Tag Archives: 1959

Album Cover for Jackie DeShannon’s “Trouble,” 2023

Transatlantica. The song “Trouble” was originally recorded and performed by Elvis Presley in 1958. DeShannon first recorded her version a year later.

Poster for “Some Like It Hot” (1959)

United Artists.

Cover to “House of Secrets” #22, Dick Dillin & Sheldon Moldoff, 1959

DC Comics.

A few quick words on “Dark Matter” Season 1 (2024)

“Dark Matter” (2024) is easily one of the best science fiction tv series I’ve ever seen.  It’s like “Sliders” (1995-2000) got together with “North By Northwest” (1959) to create an homage to Homer’s “Odyssey.”  I’d cheerfully rate Season 1 a 10 out of 10.

I had two concerns about whether I would enjoy “Dark Matter,” after it was recommended to me by a college alumnus.

First, I was afraid that it would be too campy.  C’mon … a nice guy being kidnapped by his evil twin from a parallel universe?  That’s a potentially cheesy plot device, and one I feel certain I’ve seen more than once before … maybe “The X Files” (1993- 2018), or some iteration of “The Outer Limits.”  But this is a surprisingly grounded story that assiduously sticks to realism in its tone and plotting (even if it’s occasionally injected with an effective jolt of horror).

Second, I thought it might be too hard for me to follow.  Its premise relies not only on physics, but on the enigma of the “Schrodinger’s cat” thought experiment.  (I will never truly understand it, no matter how many times I pretend to on Facebook.  Reality is objective!)  But the storytelling here is direct and easy to follow, even if the (logical) surprises take the viewer happily off guard.  If my ADHD-afflicted brain could follow the story, then so can you.

And Season 1 ended so perfectly that I’m not even sure I wan a second season.  (It has been renewed by Apple+ TV.)

I definitely get the sense that “Dark Matter” benefitted from having Blake Crouch as the showrunner and head writer.  (Crouch is the author of the 2016 novel that is its source material).  And it’s got great performances by Joel Edgerton, Jennifer Connelly, Alice Braga and Jimmi Simpson.

It’s really good stuff.  Check it out.



Cover to Stuart Friedman’s “Nikki,” art by Robert Maguire, 1959

Monarch Books.

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Photo of Loew’s State Theater by Björn Erik Lindroos, 1959

During the world premiere of Metro-Goldwyn-Mayer Studios’ “Ben Hur.”

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Throwback Thursday: MST3K’s 1993 riffing of “Santa Claus” (Season 5).

Here’s a weird, wonderful, possibly offensive clip from the classic days of Mystery Science Theater 3000.  This is from the show’s fifth season; it originally aired in 1993.  The movie that Mike and the bots are riffing is 1959’s “Santa Claus.”  [I am linking below to MsHandsanitizer’s channel on Youtube.]


“Polio Could Strike You” vaccination ad, Ministry of Health, 1959

Britain.  Newspaper advertisement.

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Cover of “Amazing Stories,” Gabe Keith, January 1959

Ziff-Davis Publishing.

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Throwback Thursday: “The Singing Cave,” by Eilis Dillon

Eilis Dillon’s “The Singing Cave” was another favorite childhood book of mine for the obvious reasons — a young boy explores a seaside cave and discovers a Viking skeleton, complete with a sword and armor.  That pretty much hit all the right notes for me when I was in early gradeschool in the 1980’s.  (Some sort of age-appropriate young-adult mystery unfolded after the skeleton disappeared, possibly involving the townspeople, but I don’t even remember that very well.  What thrilled me and stayed with me was the kid finding a armored Viking skeleton in a cave.)

The book was published first in 1959 in the United Kingdom by Faber & Faber; Dillon was Irish and the story was set in Ireland.  It was released here in America the following year by the now defunct Funk & Wagnalls — the same company that produced those huge reference books that Gen X’ers remember lugging around before the arrival of CD-Roms.  (Funk & Wagnalls is a name I haven’t heard in a very long time.  It turns out they quite bein’ a thing in 1997.)

I went through one hell of a Viking Phase when I was a kid.  (I suppose it wasn’t too different from other kids wanting to be pirates.)  I was thrilled with stories about Leif Erikson, and I was pretty happy that his last name sounded like my first.  It would be years later when my parents told me that I was actually named after another Viking, Erik the Red, albeit very indirectly.  (My parents like the name featured in the “Erik” cigars television commercial.)

I might have talked about this at the blog before, but I even constructed my own “Viking ship” with the kid next door when I was very young.  It probably wasn’t seaworthy; it was really just a wooden pallet with some two-by-fours nailed together as a mast, and a white sheet for a sail.  (Where had we gotten that sheet?  It seems to me that if I’d stolen it from the laundry, I’d have gotten into some trouble for that with my Mom.)  Bizarrely, my friend and I etched a bright red Spanish Cross on the sail  — even though that emblem had nothing to do with the Vikings.  You kinda can’t excuse our stupidity because we were kids … we’d seen plenty of pictures of the Nina, the Pinta, and the Santa Maria in school.

My Dad also cautioned me and my buddy that our Viking ship might not float.  (The hindsight of adulthood assures me that it definitely wouldn’t have floated, but my Dad didn’t want to dash our hopes too abruptly.)  He explained to us patiently in the backyard that in order for something to float, it had to “displace its own weight in water.”  And … I actually understood that, surprisingly enough.  It’s probably the only physics lesson I’ve understood in my life.

In fact … I don’t think we even had a plan in place for moving that boat from the backyard to the water.  We were so enamored with the concept of shipbuilding that we kinda didn’t think things through very far at all.

 

 

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