I’m probably being a mother hen.

I do that a lot.  I’m pretty sure it’s gotten worse after I hit 50.

But PLEASE do not look at the eclipse at ALL Monday without eclipse glasses.  You really can go blind like that.




“After a Thunderstorm,” Arkhip Kuindzhi, 1879

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An earthquake and an eclipse within four days of each other?

I hope Demi Moore’s unborn child is okay.

(IYKYK.)



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(And I feel so hollow about it.)

My brain: concentrate on the task in front of you.

Also my brain:

My horse-fake brings all of Troy to the yard.
That’s right — its belly holds swords!
That’s right — its belly holds swords!
Gonna teach them — with a Graecian charge!



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Le Cheval de Troie, Henri-Paul Motte, 1874

Throwback Thursday: “Enemy Mine” (1985)!

Louis Gossett Jr. passed away last week at the age of 87.  While everyone else is remembering him for “An Officer and A Gentleman” (1982), we 80’s sci-fi kids are remembering him for 1985’s “Enemy Mine.”

I am linking here to Vintage Movie Trailers on Youtube, by the way.



Poster for “Alien” (1979)

20th Century Fox.

Alien poster

Guys, I have absolutely not joined a modern dance troupe.

That post on Monday about joining the “Apollo Fridays” dance company was absolutely an April Fool’s Day joke.  If the anagram didn’t clue you in, then the villain names from FOX’s “24” probably should have (even if it’s fun to imagine Nina Meyers, Victor Drazen and Stephen Saunders conspiring to produce a national modern dance tour).

I really hope no offense was take by any of the people who believed me?  The wife of one of my college buddies wanted to support me by attending a show in Washington.  And another college friend actually is a modern dancer who really wanted to encourage me.  You guys are all so cool, your support for my faux accomplishment actually was touching!



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“The Heathen” from “Basel’s Dance of Death” by Matthäus Merian, 17th Century

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I’ve been recruited by the Apollo Fridays Dance Company for the “Gray Gardenias” modern dance tour!

I am absolutely honored to share here that my creative life has taken an exciting new direction — and one with a distinction for which I am incredibly grateful.  The Apollo Fridays Dance Company has selected me to train and perform with its “Gray Gardenias” modern dance tour for a period of one year between July 1, 2024 and July 1, 2025.

For those of you outside the theater community, the “gray” movement in today’s modern dance world refers to older performers (generally over age 50) who want to “rejuvenate the culture in a way that incorporates older dancers, to show that dance is an avenue of expression for all ages.”  (And those of you who’ve known me since my Mary Washington College days know that I minored in dance there under the apt tutelage of Professor Nina Meyers.)

Apollo Fridays’ national “Gray Gardenias” tour begins in just three short months.  (Although the tour is nationwide, my segment of the program will take me only throughout the mid-Atlantic states.  I am thrilled that I will appear on the stages of both The Kennedy Center and The Arena Stage in Washington, D.C.!)  I will be traveling to Washington no fewer than three times per week for training, so you will be seeing a lot less of me on social media.

I am incredibly grateful to both both Apollo Fridays Executive Director Victor Drazen and Casting Director Stephen Saunders for this once-in-a-lifetime opportunity.

Remember, guys, DANCE LIKE NOBODY IS WATCHING.  Except … in my case, people WILL be watching, I guess.  Wow.



Company-Dancers

Photo credit: By Eli Katz – Photoshoot of JDT Company show The Return of the Unicorn, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=120909482

“Sunrise Over Montalet, Seen From Molières sur Cèze,” Thierry Peseux, 2009

Oil on canvas.

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Nurse Your Favorite Heresies in Whispers