Poster for “Anna Christie” (1930)

Metro-Goldwyn-Mayer.

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A very short review of “Greta” (2018)

“Greta” (2018) has some of the ingredients of a fantastic thriller: an interesting story concept and the talents of both the wonderful Chloe Grace Moretz and the extraordinary Elizabeth Huppert.  It’s beautifully shot, too.   (Weird trivia — what you’re seeing in much of the film outside of the obvious establishing shots is Dublin, and not New York.  It turns out the Irish city can make a pretty plausible stand-in for the upscale neighborhoods of Brooklyn or Manhattan.)

Regrettably, those ingredients nevertheless combine into an average film; I’d rate this a 5 out of 10.  Until its final half hour or so (when there are a few nice moments, thanks to Huppert), it’s far too slow in its execution.  The tone of the movie feels somehow off, too.  The city is bright and beautiful.  Moretz’ character and her roommate (well played by Maika Monroe) feel too strong and capable to become truly imperiled.  Worst of all, the titular Greta comes across during most of the movie as a vague and ineffectual threat.  (There is a sequence in which she harasses Moretz by simply standing outside her workplace and staring.  It’s unintentionally funny — you’ll know what I mean if you see the movie.)

Don’t get me wrong — this isn’t a truly bad film, only a mediocre one.  If the trailer suggests you might like it, it’s worth the price of a Redbox rental to find out.

 

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“Woman Writing a Letter with Her Maid,” Johannes Vermeer, circa 1670

Oil on canvas.

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“An Ode for Fellow Replicants,” by Eric Robert Nolan

(Dedicated to Philip K. Dick)

What if the Internet is an android’s dream,
and we are the electric sheep?

Dick would know at once
our artificial people:
every boy a Roy,
every girl a pleasure model,
trying to pass as real,
inwardly concerned with their design:
“Morphology. Longevity. Incept dates.”

On Facebook,
“More Nolan than Nolan”
is my motto.

If I, in my genuine moments,
could greet my jpeg face
hiding in his electronic words,

he’d go offworld or die.
After all,
“It’s not an easy thing to meet your maker.”

(c) Eric Robert Nolan 2016

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Photo credit: By olga.palma – facebook enganchaUploaded by JohnnyMrNinja, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=16525385

Cover to “Batman Annual” #16, Sam Kieth, 1992

DC Comics.

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“Redbud Leaves,” by Eric Robert Nolan

Falling early, in July,
are perforated tapered spades,
or the honeycombed arrows of hearts —
beetle-bitten redbud leaves.

(c) Eric Robert Nolan 2017

 

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Poster for “Black Mirror” Season 3, 2016

Endemol Shine UK, Netflix.

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“Lie To Me, But Brightly,” by Eric Robert Nolan

The moon ignites her eyes
into glittering locks:
heavy, hard and bright.

In this early winter air,
Her whispers are verdicts. Starshine
falls across us like judgement.

We are fastened down
with new wool blankets, with sheets,
with one another.

The looming headboard, her mother’s gift,
is firm in its oak location, yet yawns —
the padlock’s empty eye.

Reclining, her white stomach is
a burning opal, and, under my palm,
a fluttering altar.

Her winding legs
are the snowy tails of comets —
our bedsheets’ burning stars.

She draws up against me.
She draws against my heart
like an unwanted memory.

Lie to me, she says. Lie to me, but softly.
I want to see your lips move
as slowly as the moon will cross the sky.

Lie to me, she says. Lie to me, but brightly.
Your words are as formless as starshine,
as insubstantial as light.

Lie to me, she says. Lie to me, nightly,
when your eyes are as dark in your forgeries
as midnight’s measureless heavens.

Lie to me, she says. Lie to me in lilting verse.
Paint for me the universe,
and I will forget you are here.

Then she crosses her wrists
in pearling benediction, under her glowing shoulders,
softly, silvering in shadow there,

in intersecting, sloping ivory,
the smooth and luminous, leaning crucifix
of consequence, of her trembling arms.

(c) Eric Robert Nolan 2019

 

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Photo credit: By Lawrie Cate – Moon, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=3684899

“Krakowianka,” Piotr Stachiewicz

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A buddy of mine ate nine eggs in one sitting.

What you see below was a single meal for this guy.  That’s six chicken eggs and three duck eggs.  The plate is a regular-sized dinner plate.

He told me he’d probably be hungry again in about two hours’ time.  He has a normal body weight.

I think he might be on of The X-Men.

 

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Nurse Your Favorite Heresies in Whispers