20th Century Fox.
20th Century Fox.
Dark Horse Comics.
“Willard” (1971) and its sequel, “Ben” (1972), were another pair of 1970’s movies that got plenty of airtime on 1980’s television. I read both books when I was a kid too.
First I picked up Stephen Gilbert’s Ratman’s Notebooks at a yard sale, because that’s how you found cool horror books during summer vacations when you were too young to drive. (Sometimes adults had few compunctions about what they sold to minors too. I bought a vampire book in gradeschool that was full of nude photos, for some reason, and that led to what I’m sure was an interesting conversation between my parents and the neighbor-proprietor down the street.)
Anyway, I absolutely loved Ratman’s Notebooks (despite its lamentable absence of nude photos) and I finished it in a day or two. The novelization of the “Ben” film by Gilbert A. Ralston was somewhat less impressive, but I still enjoyed it.
If you’re a comics fan, like I am, then it might occur you that “Willard” and his army of trained rats seem to inspire a villain in Batman’s rogue’s gallery — Ratcatcher. Ratcatcher has been a minor league villain since he debuted in DC Comics in 1988, but he’s a pretty neat bad guy when placed in the hands of the right writer.
I feel certain that anyone will recognize Ernest Borgnine in the first trailer below– his face and voice are impossible to confuse with those of another man. If the disaffected, spooky, eponymous Willard looks familiar to you, that’s none other than a young Bruce Davison. He’s a good actor who’s been in a lot of films, but I think a plurality of my friends will know him as Senator Kelly from the first two “X-Men” movies (2000, 2003).
You’ll note the presence of flamethrowers in the trailer for “Ben.” Flamethrowers were a staple of 70’s and 80’s horror films; it was just part of the zeitgeist. They were handy for heroes fighting any nigh-unstoppable nonhuman baddie — think of “The Swarm” (1978), “The Thing” (1982), “C.H.U.D.” (1984), “Aliens” (1986), and “The Blob” (1988), for example. Hell, 1980’s “The Exterminator” featured a vigilante using a flamethrower to kill criminals. It was a weird time.
Because I can’t sleep, and you’ve been dying to know. Here they are, in no particular order:
1) “Memento” (2000)
2) “Fight Club” (1999)
3) “American Psycho” (2000)
4) “Rosemary’s Baby” (1968)
5) “The Rocky Horror Picture Show” (1975)
6) “Monty Python and the Holy Grail” (1975)
7) “Natural Born Killers” (1994)
8) Lucio Fulci’s “Zombi” (alternately titled “Zombi 2,” 1979)
9) “Fast Times at Ridgemont High” (1982)
10) “The Big Chill” (1983)
And … worst of all … I’m kinda on the fence about the first two “The Evil Dead” films (1981, 1987), Stanley Kubrick’s “A Clockwork Orange” (1971) and John Carpenter’s original “Halloween” (1978). I am hanging my head in shame here over those last two. I know Kubrick’s film is considered a masterpiece. I saw it twice when I was a college student (once in a psychology class!), soooo … maybe I just wasn’t mature enough to grasp it? Mea culpa, people.
I left “Citizen Kane” (1941) and “Ben Hur” (1959) off the list, because I haven’t seen them in their entirety. I was nonplussed enough to turn those off after 40 minutes or so, but I’m weird about never saying I dislike a movie unless I watch the whole thing. You can add 1979’s “Phantasm” to this category too.
I know, I know … there’s nothing wrong with any of these films (except “Fast Times at Ridgemont High,” of course, which is terrible). There are just basic ingredients in them that I somehow fail to appreciate.
Now one of you needs to e-mail me a cure for insomnia.
This is not the complete sonnet. Neither is it necessarily the best translation of Dante’s original words. It is merely one of the more direct and literal translations that one can find online (and it’s therefore easy to read). Fans of Ridley Scott’s “Hannibal” (2000) might recognize this as being featured in the film.
I am part of a happy minority where “Alien Covenant” (2017) is concerned — I keep hearing about “meh” or negative reactions from my friends, but I quite enjoyed it. I’d rate it a 9 out of 10.
No, this second installment in the “Alien” prequel trilogy doesn’t bring much new to the table. It often seems like a collection of common tropes, and borrows a bit from previous films in the franchise — especially the first movie in 1979. Some aspects of it — like a predictable and slightly gimmicky development late in the story — even feel like horror movie cliches. (I am doing everything I can to avoid spoilers, so forgive how vague I’m being here.) “Alien: Covenant” isn’t groundbreaking, and it isn’t destined to be called a “classic.”
Here’s the thing, though — all of the movie’s common tropes are exactly what make fans happy. Think about it … if you had to name two “Alien” movies as unique or the most divergent, they might be the heady, ambitious “Prometheus” (2012) and the baroquely experimental “Alien: Resurrection” (1997). Whatever their failings, both of those movies deserve points for creativity. And they are among the three films that fans hated the most. (The third here is the smartest and most underappreciated installment, 1993’s brilliant “Alien 3.”)
