understand why the name pops up so often for villains in horror films and fiction.  My own favorite is the vampire queen Lilith from the 2010 film adaptation of Steve Niles’ comic series, “30 Days of Night: Dark Days.”  (See the trailer in the first video below.  She’s the girl with the … dark eyes.)  “Dark Days” was a surprisingly terrific movie for a direct-to-video sequel … Niles seems to be the rare creator to have anything he touches turn to gold.  (In addition to the movies, the many comic book limited series under the “30 Days of Night” banner have been almost uniformly excellent … “Dead Space” was pretty clunky and the 2017 reboot was largely unnecessary, but they were both still enjoyable.)

Anyway, the Lilith you see in the trailer was played by the priceless Mia Kirshner.  If she seems a like a familiar female villain, it might be because you remember Kirshner as Mandy, the mysterious, cherubic assassin on “24” (2001-2014).

It also occurs to me now that the name of Frazier’s ex-wife on “Cheers” and “Frazier” was a subtle joke too — complete with an ostensibly psychic character calling her an “evil presence.”

You learn something new every day.

 

 

A very short review of the Season 7 premiere of “American Horror Story” (2017)

I finally got around to watching my first episode of “American Horror Story” last night; I started with this season’s critically praised premiere.  (People have been enthusiastically recommending this show to me for years, and “Game of Thrones” taught me that the bandwagon isn’t always a bad thing.)

I can’t say that I was overly impressed.  Season 7’s opening episode, entitled “Election Night,” consists mostly of heavy-handed political commentary with caricaturized portrayals of both Donald Trump and Hillary Clinton supporters.  Nearly none of the characters are likable; not even the one played by the terrific Evan Peters.  (Yes, comics fans, that’s none other than Quicksilver from the latest “X-Men” movies.)

There is a lot of “scary clown” horror here, as anyone who’s seen any marketing for the show at all should know.  Between that and the political elements, I suspect I am not the right audience for this show.  I simply find clowns obnoxious instead of scary, and political commentary in horror usually falls flat with me.  (I’m the rare horror fan who loves George A. Romero’s work only because it’s scary, without caring much about the social statements he’s supposedly making.)

With all of that said, there actually were a couple of creepy moments late in the game.  And there was one (as of yet, minor) character that I liked — the child of the liberal couple who were so devastated by the election results.  He’s cute, and any kid who hides parentally forbidden horror comics under his pillow is one of my tribe.

I’d somewhat grudgingly rate this a 5 out of 10.

Anyway … scary clowns are ubiquitous now, and we already have the zombie shows we need.  I propose that we bring back … body snatchers.  Those can be terrifying in the hands of a talented writer, and they require no special effects.  Or, what about vampires?  Now that “The Strain” has concluded, how about a well written television excursion into Steve Niles’ “30 Days of Night” universe?  Or maybe a “Stakeland” TV show?  Looking at you, AMC.

 

 

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