I was actually very surprised when I discovered this week that Carvel Ice Cream wasn’t a small, local chain that inhabited only my native Long Island. I hadn’t heard word one about Carvel since I was a kid; I always assumed that the strange, ubiquitous TV and radio ads for “Cookie Puss” and “Fudgie the Whale” were strictly a New York thing. But there were 865 stores throughout the United States in 1985; my friend in Texas even recognized the name.
I think my confusion is easy to understand, considering the weird ads that I mentioned above. The first thing that most people remember about Carvel usually isn’t the chain’s crude looking novelty ice cream cakes. The first thing they remember is founder Tom Carvel’s voice, which you can hear in the videos below. It … did not please the ear. Polite people almost always describe it as “gravelly;” the less charitable remember it with descriptors such as “phlegm-filled.”
The latter folks are not wrong. Seriously. I cringed when I heard it as a kid, no matter how much I loved the store’s wares. (And I did love it; it was an absolute treat when my parents took me there.) It sounded like a man dying of a chest cold was trying to sell me ice cream. I even remember my parents talking about it.
Carvel was a independent personality who insisted on recording the ads himself since 1955, and he recorded them unrehearsed — even going so far as to set up a production studio at his company’s headquarters, according to Wikipedia. Carvel Ice Cream was a true small-business success story, and many credit the brand’s popularity with Carvel’s extemporized, conversational voiceovers — even if they were awkward.
And that kind of makes sense. The commercials were memorable. Maybe the owner’s voice evoked images of Stephen King’s superflu in “The Stand,” but that didn’t dissuade you from visiting a store for its trademark soft-serve ice cream. (You figured he wasn’t actually working the counter, where he could cough into your dessert.)
I don’t understand why the 2016 remake of Eli Roth’s “Cabin Fever” (2002) is so hated by critics and audiences. It has a 0% rating over at Rotten Tomatoes, and reviews of the movie are withering. I personally thought it was a very well made horror film; I’d rate it at least an 8 out of 10.
Sure, I understand the criticisms. This is definitely an unneeded remake. And the new cast here feels bland compared to the doomed vacationers in Roth’s campier, weirder outing 14 years prior. (Although this isn’t a shot-for-shot remake, it still proceeds mostly from his original script.)
But the new “Cabin Fever” is well filmed, and it’s damned horrifying. Director Travis Z significantly ups the gore, violence and frightening imagery — it’s not for the squeamish. It passes the litmus test for decent horror movies, because it scared me.
Maybe I’m just partial to Roth’s basic story concept — a terrifying new illness that jumps from person to person in an isolated location from which it’s difficult to escape, turning them against one another. It’s precisely the same plot driver as the one for John Carpenter’s “The Thing” (1982), which is among the greatest sci-fi/horror films of all time. And I suppose Roth’s story could be taken as modern retelling of Edgar Allan Poe’s “The Masque of the Red Death,” with some of the director’s sadism and unique black humor injected into it via his screwball, eccentric characters. Remake or not, this is still a creative change of pace from a genre consistently overcrowded with slashers and shrieking ghosts.
If you enjoyed my 100-word horror story, “Denver Disappeared Wednesday,” when it was published yesterday in Microfiction Monday Magazine, then you can find a bit more of my microfiction right here at the blog.
Just click the link below to get to my flash fiction page:
Be not afeard; the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again: and then, in dreaming,
The clouds methought would open and show riches
Ready to drop upon me that, when I waked,
I cried to dream again.
— Caliban, in William Shakespeare’s The Tempest, Act III, Scene II