With “Alien: Covenant,” Ridley Scott gives fans exactly what they were clamoring for — a frightening, gory, space-based horror film with creatively designed monsters and some nasty surprises. It very much returns to the tone of the first film. It is even jarringly darker than “Prometheus,” which was defined partly by its moments of cautious optimism. And, more than any other sequel, it seems directly inspired by the grotesquerie of H. R. Giger’s original, nightmarish monster designs. I feel certain this movie would have received the late artist’s blessing. (I could name a certain scene and an excellent surprise story development, but I won’t.)
Michael Fassbender shined in his two roles here. (He not only reprises his role as the android, “David,” but also portrays a newer model, “Walter.”) The rest of the acting was roundly good too.
I also found the movie nice and scary. I, for one, don’t think Scott’s direction of action scenes here is perfect. (They are harder to follow here, for example, than his beautiful arena melees in 2000’s “Gladiator.”) But they were still effective.
So this return to form made me pretty happy. I didn’t want another muddled attempt at profundity like “Prometheus.” Nor did I want a winding, bizarre, arthouse-horror tale like “Resurrection” — that movie was like a poorly written, drug-fueled comic book. I wanted a first-rate sci-fi horror show with lots of monstery goodness, and that’s what I got.
If I had to pick a criticism of “Alien: Covenant,” I’m surprised to have to point to some less-than-stellar CGI. This was something I noticed from early trailers for the film, and I’m surprised I haven’t heard another reviewer mention in it yet. One scene rendered a title baddie about as well as a modern video game, albeit a good one. Another’s depiction of an upright “neomorph” seemed … fairly bad. (Fans of decent creature features shouldn’t despair, however — there are still some outstanding monster moments, and no small amount of accompanying gore and goo.) Have I just become spoiled by the amazing dinosaur effects of 2015’s “Jurassic World?” I don’t think so … I suggest that the otherwise lamentable “Alien: Resurrection,” with its combination of CGI and practical effects, had far better creature effects than this newest outing.
Of course I recommend this movie. Maybe I should only do so with the caveat that I am (obviously) a huge fan of the series. It has been said that I’m easy to please, too — I actually gave a glowing review to “Prometheus” shortly after its release, before wiser minds pointed out to me its sometimes egregious flaws. (A friend of mine shared with me one of those “Everything Wrong With” videos that CinemaSins produces … it’s a hilarious webseries, but it sure will dull the shine of some of your favorite movies, lemme tell ya.) Your mileage may vary, especially depending on how much you enjoy horror movies, as opposed to more general science fiction.
Oh! There is a mostly non-sequitur postscript that I can’t help but add here … yet another one of my movie prognostications was flat out wrong. It isn’t a spoiler if it’s a far-out prediction that didn’t happen, so I’ll go ahead and share it here … during one of the ads for “Alien: Covenant,” I could swear I heard a character call out the name “ASH!!!!” (I’ve evidently started hallucinating at the start of mid-life.) I predicted that the new and robotic Walter would turn evil, and actually become the android named Ash in the 1979 original. (And why not? Androids do not age, and a web-based prologue for “Alien Covenant” suggests their faces can be easily swapped out.) I further predicted that the more human David would be pitted against him in order to save humanity somehow from alienkind. (These things do not happen.)
I still think that’s a pretty clever idea, though, even if I only accidentally arrived at it. It would be great if that happened somehow in the planned “Alien: Awakening.”
“The Belko Experiment” (2016) is a fairly gut-wrenching and potent horror film. I was going to describe it as “Battle Royale” (2000) meets “The Office” (2005 – 2013). But, from the looks of the poster, somebody more or less beat me to it.
As you can imagine, there is a sequence of blood-curdling events after the workers of an entire office building are forced to fight one another to the death. It’s made all the more horrifying (and a bit sad) by a surprisingly effective early montage that shows these people are indeed likable and relatable.
I’m not sure how I feel about the ending. There’s a twist that is nicely satisfying, I’ll grant the movie that. But there was far too little exposition, and a closing shot that was a little too ambiguous and open-ended … maybe even abstract. I’d be happier if the person doing the talking told us a lot more. If you think about it, they mostly just reiterated what various characters had hypothesized earlier.
This film has a couple of “I swear I know that guy” actors. These include Tony Goldwyn, who I last remember from 1990’s “Ghost.” Turns out he’s a damn fine actor (in addition to being one of those people who weirdly appear to age little or not at all). They also include John C. McGinley, Owain Yeoman and Michael Rooker. And if you think you can recall the gentle giant played by Abraham Benrubi, the actor is none other than “Big Mike” from the classic “The X-Files” episode, “Arcadia.”
I was going to rate “The Belko Experiment” a 9 out of 10; it was exceptionally good. But I was just too nonplussed by that rushed ending, and I think I’ll settle on an 8.